• Proceedings of the KAIS Fall Conference
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• 2011.05b
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• pp.704-707
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• 2011

본 논문에서는 요람기부터 해방을 전후한 시기의 대중가요의 선율 유형을 연구하고자 하였다. 총 109 편의 가요를 분석하는 방법으로서 작품의 첫 제시에 사용된 선율 유형들을 분류하였으며 그 결과 일련의 '선율 그룹(tune family)'이 도출되었다. 이렇듯 유사한 선율들을 범주화하는 작업을 통해 초기 대중가요의 음악적 성격을 이론화하는 것이 본 논문의 목적이다.

• The KIPS Transactions:PartD
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• v.11D no.3
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• pp.495-508
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• 2004

Recently, in content-based music information retrieval systems, to enhance the response time of retrieving music data from large music database, some researches have adopted the indexing mechanism that extracts and indexes the representative melodies. The representative melody of music data must stand for the music itself and have strong possibility to use as users' input queries. However, since the previous researches have not considered the musical composition forms, they are not able to correctly catch the contrast, repetition and variation of motif in musical forms. In this paper, we use an index automatically constructed from representative melodies such like first melody, climax melodies and similarly repeated theme melodies. At first, we expand the clustering algorithm in order to extract similarly repeated theme melodies based on the musical composition forms. If the first melody and climax melodies are not included into the representative melodies of music by the clustering algorithm, we add them into representative melodies. We implemented a prototype system and did experiments on comparison the representative melody index with other melody indexes. Since, we are able to construct the representative melody index with the lower storage by 34％ than whole melody index, the response time can be decreased. Also, since we include first melody and climax melody which have the strong possibility to use as users' input query into representative melodies, we are able to get the more correct results against the various users' input queries than theme melody index with the cost of storage overhead of 20％.

• Proceedings of the Korea Information Processing Society Conference
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• 2003.11c
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• pp.1403-1406
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• 2003

XML이 가지는 다양한 장점을 이용하기 위해, 음악을 XML로 표현하려는 다양한 연구가 계속되고 있다. 그러나, SMDL, MNML, MusicXML과 같은 기존의 연구는 악보상의 정보를 그대로 표현하거나, 전자 음악의 표준인 MIDI 포맷과의 상호교환성을 중심으로 연구되어 왔기 때문에 음악에 대해 구조-내용 기반 복합 검색을 하기에는 부적합하다. 이를 해결하기 위해 본 논문에서는 음악의 대표 선율을 이용한 구조-내용 기반 복합 검색을 위한 XML 스키마를 제안한다. 먼저, 본 논문에서는 사용자가 질의할 가능성이 높은 첫 동기, 절정, 일정 유사도 내에서 반복되는 주제 선율을 해당 음악을 대표하는 선율로서 XML 스키마에 표현하였다. 제안한 XML 스키마에 대해 XML 질의 언어를 이용하여 구조-내용 기반 복합 검색시 전체 선율을 검색하지 않고 대표 선율만을 검색하여 사용자의 응답 시간을 빠르게 할 수 있다.

• Journal of KIISE:Databases
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• v.30 no.5
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• pp.507-520
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• 2003

In this paper, an automatic construction method of theme melody index for large music database and an associative content-based music retrieval mechanism in which the constructed theme melody index is mainly used to improve the users' response time are proposed. First, the system automatically extracted the theme melody from a music file by the graphical clustering algorithm based on the similarities between motifs of the music. To place an extracted theme melody into the metric space of M-tree, we chose the average length variation and the average pitch variation of the theme melody as the major features. Moreover, we added the pitch signature and length signature which summarize the pitch variation pattern and the length variation pattern of a theme melody, respectively, to increase the precision of retrieval results. We also proposed the associative content-based music retrieval mechanism in which the k-nearest neighborhood searching and the range searching algorithms of M-tree are used to select the similar melodies to user's query melody from the theme melody index. To improve the users' satisfaction, the proposed retrieval mechanism includes ranking and user's relevance feedback functions. Also, we implemented the proposed mechanisms as the essential components of content-based music retrieval systems to verify the usefulness.

• Proceedings of the Korean Institute of Navigation and Port Research Conference
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• 2013.06a
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• pp.60-61
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• 2013

One of the most important indicators for measuring service level and productivity of the port may be a demurrage rate. Currently, in the case of grain terminal of Busan North Port, demurrage rate are recognized at a very high level, in order to improve this, it is tilted more effort operational. In order to reduce the demurrage, there is a way expansion of facility of hardware, such as the replacement of aging equipment, and how manipulative assignment rules of the apparatus of the operation on the software side, such as changing the order of facility allocation. If the financial reasons are out of question, it is possible to expand to reduce the demurrage rate by operational way. Therefore this paper deals with how to operate some of the allocation rules and silo allocation rules of equipment to reduce the work hours with model and how to operate basic equipment and grain terminal of Busan North Port want to be seen by comparative analysis.

• Journal of KIISE:Software and Applications
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• v.34 no.12
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• pp.1037-1044
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• 2007

Recently, we extract the representative melody of the music and index the music to reduce searching time at the content-based music retrieval system. The existing study has used MIDI data to extract a representative melody but it has a weak point that can use only MIDI data. Therefore, this paper proposes a representative melody retrieval method that can be use at all audio file format and uses digital signal processing. First, we use Fast Fourier Transform (FFT) and find the tempo and node for the representative melody retrieval. And we measure the frequency of high value that appears from PCM Data of each node. The point which the high value is gathering most is the starting point of a representative melody and an eight node from the starting point is a representative melody section of the audio data. To verity the performance of the method, we chose a thousand of the song and did the experiment to extract a representative melody from the song. In result, the accuracy of the extractive representative melody was 79.5% among the 737 songs which was found tempo.

• (The) Research of the performance art and culture
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• no.34
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• pp.383-421
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• 2017

Because the Jitsori and the Hotsori of the Beompae(the Korean Budhhist chant) has no meter and no Jangdan(a Rhythmic cycle of the Korean Music), so it is hard to analyze the melody of the Beompae. Also the melody of the Beompae is different from that of the other Korean traditional music, so studying of the Beompae has been out of the limelight of many scholars, studying the Korean music. But the melody of Beompae had been handed down for thousands of years in Korea, it and other Korean trditional music, had exchanged the impacts each other for a longtime. So I thinks that the Korean Beomapae have shared the similarity of the musical features with the other Korean traditional music. Because the Beompae of the Bulmosan Yeongsanjae on the Geongsangnamdo province has also no meters and no Jangdan, it is difficult to understand, too. But because the Onghoge of Bulmosan Yeongsanjae have a well-regulated melodic structure in comparison with the Beompae of the Seoul province, so called Geongjae Beompae, it seem to be easy to analyze its melody. So I will analyze the melody of Bulmosan Yeongsanjae Onghoge. This analyze should be contribute to investigate the rule of the melodic progress method on the convoluted Beompae melody. Onghoge has been sung on the procedure for Siryeon, Samsiniun(Goebuliun), Jojeonjeoman, Sinjungjakbeop. And the monk for the ritual has sung the chant first to purify the ritual place and to protect the soul. They has called the song, Onghoge a Jitsori at the Bulmosan Yeongsanjae preservation society of the Gyeongnam province. Commonly, there were Jitsori and Hotsori in the Beompae melody, and the melody of Jitsori is longer than that of the Hotsori. So, the melody of Onghoge is lengthened. In other word, the melody of the Onghoge show the lengthened and curved melodic feture of the Beompae very well. Hahn Manyeong, who had studied on the Beompae, Budhhist chant, said that the Hotsori has five letters in a phrase, and there were 4 phrases in a song. And he had insisted that the form of the song, Hotsori, is ABAB. I analyze the melody of the Onghoge by the Hahn's method. I will extract the Wonjeom(a primary tone of a skeletal melodic structure) from the melody of Onghoge, and in the progress of the Wonjeom of Onghoge melodies, I will arrange the repeat of the Wonjeom melody. It is a structural melody of Onghoge. The first phrase of Bulmosan Yeongsanjae Onghoge, 'Pal bu geum gang ho do ryang(八部金剛護道場)' have 4 structural melodies, the second phrase 'Gong sin sog bu bo cheon wang(空神速赴報天王)', the third phrase 'Sam gye je cheon ham le jip(三界諸天咸來集)', the firth phrase 'Yeo geum bul chal bo jeong sang(如今佛刹補禎祥)' have 2 structural melodies each. The structural melodies of Onghoge are 10 in total. And the structural melody of the Onghoge is formed the shape of 'Mi - La - do - La - Mi'. All of the Onghoge melodies is repeated 10 times by the melodic shape. The form of the Onghoge is not ABAB by Hahn, but is 10 times repeat of the shape.

• Proceedings of the Korea Information Processing Society Conference
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• 2005.11a
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• pp.683-686
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• 2005

주어진 악곡의 성격을 파악하거나 악곡속의 주요정보를 추출하기 위해서는 해당 악곡의 양식파악이 선행되어야 한다. 이에 본 논문에서는 선율간 유사도 분석을 통하여 악곡의 양식을 판별하는 방안을 모색하였다. 선율간의 유사도를 분석하기 위한 방법으로 Hofmann-Engl 의 Conceptual Framework을 사용하였다.

• Proceedings of the Korea Information Processing Society Conference
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• 2005.05a
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• pp.751-754
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• 2005

본 논문에서는 음악 수사법에 기초한 악곡의 주제선율 추출법을 제시한다. 이는 음향학적 신호처리 기술을 이용하는 기존의 수리적인 방법과는 구별된다. 본 방법을 이용한다면 주어진 곡에서 두 마디 정도의 주제선율을 추출해 낼 수 있어, 원하는 곡을 짧은 시간 안에 선별하거나 특정 곡의 전체적인 분위기를 미리 추측해 보는 것이 가능할 것이다.

• Journal of the Korea Society of Computer and Information
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• v.11 no.4 s.42
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• pp.137-145
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• 2006

A user remembers a melody as not the combination of pitch and duration which is written in score but the contour which is composed of the relative pitch and duration. Because of the way of remembering a melody the previous Music Information Retrieval Systems which uses keyboard Playing or score as the main input melody are not easily acceptable in Query By Humming Systems. In this paper, we mention about the considerable checkpoints for Query By Humming System and previous researches. And we propose the feature extraction which is similar with the way of remembering a melody and similarity computation algorithms between melody in humming and melody in music. The proposed similarity computation algorithms solves the problem which can be happened when only uses the relative pitches by using relative durations.