• The Journal of the Convergence on Culture Technology
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• v.9 no.4
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• pp.309-314
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• 2023

This study examines the development and limitations of current artificial intelligence (AI) music composition programs. AI music composition programs have progressed significantly owing to deep learning technology. However, they possess limitations pertaining to the creative aspects of music. In this study, we collect, compare, and analyze information on existing AI-based music composition programs and explore their technical orientation, musical concept, and drawbacks to delineate future directions for AI music composition programs. Furthermore, this study emphasizes the importance of developing AI music composition programs that create "personalized" music, aligning with the era of personalization. Ultimately, for AI-based composition programs, it is critical to extensively research how music, as an output, can touch the listeners and implement appropriate changes. By doing so, AI-based music composition programs are expected to form a new structure in and advance the music industry.

• Proceedings of the KSLP Conference
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• 1998.11a
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• pp.213-217
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• 1998

한국의 음악을 처음 국악이라고 쓰게 된 것은 1907년부터이다. 이는 국악이 나라의 음악이라는 뜻으로 1907년 조선조 고종 말경에 관직제도를 개혁하면서 궁중아악의 책임 관리자를 "국악사장"이라는 직제를 두면서부터 우리나라의 정통음악을 국악이라고 표기하게 되었다. 원래 우리의 전통음악은 궁중과 사대부를 중심으로 행하여 졌던 정악과 일반서민의 음악이었던 속악으로 나누어졌으며 기타 특수한 종교음악이나 현대에 와서 작곡.된 신국악곡들도 국악의 범주에 속했다. 이러한 국악에서는 가곡, 가사, 시조, 판소리, 민요, 범패(불교음악) 등이 있었는데 여기에서 한국 현대 작곡가에 의해 우리말로 된 작곡이라 하더라도 서양식 작곡법에 따라 작곡된 오페라나 가곡 같은 음악은 전통음악인 국악에 포함시키지 않았기 때문에 오늘날 우리의 음악인 국악과 양악이 구분되고 있다. (중략)

• Health and Mission
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• s.2
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• pp.42-43
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• 2004

교회음악은 보다 넓은 뜻에서 그리스도교 신앙 안에서 작곡된 모든 음악 곡들을 포함하지만, 전례음악(성음악)은 하느님께 예배를 올리는 식전 즉, 전례를 위해서 작곡된 음악을 뜻합니다. 결과적으로 애초부터 연주회를 목적으로 작곡되었다든지 일반 기도모임이나 혹은 신자 단체의 결속을 위해서 만들어진 노래들은 교회음악에는 들어가지만 성음악은 아닌 셈입니다.

• 한국HCI학회:학술대회논문집
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• 2008.02a
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• pp.712-716
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• 2008

In this paper, we introduce a way to generate and control the serial music using stochastical tools. A serialism, which is one of composition techniques in the 20th century modern music, is composed using uniformly distributed notes or durations. To conserve this property, we design the optimization process to generate the random numbers which can be used to compose the serial music. The optimization are designed using chi-square test and auto-correlation test. User can also apply the additional constraint to the objective function for controlling the serial music. Using the our method, we can compose and control the traditional serial music automatically.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2003.05a
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• pp.293-297
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• 2003

In general, we thought only composers can compose musics. And now we should have opportunities to make some musics by Computer Music System which called 'MIDI', but the composition is still unfamiliar to non musician men or women. In this report, we exhibit the possibility of the auto code composition by computer program which should make non musician men or women to composers.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2003.10a
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• pp.272-276
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• 2003

The appearance of the computer composition system(MIDI) expects that non-musicians can make musics easily, but, in fact, non-musicians still compose hard. This thesis shows that a computer makes lord progress through a database, which in-putted all practicable cord progress. In other words, non-musicians just makes some melodies over the settled cord progress, so they can make a music more easely.

• Proceedings of the KAIS Fall Conference
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• 2010.11b
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• pp.539-541
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• 2010

20세기 전반에 가장 미국적인 작곡가라 불리는 거쉬인은 대중음악과 고전음악이라는 양분법이 아닌 두 가지가 적절히 조화된 작품들을 많이 작곡했다. 그 중 "랩소디 인 블루"는 가장 널리 알려지고 사랑받는 곡이다. 항상 새로움을 추구하고 배움을 게을리 하지 않았던 거쉬인의 작곡활동은 그 시기에 따라 약간씩 변화 되었다는 것을 알 수 있다. 이 논문에서는 가장 대중적으로 인기를 얻은 랩소디 인 블루를 작곡했던 시기인 1924~1930년까지의 작곡활동에 대해 알아보고자 한다. 그리고 이 시기에 작곡했던 주요 곡들에 쓰인 음악적 스타일과 그에 대한 특성에 대해 알아보도록 하겠다.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2004.05b
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• pp.203-207
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• 2004

This treatise presents that a possibility of non-musician's composition. In fart, as a development of music composition program(used by IAVA) helps to compose music easily, but non-musician still feels hard to compose some musics and perform some musics even though the band-in-a-box is already existed(which is an auto accompaniment program). This treatise shows non-musicians' special music composition way. Select a cord and put the cord to special program which ratted ‘the cord composition program’, and then the cord composition program creates the rest cords. After this progress, non-musicians overwrite their own melodies in accordance with created cords. Finally, they can perform their own musics with the sound of master-keyboard and other sound sources using by the band-in-a-box program.

• The Journal of the Convergence on Culture Technology
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• v.4 no.4
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• pp.261-266
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• 2018

This study aimed to provide an overview of artificial intelligence based music composition programs. The artificial intelligence-based composition program has shown remarkable growth as the development of deep neural network theory and the improvement of big data processing technology. Accordingly, artificial intelligence based composition programs for composing classical music and pop music have been proposed variously in academia and industry. But there are several limitations: devaluation in general populations, missing valuable materials, lack of relevant laws, technology-led industries exclusive to the arts, and so on. When effective measures are taken against these limitations, artificial intelligence based technology will play a significant role in fostering national competitiveness.

• The Journal of the Korea Contents Association
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• v.19 no.5
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• pp.572-577
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• 2019

This study aims to classify and examine Changjak Gukak composed by composers who majored in Western music and help the composers with the composition of Changjak Gukak. As a result, it was investigated that Korean traditional musical elements have been used on the basis of the traditional or modern Western composition technique. The traditional composition techniques such as motive, theme, keys, homophony, contrapuntal methods, fugue form, sonata form, baroque concerto form and borrowing of Western art works have been used, and the contemporary composition techniques such as timber melody, a-tonality, irregular meter, poly rhythm and aleatory have been used. In addition, it reflects the Korean expression and identity by applying the Korean traditional instruments, Sigimsae, Jangdan, traditional scale and mode, form and melody.