• Digital Contents
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• no.6 s.49
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• pp.60-65
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• 1997

제18회 내셔널 온라인 미팅과 DB/EXPO'97 전시회는 전세계 데이터베이스 관련 업체들이 참여하는 최대의 데이터베이스 관련 전시회라 할 수 있다. 온라인 서비스, CD-롬 타이틀, 인터넷, 인트라넷, 클라이언트 서버 환경 등 다양한 환경에서 이용할 수 있는 데이터베이스를 선보인 전시회였다.

• Digital Contents
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• no.5 s.48
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• pp.48-49
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• 1997

온라인 인포메이션 홍콩이 지난 4월 8일부터 10일까지 3일간 홍콩의 Regent 호텔에서 영국의 Learned Information사의 주최로 열렸다. 이번 전시회에서는 아카데믹 출판사를 비롯 42개 업체가 온라인 데이터베이스와 CD-ROM제품을 선보였다. 이번 전시회에서는 세계적으로 널리 알려진 미국과 유럽의 정보제품과 아시아 지역의 비즈니스 정보를 담은 각종 데이터베이스를 한곳에서 접할 수 있는 좋은 기회였다.

• Proceedings of the Korean Institute of Navigation and Port Research Conference
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• 2020.11a
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• pp.80-81
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• 2020

Due to COVID 19, the global economy is facing a crisis situation, and in the export-oriented industry, companies must consider survival. The government and industry are striving to revitalize exports in a number of ways, and with restrictions on non-face-to-face export activities, they are contemplating various ways to implement non-face-to-face export marketing. Among them, various studies are being conducted in various industries on the part of conducting an online exhibition. In particular, the shipbuilding and offshore industry is a major export industry, and offline exhibitions held around the world were an important opportunity for marketing, and the use of online exhibitions to substitute for them is urgently needed. In this study, we study AR, VR, MR, etc., which are various element technologies necessary for building an online exhibition hall suitable for the shipbuilding and marine industry, and how they are applied to online exhibitions.

• Digital Contents
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• no.1 s.140
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• pp.106-108
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• 2005

유럽의 각 분야별 정보 서비스 현황과 새로운 관련 솔루션 및 시장 현황 등을 파악할 수 있는 런던온라인 인포메이션 2004 전시회가 지난해 11월 30일부터 12월 2일 까지 사흘동안 런던 올림피아 전시장 그랜드홀과 컨퍼런스 센터에서 열렸다. 이번 행사에는 전세계 230여개 업체와 1만여명의 전문가들이 참여해 성황을 이뤘다.

• Digital Contents
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• no.6 s.49
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• pp.40-43
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• 1997

올해로 13회를 맞이한 인포베이스는 온라인 미팅과 함께 유럽 최대의 데이터베이스 전문 전시회로 자리를 잡아 참관객만 수천명에 이르고 있다. 13개국에서 175개 관련업체가 참가해 자사 제품을 선보인 인포베이스 전시회를 살펴봤다.

• Digital Contents
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• no.12 s.115
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• pp.48-59
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• 2002

정보통신부가 주최하고 한국소프트웨어진흥원과 한국데이터베이스진흥센터가 공동으로 주관하는 디지털콘텐츠대상의 4/4분기 수상작에 대한 시상식이 지난달 11일 정보통신부 14층 회의실에서 열렸다. 수상작은 디지털영상 부문에 옥토그라프의 '로보솔져', 온라인게임 부문 조이온 '임진록 온라인 거상'과 이야기의 'I.M.온라인', 교육용 콘텐츠 부문에 에듀팜의 '오리수학농장', 무선콘텐츠 부문에 대헌정보의 'GOGO!!배틀체스' 5개 작품이 선정됐다. 수상기업에는 국내ㆍ외 전시회 참가비용이 지원되고 정통부가 추진하는 해외진출 지원사업 참여 때 우대된다. 또 수상작 가운데 우수작을 뽑아 연말에 열리는 디지털콘텐츠 전문 전시회인 '디지털 콘텐츠 페어' 행사 때 국무총리상 등을 수여한다.

• Korea Science and Art Forum
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• v.21
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• pp.105-116
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• 2015

This study intended to give helps in planning a specialized exhibition by carrying out a survey objecting to KOREA PACK 2015 attendees including visitors who possessed mobile coupons after finishing advance registration through on-line, and then investigating, analyzing satisfactions of attendees together with effects of the specialized exhibition using IT technology. As a lot of relevant preceeding researches have been made by focussing on exhibition organizer and exhibitors, the viewpoints of attendees at the specialized exhibition using IT conversing technology such as mobile and etc. were to be investigated and analyzed. Thus, this research tried to do an empirical identification on effects of the exhibition by analyzing relations between its watching forms and satisfactions including a survey on the on-line PR route utility of IT technology in addition to visiting motives of attendees who watched the exhibition. A summarization of the current study is followed: First, in case of attending in the exhibition for specific purposes, they searched related information positively, and were shown as doing information gathering behaviors and also high possibility on purchases was confirmed. Second, it was confirmed that positive attendees had decision-making on purchases. This finding means that attendees who watch the specialized exhibition have authority and responsibility of being able to purchase in many cases, so methods of improving sales by effectively doing PR on own products and technical competitiveness in the exhibition are necessary to exhibitors. Third, attendees who have specific purposes showed higher satisfactions on the exhibition than general visitors, but satisfactions on consultation, staff attitudes, and facility were turn out to be higher than providing related information on products or technology. Accordingly, the necessity of improving this outcome was confirmed. Therefore, exhibitors have to endeavor in providing more advanced services to attendees of the exhibition by grasping technical trends in advance as well as cultivating professional staff who can promote products well.

• Smart Media Journal
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• v.11 no.6
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• pp.37-50
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• 2022

This proposes a direction to build and provide an exhibition space based on the metaverse platform so that artists can independently open their own exhibitions in an online environment. Although many artists are produced every year, offline exhibitions are becoming difficult due to not many art galleries, and offline exhibitions are becoming impossible due to Corona, which began at the end of 2019, and online exhibitions are emerging as an alternative. We analyze cases of existing online exhibition methods and visit online exhibition methods such as web, video, and virtual reality and metaverse environment then present a plan for individual exhibitions in consideration of the recent metaverse environment. The proposed metaverse-based personal exhibition method is structured so that artists can construct a space on the metaverse and place their works, and then viewers can freely take a look on it from a remote location. Based on the proposed exhibition direction, the representative metaverse platform was applied to confirm the characteristics and possibilities of exhibition space and composition of works and users' exhibition experience. In the face of the rise of online exhibitions, space can be constructed in the direction the artist pursues in online exhibitions as well as offline exhibitions, but also online exhibitions, and hopes that online exhibitions will become another genre of exhibitions rather than incidental after the end of Covid-19.

• Digital Contents
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• no.6 s.109
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• pp.76-77
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• 2002

본고는 최근 미국에서 열린 E3(Electronic Entertainment Expo)에 참가했던 한국소프트웨어진흥원의 참관단이 작성한 보고서를 토대로 작성되었다. 보고서에 따르면 이번 E3 전시회에서 국산 게임업계가 세계적인 수준을 확인함과 동시에 모바일게임이 등장하고 온라인게임의 성장세가 다소 둔화되는 흐름을 읽을 수 있었다.

• Digital Contents
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• no.8 s.147
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• pp.84-85
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• 2005

지난해 말부터 중국수출에 어려움을 겪어왔던 국내 게임업체들이 중국시장을 향해 재도약에 나섰다. 네오위즈, 엔도어즈, 인디21, 미리내엔터테인먼트 등 국내 게임업체들은 지난달 21일부터 24일까지 3일 동안 열린 중국 게임전시회‘차이나조이(China Joy)’ 에 참가, 국산 온라인게임의 최대고객인 중국 게이머들의 유혹에 나섰다. 이와 함께 한국소프트웨어진흥원은 베이징과 상하이에서 수출 상담회를 개최해 중국의 많은 업체들로부터 상담요청 및 계약을 성사시켰다.