• Proceedings of the KAIS Fall Conference
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• 2011.05b
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• pp.1041-1043
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• 2011

본 연구는 음악의 유형에 따라 인체의 생리적인 변인과 운동성이 어떻게 변화하는지 알아봄으로써, 향후 치료를 시행할 때 음악을 함께 적용하는 것에 대한 가능성과 적용 가능한 음악적 성향을 제시하고자 한다. 20대의 여성 30명을 3주 동안 자율신경계를 활성화 시킬 수 있는 음악과 자율신경계를 침체시키는 음악을 다른 날 각각 들려주었다. 악력, 혈압과 민첩성을 음악을 들려주기 전후에 각각 측정하였다. 침체시키는 음악을 들려준 경우는 수축기 혈압과 악력은 낮아졌으며, 민첩성은 침체시키는 저하되었고, 활성화시키는 음악에서는 높아진 것으로 나타났다. 치료를 실시할 때 환자의 상태와 병적 증상에 맞는 적절한 음악을 선택하여 들려줌으로써 보다 효율적인 치료가 제공될 수 있으리라 생각한다.

• Journal of Music and Human Behavior
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• v.5 no.2
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• pp.93-102
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• 2008

In Jungian theory the developmental stages of human life are symbolized as a circle that represents the wholeness, and the open ended process towards the wholeness is called Individuation. In the belief that every human being has his or her own "Music Child" that represents one of the creative, genuine, healthy cores of the self, we are all musical beings, and each individual has his or her own relationship to music. Musical individuation therefore refers an open-ended process towards the wholeness in music. Being a Nordoff-Robbins Music Therapist, who values the therapeutic essence of innate creativity and uses improvisational music to maximize it, helped me realize that not only the client but also the therapist has to reach his or her own musical self, Music Child, in order to facilitate any change or growth through music. This realization led me to start a journey towards my own musical individuation. Hence, this essay is a very personal document illustrating my ongoing journey towards musical individuation that will allow me to become more whole and genuine in music.

• Journal of Music and Human Behavior
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• v.11 no.1
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• pp.39-62
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• 2014

The purpose of this research was to review the music choices of GIM therapists in GIM. Seven databases and nine music therapy journals were searched with keywords such as "Guided Imagery and Music", "GIM", "Helen Bonny", "Bonny method", "Music and Imagery" and "BMGIM" between 1964 to 2013. Every abstract was confirmed to see whether it meets this research topic. 12 of 126 articles that described the reasons for music choices were selected. It is the result of narrative literature review that GIM therapists chose music to match clients' qualities of moods, emotions, feelings related with issues and clients' themes in therapy. In 5 articles among the 12 articles, authors chose music with considering music elements analytically to match clients' states. Reasonable explanations for music choice were reviewed in these 5 articles. There were limitations to obtain common facts between articles because most of 126 articles were case studies which described from therapists's point of view in a qualitative way. A more fundamental research is required to obtain rationales of music choices in GIM as a music-centered music psychotherapy for the further research.

• Proceedings of the Korean Society of Computer Information Conference
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• 2013.07a
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• pp.127-128
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• 2013

최근 'healing'이라는 단어가 여기저기에서 많이 사용되고 있다. 과도한 업무와 스트레스에 지친 직장인들뿐만 아니라 학생들까지도 'healing'을 찾고 있는 추세이다. 그러다 보니 자연스럽게 명상이나 요가, 음악 치료와 같은 심신의 건강, 회복과 정서적인 안정을 위한 여러 가지 활동들을 찾게 되었으며 스마트폰이 발달함에 따라서 지금은 스마트폰의 애플리케이션을 이용하여 쉽고 간편하게 음악 치료를 이용하고 있으며, 두뇌와 비타민의 합성어인 BTamin 음악이 유행처럼 번지게 되며 뇌파 (Bectro Encephaio Graphy : EGG)에 대한 관심도 높아졌다. 본 논문은 안드로이드 마켓의 Music Therapy for sound sleep 애플리케이션의 알파 웨이브 음악을 RightMark Audio Analyzer 프로그램을 통하여 분석 해보았다.

• The Journal of the Korea Contents Association
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• v.12 no.8
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• pp.429-437
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• 2012

The purpose of this research aims to find the changes resulted from the collaboration of colors, harmonies, and dynamics within a music. Through this research model, psychologically change of color and harmony, dynamics have explored to collect the resources for the research of the visual media music therapy program. In video media, music is utilized as non-verbal communication in many areas. The connection between melodies and colors, especially, is one of the most effective instrument to reduce the gap between realities and imagination, thus leading emotional inspiration. Gim's(Guided Imagery and Music) model of musical therapy strives to understand inner-side of human nature, and gives an insight into self-understanding. We would like to promote active, and physical model of musical therapy aside from passive existing mode, and apply it as the base resource for our ever-changing society, and teenage education.

• Journal of Music and Human Behavior
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• v.17 no.1
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• pp.1-24
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• 2020

The internship is essential for the music therapy curriculum and affords interns the opportunity to apply their classroom-based knowledge and skills to real-world clinical settings. However, challenges associated with the internship can result in interns undergoing trial-and-error learning, interpersonal conflicts, and intrapersonal difficulties. An experiential music therapy group may be useful in helping interns process these incidents and develop their personal and professional skills. We explored the experiences of music therapy interns participating in therapeutic song writing. In this study, five music interns completed two 4-hour sessions of therapeutic song writing. Following the second session, a group interview was conducted with participants to gather data on their experiences. The interview was recorded, transcribed, and analyzed. Six themes and 18 sub-themes were derived from the data. The six themes were preconceptions of therapeutic song writing, meaningful lyric creation, challenges in song composition, structured experiences during song writing process, development of self-awareness through music, and relational experiences resulting from the group process. Participants were able to incorporate their individual internship experiences into a single song by communicating with group members during the step-by-step process. Participation in therapeutic song writing was found to help music therapy interns identify and process challenges encountered during their internship and further their personal and professional development.

• Journal of Music and Human Behavior
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• v.10 no.2
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• pp.55-77
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• 2013

The purpose of this study was to identify current trends in music therapy literature in Korea in order to provide the groundwork for future research. Therefore, 122 articles from the Korean Journal of Music Therapy (KJMT) from 1999 to 2012 and 76 articles from the Journal of Music and Human Behavior (JMHB, formerly known as Korean Journal of Music Therapy Education) from 2004 to 2012 were analyzed. Analysis was performed by identifying the frequency and percentage of the following items: type, population, topic, and methodology of published articles. In addition, the results obtained were compared and contrasted between these two publications. Overall, it was found that there was a high prevalence of descriptive studies (KJMT, 46%,; JMHB, 45%), applied research (KJMT, 51%; JMHB 66%), and quantitative studies (KJMT, 82%; JMHB 37%). In addition, ordinary people with no particular diagnosis were the most often studied population (34%). Differences were found in that a historical study was only found in KJMT whereas a philosophical study was published only in JMHB. Further analysis revealed that JMHB included a higher proportion of applied research than KJMT. In KJMT, quantitative research was appeared twice as often as qualitative and mixed-method research combined. On the other hand, a similar number of each of the three methodological types of studies appeared in JMHB. In conclusion, this study indicates that more effort should be made to increase the quantity and improve the quality of professional publications in the field of music therapy in Korea.

• Journal of Music and Human Behavior
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• v.10 no.1
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• pp.67-83
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• 2013

Assessment in music therapy is a vital part for both the therapist and client in the process of therapy. Based on what is assessed, objectives are identified to formulate specific action procedures and strategies. The existing assessment tools involve lists of skills and behaviors in developmental domains without the music assessment protocol. In this study, the authors attempted to develop an assessment protocol using rhythm production for assessing skills in cognitive and emotional-behavior domain, namely Music Therapy Assessment for Cognitive and Emotional Behaviors (MACEB). The test items of the MACEB-Rhythm were developed using rhythmic patterns varying in terms of item difficulty, which are based on the various degree of clarity in the grouping/gestalt, saliency in part-whole relationship, and complexity in repetition vs. variability. Also the developed tool purported to examine one's level of emotional behavior trait by analyzing performance of musical parameters such as tempo, pacing, and loudness in the reproduced output. In order to verify the logical sequencing of test items, firstly 61 subjects participated in verifying the item difficulty for the selected 15 pilot items. The test items were revised and re-sequenced based on the gathered scores of item difficulty. In the second procedure, seven experts in the fields of music education, music therapy and music psychology whose research interest lie in music cognition revised the developed rhythm protocol items focusing on learning sequence, cognitive process and feasibility for skills assessment. The study attempted to provide foundations for using rhythm as an assessment protocol prior to its verification of assessment validity and reliability.

• Journal of Music and Human Behavior
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• v.4 no.1
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• pp.21-30
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• 2007

Unlike other common forms of speech disorder, such as phonological disorder or dysphonia, stuttering has not been studied within the context of music therapy. Most cases of stuttering display no difficulty in singing, and fluency within the musical structure does not translate to fluency in speech. Hence, musical approach has been generally considered to be ineffective to the treatment of stuttering. However, the fundamentals of music therapy assume its extensive application in treating variety of speech disorders, including the case of stuttering. Presented in this paper are the case studies designed to validate the efficacy of music therapy as a remedy for stuttering. This study enrolled 6 children with stuttering and conducted 20 individual sessions over a period of 10 weeks. The sessions focused on the Melodic Intonation Therapy, Reinforcement of speech rhythm, song writing and singing. Musical elements were structured to enhance the verbal expression and rhythmic senses, as well as to facilitate the initiation of verbal communication. The result is as follows. First, it was noticed that the disfluency had been decreased in before and after of the music therapy in every child although the result was somewhat different depending the child. The overall result of the investigation shows the significant difference statistically. And categorically speaking, the significant difference was checked in the frequency of the stuttering. In the steps of the session, the increase and decrease was happened repeatedly, and then after it was decreased little by little. Secondly, the Communication Attitude was decreased in before and after of the music therapy, and also there was significant difference statistically. although the avoidance behavior was decreased in before and after of the music therapy, the increase and the decrease was repeated irregularly in the steps of session. All the results described above shows that music therapy gives positive effect to decrease in disfluency of stuttering child and also to develop the Communication Attitude. And new possibility and effectiveness can be proposed in the musical approach to the stuttering.

• Journal of Hospice and Palliative Care
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• v.10 no.2
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• pp.67-73
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• 2007

To make ones life meaningful is one of human's most valuable goal. Nevertheless, for cancer patients who are in the last phase of their lives obtaining this goal may be threatened by physical, psychological, and social difficulties. Music therapy ran be utilized to effectively fill in these physical, psychological, and social needs. In the form of a creative art, music therapy can be effective in easing the pain and tension as well as assisting the patient to discover meanings of life through psychological comfort. Further, music is itself a verbal/non-verbal communication tool and thus connects the patients with their families with understanding and sympathy. This study aims to examine the need and role of music therapy in hospice.