• 한국문예비평연구
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• no.65
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• pp.123-149
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• 2020

This study identified objective placeness throughout the writing of Na, Hye-seok, who was Korea's first female Western painter and early modern writer, and analyzed her spatiality around two keywords, "confined space" and "delay space." The investigator applied the concept of gender geography, which maintains that place experiences organize existence, and demonstrated the intrinsic aspects of placeness. First, confined spaces expressed the institutional contradictions of Joseon with the analogy of collapse and extinction. Inns and boarding houses were daily spaces and also temporary places of residence that she had to leave some day. Gyeongseong was a hybrid place of both success and failure. Secondly, Japan was a space of growth to study modernity and a delay space to escape from fear for Na. Her Western experiences underwent the procedure of discovering otherness inside a civilized state instead of self-colonization and asking questions about the places where she belonged. Na's place experiences and their connotations revealed in her writing show a gap between the ideal and reality of a subject facing her given destiny and between her inner conflicts. The present study demonstrated the daily conditions, social status, and characteristics of women through spaces beyond ideological placeness as a common idea, thus holding its significance. The specific daily and multiple nature produced in relations between a certain subject and the existential situation of a place will play significant roles in the theoretical extension of gender discourse in the future.

• The Korean Literature and Arts
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• v.27
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• pp.273-321
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• 2018

The purpose of this study is to explore the characteristics and meaning of the Korean American women's poetry in New York area. New York area poetry has been led by women poets from the very beginning of the paragraph. In this paper, set the starting point of "New York Literature" in 1991, and classified the poets who had started their activities in the past as a first generation, and poets who have been active since then, as second generation. The characteristics and meaning of women's poetry were examined by focusing on Kwak Sang-hee, Kim Jung-ki, Kim Song-hee, and Choi Jeong-ja in the first generation, Jo Seong-Ja, and Shin Ji-hye, An Young-ae, Bok Young-mi in the second generation. On the one hand, they share a common sentiment of immigrant women, while on the other they show a slightly different world recognition and identity for each poet. The characteristics of women's poetry in New York area are as follows: ① they express the nostalgia for their experience and home in a strange space, ② that they reveal their identity as a mother and a poet, ③ they show the experience of labor and other consciousness, and ④ shows the changing identity through Nomadistic thought and de-territorialization. Although the content of the prototypes of female poets differ slightly depending on the motive and timing of immigration, in the early days of immigration, mainly the nostalgia for their hometowns and the consciousness of the Gentiles have become a poetic theme, and the alienation ceremony, And as time passes it shows consciousness as a settler who regards America as their second hometown. In the 1990s, most of the first-generation women poets have been harsh with the process of adaptation and settlement, revealing the nostalgia for their hometowns. Jo Seong-Ja and Shin Ji-hye, who are doing their work in the 1990s as a settlement stage, are adapting easily to American society compared to their predecessors. They also show that they are able to overcome ethnicity and race, It shows the open vision and identity to overcome. If the first generation of immigrant women has been leading the flow of New York poetry since the liberation, it is meaningful that second generation of women's poetry can be used as a measure of future change and development of New York poetry.