• Title/Summary/Keyword: 원류

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A Study on Herbal Formulas and their origin in Mayaku-ku(麻藥考) (마취 전문서 "마약고(麻藥考)"의 처방과 그 원류에 대한 연구)

  • Park, Sang-Young;Oh, Jun-Ho;Kwon, Oh-Min
    • Journal of Korean Medical classics
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    • v.26 no.1
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    • pp.27-38
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    • 2013
  • Objective : This article shows that while Seishu Hanaoka(華岡靑洲) is known to have developed an effective anesthetic formula composed of traditional herbs and performed the world first partial mastectomy under a general anesthesia in 1804, anesthetic formulas very similar to those developed by him were widely recorded and deemed used in Japan and Northeast Asia before his invention. The origin of the formulas will be tracked down to compare with the several formulas broadly administered in the region. Methods : Historical literature analysis was adopted to achieve the objective. 1. Mayaku-ku (麻藥考): this book is the main medical classic by Nakagawa Syutei(中川修亭) that introduces Seishu Hanaoka, his anesthetic formulas and mastectomy. 2. Northeast medical classics: Seuideukhyobang (世醫得效方) in 1337, Uibangryuchui (醫方類聚), Uihui(宜彙) and so on. Result : Herbs such as aconitum and datura were applied as a anesthetic agent early on before the Chinese Yuan dynasty. In Korea as well, some old medical books documented such use of those herbs and relevant formulas. Conclusion : Formulas that counted as invented and employed by Seishu Hanaoka as anesthetics, in fact, had been widely known and used in the region before his era. We should pay due attention to his creativity that combined a western surgical intervention and traditional anesthetic agents and successfully performed a newly introduced surgical practice in Japan. The point is that Hanaoka took note of anesthetic herbs or formulas traditionally inherited in North-east Asian medicine and successfully applied them to the surgical procedures for breast cancer, or mastectomy and mammotomy. This history alerts us to neglected or forgotten potentials of traditional medicine in anesthetic treatment and more.

Modem Meaning of Han Chinese Clothing(韓服) (한 후의 현대적 의미)

  • Ho, Wei;Lee, Eun-Young
    • Journal of the Korea Fashion and Costume Design Association
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    • v.11 no.1
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    • pp.99-109
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    • 2009
  • 한 후란 중국의 전통 복장을 말하는 것이다. 한 장 (漢裝) 이라고도 하며 고대 복장이라고도 한다. 영어로는 silk robe라고도 한다. 한 후는 한 나라 이후 명나라까지 만주가 정복하기 전인 1644년까지 입혀졌던 중국의 전통복장이다. 최근 중국에서도 전통복장에 대한 새로운 모색이 일어나고 있다. 중국 전통복식으로 대표되는 치파오는 만주족의 한족 말살 정책의 일환으로 간소화시킨 복식이다. 따라서 중국 전통의복은 만주족에 의해 사양길을 가기 전 고대 한 조의 복식이 중국전통을 대표한다고 할 수 있다. 전통적인 한 후 스타일은 벨트를 매며 여밈이 있고 좁은 소매 혹은 넓은 소매가 특징이다. 한 족이 한 나라, 상 왕조, 송나라, 당나라때 입었던 한 후가 중국의 복식을 대표하는 복식이며 주나라의 쉔의는 튜닉과 스타일의 결합으로서 아직도 상류그룹이 입고 있다. 당나라에서는 동방의 문화와 혼합되어 화려하거나 사치스럽게 수정되었고 만주가 침범하여 한 후는 더 이상 전통복으로 입히지 못하였다. 한 후의 현대적 의미를 볼 때 역사적으로는 베트남에서 기모노에 이르기까지 그 원형을 볼 수 있고 한 후를 통해 중국전통 복식의 원류를 찾을 수 있다. 연구방법으로 문헌과 시각자료를 활용하였다. 한 후의 현대적 의미는 전통의 새로운 자각과 세계화 현대화의 노력이라 할 수 있다. 치파오로 규정된 중국복식에 반해 전통 한 후에 대한 올바른 인식과 활용은 세계화와 오리엔탈이미지에 녹아 있는 한 후 디자인 디테일을 통해 현대적 모색을 활용하고 있다. 충분한 시각 자료가 부족하지만 현대적 노력이 앞으로의 중국이미지의 재고를 가져올 것이다.

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Status of the Principal Statue of Sakyamuni in Seokguram Grotto and Suggestions (석굴암 본존불의 위상에 관한 고찰과 제언)

  • Koh, Woong-Kon
    • The Journal of the Korea Contents Association
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    • v.15 no.11
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    • pp.41-49
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    • 2015
  • In spite of the registration on the world heritage in UNESCO the principal statue of Sakyamuni in Seokguram Grotto is considered that its worth doesn't reach to its fame. The exact name of the statue does not establish yet and the statue has insufficient of storytelling or narrative structure on it. Regarding these issues the statue need to enhance the real value of it. This study pursue reconsidering the status of the principal statue compare to general statue of the Buddha and searching for the originality and archetype as a Buddha in Seokguram Grotto. Descriptive method is adopted as a approach to this theme with preceding research analysis and reference research. As a result various alternatives are drew back as a countermeasure. One thing is a government leading system of research and development the other is it need to increase the fame of Sakyamuni statue in Seokguram Grotto with a n interdisciplinary approach in Korea.

The Effects of Educational Activities Based on Oriental Mythology on Young Children's Creativity and Personality (동양신화에 기반한 통합 교육활동이 유아의 창의·인성에 미치는 영향)

  • Cho, Anna;Jung, Hyekyung;Lee, Kiyeong
    • The Journal of the Korea Contents Association
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    • v.18 no.11
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    • pp.236-249
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    • 2018
  • The purpose of this study is to examine the effects of educational activities based on oriental mythology on young children's creativity and personality. A total of 14 sessions were applied to 36 children (18 experimental group and 18 control group). For this study, myths in Shan-hai jing, The Classic of Mountains and Seas), which is the origin of oriental mythology, were used as basic data of class activities and developed to experimental groups. The collected data were analyzed using SPSS 21.0 statistical program and covariance analysis (ANCOVA) was conducted with covariance score of the group after the activity. The results of this study were as follows: First, integrated educational activities using oriental mythology had a positive effect on all children's creativity and all sub-factors. Second, integrated educational activities using Oriental mythology have a positive effect on children's personality. The expansion and transformation of educational texts to oriental mythology is not only helpful for young children's creativity and personality development, but also enables them to experience cultural balance through their new understanding of the Orient.

The Origin of Korea Mental Culture in Ethnical Religions (민족종교에 나타난 한국 정신문화의 원류)

  • Kim, Hyon-Woo;Lee, Gyung-Won
    • The Journal of Korean Philosophical History
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    • no.52
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    • pp.243-280
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    • 2017
  • To the mid 19th from the early 20th century, there were many movements about religion in Korea society. Protestant which first flew in 1885 grew up greatly and Confucianism of traditional thought sought for religionization to survive. At once new religions named Korea ethnical religion appeared. They are Donghak(東學), Daejonggyo(大倧敎), Jeungsangyo(甑山敎) and Won-Buddhism. Generally speaking, these ethnical religions deeply relates with Korea original mental culture. In this paper, I want to infer that these religions have Korea origin metal culture. The first, I will consider some traditional thoughts of (1) worshiping of Heaven, (2) practice and (3) harmony from traditional (religious) ceremonies and thoughts. Ans then I will infer how these traditional thoughts from origin mental culture appear in ethnical religions of Donghak(東學), Won-Buddhism(圓佛敎), and Jeungsangyo(甑山敎).

The Origin of the Square-Shaped Jangmyeongdeung of Jeongneung Royal Tomb and Its Stylistic Development -In Comparison with the Buddhist Temple Stone Lanterns- (조선 정릉(貞陵) 사각 장명등(四角長明燈) 양식의 원류와 전개 -사찰 석등과의 비교를 통해 -)

  • Kim, Ji Yeon
    • Korean Journal of Heritage: History & Science
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    • v.43 no.4
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    • pp.24-55
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    • 2010
  • Jangmyeongdeung Lantern (貞陵長明燈) refers to the stone lantern placed in front of the royal tomb. It serves both symbolic and decorative purposes; symbolic because it is supposed to guard and illuminate the buried, and decorative because it is a work of sculpture that adorns the entire graveyard. The Jangmyeongdeung of Jeongneung was the earliest stone lantern to be produced during the Joseon period. Its square shape is unique among those from the early to mid-Joseon period. The three major parts of Jangmyeongdeung - the stand, the lantern, and the roof-shaped cover parts - are square in shape, differing from the octagonal shaped Jangmyeongdeung. The stand consists of three single stone blocks, the Hadaeseok(下臺石), Ganjuseok(竿柱石), and Sangdaeseok(上臺石). The Hwasaseok(火舍石), or the lantern part, is also a single stone block. Jangmyeongdeung of Jeongneung succeeds the style of those of Hyeon-neung and Jeongneung(玄正陵) of the Goryeo period and is of a better artistic quality. As the first Jangmyeongdeung lantern, it is a refined work of art that marks the foundation of the Joseon Kingdom. This paper tries to ascertain the stylistic origin of the square-shaped Jangmyeongdeung of Jeongneung and compare it with those of Buddhist temples. Consequently, similarities were found among the stone lanterns of Zen priests 'Jigong'(指空) and 'Nawong'(懶翁) in the Hweamsa Temple(檜巖寺) site from the late Goryeo period, those of Zen priest 'Muhak'(無學) of the Hweamsa Temple site, and those of national priest 'Bogak'(普覺) of Cheongnyongsa Temple(靑龍寺) from the early Joseon period. Primarily, this is because the three components(the stand, the lantern part, and the roof-shaped cover) are essentially square-shaped. Second, as the Ganjuseok(one of the components of the stand) became shorter, the stand took a more stable form. Third, the Hwasaseok(the lantern part) consists of two stone blocks joined together. Fourth, the roof-shaped cover is also in square in shape. Similarly, the Jangmyeongdeung of Jeongneung contains Buddhist elements as well. The three-bead pattern that decorates the Ganjuseok stand is an example. The three-bead pattern is one of the symbolic elements related to Tantric Buddhism. It is found on the diadems worn by Bodhisattvas from the Goryeo and early Joseon periods. The Jangmyeongdeung of Jeongneung in early Joseon directly influenced the production of the square-shaped stone lanterns used to decorate the tombs during the Joseon period. After the latter half of the 15th century, however, the octagonal-shaped Jangmyeongdeung style began to prevail. The Jangmyeongdeung of Jeongneung reflects the succession of the tradition of royal tombs from Goryeo to Joseon, the introduction of square-shaped stone lanterns to Buddhist temples, and the influence of the Buddhist philosophy of the time. It is a living testimony to various elements of each time and corresponding cultural trends.

Denitrification Potential and Denitrifier Abundance in Downstream of Dams in Temperate Streams (온대지역 댐 하류의 탈질화 능력과 탈질화균 분포)

  • Vo, Nguyen Xuan Que;Lee, Seung-Hoon;Doan, Tuan Van;Jung, Sokhee P.;Kang, Hojeong
    • Korean Journal of Microbiology
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    • v.50 no.2
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    • pp.137-151
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    • 2014
  • Various studies have been conducted to investigate effects of dams on river ecosystems, but less information is available regarding damming impacts on downstream denitrification. We measured denitrification enzyme activity (potential denitrification rate) and denitrifier abundances (using nirS, nirK, and nosZ as markers) in dammed headstreams of the Nakdong River in South Korea. Sediments in Phragmites-dominated riparian areas and in-stream areas across streams (dammed vs. reference) with different streambed materials (gravel and sand) were sampled occasionally. We hypothesized that (i) the higher available N and C contents in sediments downstream of dams foster larger denitrifier communities than in the reference system and (ii) differences in potential denitrification rates across the systems correspond with denitrifier abundances. Despite 30 years of different hydrological management with dams and greater inorganic N and DOC contents in sediments downstream of dams, compared to the references, abundances of denitrifier communities and potential denitrification rates within the whole sediment were not significantly different across the systems. However, nirS and nosZ denitrifier abundances and potential denitrification rates were considerably increased in specific sediments downstream of dams (gravelly riparian and sandy in-stream) with regard to flooding events and seasonal temperature variation. nirK was not amplified in all sediments. Canonical correspondence analyses (CCA) revealed that the relationship between abundances of denitrifier communities and nutrient availabilities and potential denitrification rates was a weak one.

A study of Exhibition Planning based on the Installation Art - Focused on an Environmental Poster Exhibition - (설치미술의 배경과 전시디자인에 관한연구 - 국제교류 환경포스터 디자인전을 중심으로 -)

  • Shin, Seong-Hoon
    • The Journal of the Korea Contents Association
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    • v.9 no.12
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    • pp.173-180
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    • 2009
  • Increased appetite for art and design due to improving the economic standard of living and industrial community recognized the value of art in the profitable aspect currently demands various exhibitions in various environments. These social needs and changes in corporate culture to meet the rapidly expanding opportunities for artistic exhibitions, and this modern exhibition outside of the conventional gallery requires more for designers to work with various exhibition spaces, and the opportunities are increasing further. Various types of exhibition space in the exhibition planning an unspecified environment best suited to each exhibit space has been designed to require. This comprehensive study of an environmental poster exhibition held in the Seoul Institute of the Arts, MA-block lobby during 2009.06.10-06.19 was a part of the international exchange projects between Seoul Institute of the Arts and California State University, Northridge. Planning and designing throughout the exhibition in an unspecified space for exhibition requires more creativity and flexible approaches than in the general exhibition gallery.

An Integrated Information Distribution System for Mountain Ridgelines Using Spatial Information (통합정보제공을 위한 공간정보 기반의 국내 능선축 구축)

  • Lee, Moung-Jin;Lee, Soo-Jae;Lee, Chang-Yeon
    • Journal of the Korean Association of Geographic Information Studies
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    • v.17 no.2
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    • pp.107-120
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    • 2014
  • First purpose of this study is to build Korean mountain ridgelines based on GIS by using spatial information and analyze natural environment around mountain ridgelines built before. Second purpose of this study is to integrate Korean ridgelines and natural environment built before and then provide the integrated information related to ridgelines for public. To do so, fist of all, Korean mountain ridgelines including Deagan, Jeongmeak, Gimeak, Jimeak, are built as spatial information. Second, Encoding of mountain ridgelines is conducted to analyze main and divaricate ridgelines systematically as grades of ridgelines. Third, based on spatial information, present condition using natural environment including geographical information, ecological zoning map, environmental conservation value assessment map, is analyzed. Finally, as a method integrating and using the aforementioned three information, the system providing integrated information based on GIS is proposed, To build the GIS data of Gimeak and Jimeak, they should be analyzed in more detail than Beakdu Deagan and Jeongmeak, so existing methodology to build mountain ridgelines based on GIS is improved. According to the distance of each mountain ridgeline, they are separated into five grades, and encoding of each mountain ridgeline based on Beakdu Deagan is applied to all mountain ridgelines to figure out the present condition of ridgelines themselves. In addition, according to the distance of each mountain ridgeline, it is separated into three areas: core, buffer, median zone. Based on three zones, the way to make use of the information efficiently related to mountain ridgelines is proposed. This study systematizes Korean mountain ridgelines which did not have systematic structures and then analyzes systematic mountain ridgelines. Based on this analysis, this study finds the way to makes use of information related to mountain ridgelines effectively.

일본 '고방파(古方派)' 의학에 관한 연구

  • Park, Hyeon-Guk;Kim, Gi-Uk;Jeong, Gyeong-Ho
    • Journal of Korean Medical classics
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    • v.20 no.2
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    • pp.231-268
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    • 2007
  • 재일본규주황한의학적전통의학지전신취시중국전통의학적지식(在日本叫做皇漢醫學的傳統醫學之前身就是中國傳統醫學的知識). 16세기이래(16世記以來), 일본불단수도이개조중국의학적최신성과(日本不斷收到而改造中國醫學的最新成果), 동양원류우부동홍류적한방의학체계점점형성적과정전후(同樣源流又不同洪流的漢方醫學體系점점形成的過程前后), 출현료4개학문유파(出現了4個學問流派). 저취시(저就是)"후세파(后世派)"."고방파(古方派)"."절충파(折衷派)"."고증파(考證派)". 소우호세파(소于호世派), 논자이경재대한한의학원전학회지적제19권3호상보고료(논者已경在大한한의학原典학회紙的第19卷3호上보告了), 본논문시연속적연구성과(本논文是연속的硏究成果). 종이재본논문상(종而在本논文上), 이한국적이정환(以한국的李政桓), 백유상(白裕相), 정창현등적연구여중국양영적연구위기초(丁彰炫等的硏究與中國梁嶸的硏九爲基礎), 요개략지보고일본의학방면상적‘고방파’(要槪略地報告日本의학方面上的'古方派'). "고방파"지칭부정근세송명의학이지지지한대장중경적"상한잡병론"지일본의가("古方派"指稱否定近世宋明醫學而只支持漢代張仲景的"傷寒雜病論"之日本醫家). 일반"상한론"전파우일본적실정시대(一般"傷寒論"傳播于日本的室町時代), 명응년간(明應年間)(1492${\sim}$1500)판정운재명유학후(阪淨運在明留학후), 타회도일본적시후(他回到日本的시候), 종명수입(종明수入)"상한잡병론(傷寒雜病論)", 이후일본후세한의칭송료이관동지역적영전덕본(以후日本후世漢醫칭송了以關東地域的永田德本)(1513-1603)위(爲)"고방파적선구자(古方派的先구者)". 도강호시대재일본학술계출현료복고사조(到江戶時代在日本學術係出現了復古思潮). 이등인제(伊藤仁劑)(1627${\sim}$1705)앙망료유학적경전(仰望了儒學的經典), 이차적극지주장료의학적복고(而且積極地主張了醫學的復古), 이후적생조래(以후荻生組徠)(1666${\sim}$1728)대우복여성인적학문부단노력(對于復與聖人的學問不斷努力). 인차복고적학문재덕천시대성위일대학파(因此復古的學問在德川時代成爲一代學派), 18세기상반기시전성시기(18世紀上半期是全盛시期). 주요의가시명고옥현의(主要醫家是名古屋玄議)(1628${\sim}$1696), 후등양산(後藤양山)(1659${\sim}$1733), 산협동양(山脅東洋), 병하천민(병河天民)(1679${\sim}$1719), 송원유악(松原維嶽)(1689${\sim}$1765), 향천수암(香川修庵)(1683${\sim}$1755), 타문복고적유학영향도흔다의학방면(他문復古的儒學影향到흔多의학方面). 중요의가길익동동(重要醫家吉益東洞)(1702${\sim}$1773)도후대피평위고방적'태두'(到后代被평위古方的'泰斗'), 동시'마귀'(同시'魔鬼'). 인차본논문소우황한의학지중"후세파"여반대후세파적"고방파"(因此本論文소于皇漢醫學之中"后世派"與反대后世派的"古方派"), 통과학파명칭여역사지위(通過學派名稱與歷史地位), 주요의가적생애(主要醫家的生涯), 학술적요지(學術的要旨), 저서등(著書等), 이연구병보고타문적학문주장(以硏究병報告他們的學問主張). 이차진저차궤회(而且진저次机회), 상회고아문한의학연착여하역사적궤적(想回고我문韓醫學沿着如何歷史的軌跡).

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