• Journal of the Korean Society for Aeronautical & Space Sciences
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• v.38 no.9
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• pp.907-913
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• 2010

In this paper, we have described a development of the external instrumentation system of a fighter aircraft for flight test. The external instrumentation system consists of the instrumentation pod and the image pod. The instrumentation pod measures a flight data(attitude, velocity, altitude, etc) of the fighter aircraft by using GPS/AHRS sensor. The image pod takes high-speed images for the separation trajectory of a smart bomb with 2 high-speed cameras and video signal for it with one general camera. We have verified the performance of the external instrumentation system through the ground test, the environment test and the flight test.

• Journal of the Institute of Electronics and Information Engineers
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• v.51 no.5
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• pp.160-167
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• 2014

This paper presents a spliced color image detection method using Benford' Law and color difference. For a suspicious image, after color conversion, the discrete wavelet transform and the discrete cosine transform are performed. We extract the difference between the ideal Benford distribution and the empirical Benford distribution of the suspicious image as features. The difference between Benford distributions for each color component were also used as features. Our method shows superior splicing detection performance using only 13 features. After training the extracted feature vector using SVM classifier, we determine whether the presence of the image splicing forgery. Experimental results show that the proposed method outperforms the existing methods with smaller number of features in terms of splicing detection accuracy.

• The Journal of the Convergence on Culture Technology
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• v.5 no.1
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• pp.275-280
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• 2019

Roger Deakens is one of the best director of photography in the world. He has been worked with Joel Coen & Ethan Coen since (1991). He was nominated for Academy award 13 times. At last, he won the 2018 Academy Award for Best Pictures of the Year. This article aim to look at his style of photography, which he has consistently pursued, and how he controls and implements light. Focusing on The Assassination of Jess James by the coward Robert Ford>,, .

• Proceedings of the KSRS Conference
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• 2008.03a
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• pp.53-58
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• 2008

인공위성을 통해 취득된 데이터들은 지상국의 수신처리시스템을 거쳐 표준영상으로 생산되며, 생산된 영상으로부터 사용자에게 의미 있고, 가치 있는 정보를 이끌어 내는 판독의 단계를 수행하게 된다. 본 연구에서는 원격탐사의 전반적인 이해를 돕기 위한 교육적 모델로서 캔샛 프로그램을 도입하였다. 캔샛 프로그램은 스탠포드대 로버트 트윙 교수의 제안으로 학생들에게 한 학기의 짧은 시간에 실제 인공위성의 설계, 해석, 제작, 조립, 시험, 발사, 운용 등 전반적인 시스템의 이해를 도모하기 위한 1Kg 이하의 캔 크기의 초소형 위성을 개발하는 교육 프로그램이다. 본 연구는 한국과학영재학교 R&E 프로그램의 지원으로 시작하였으며, 실제 초소형 위성 캔샛('KSAsat'으로 명명)을 직접 설계, 제작, 조립하고 최종적으로 발사 운용 시험을 수행하였다. 주 탑재체로 일반 상용 디지털 카메라를 장착하였으며, GPS, 광센서, 3 축 가속도계, 온도센서, 압력센서를 탑재하였다. 비행시험을 통해 성공적으로 영상을 취득하고, 각종 센서로부터의 데이터를 지상국으로 전송 받았다. 지상국을 통해 처리 되어진 데이터로부터 의미 있는 정보를 추출하는 판단의 단계를 거쳐 원격탐사의 전반적인 교육을 성공적으로 수행할 수 있었다. 본 논문에서 캔샛 프로그램이 원격탐사 교육에도 충분히 활용될 수 있음을 보였다.

• The Journal of the Korea Contents Association
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• v.18 no.11
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• pp.338-347
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• 2018

This writing presents a structural methodology that conceptualize' Fransis Ford Coppola's perspective and adaptation style of his screenplay derived from the author Mario Puzo's original novel "The Godfather". This paper is divided into two different stages: The first stage, namely the "formal stage", encapsulates the analysis of narration and exploring the effects of structural transformations, such as deleting, creating and modifying from the novel to the screenplay. The second stage, entitled "semantic stage", is concerned with ascertaining the difference between the structure itself and the adapter's perspective on the original novel. The opening sequence of will be used as a case study to explore these issues in examining its adaptation style specifically while also offering a template for adapting a screenplay from a novel.

• Journal of the Institute of Electronics Engineers of Korea CI
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• v.47 no.3
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• pp.29-35
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• 2010

This paper discusses a method that can enhance the exactness of depth estimation of an image by PCA(Principle Component Analysis) based on feature reduction through learning algorithm. In estimation of the depth of an image, hyphen such as energy of pixels and gradient of them are found, those selves and their relationship are used for depth estimation. In such a case, many features are obtained by various filter operations. If all of the obtained features are equally used without considering their contribution for depth estimation, The efficiency of depth estimation goes down. This paper proposes a method that can enhance the exactness of depth estimation of an image and its processing speed is considered as the contribution factor through PCA. The experiment shows that the proposed method(30% of an feature vector) is more exact(average 0.4%, maximum 2.5%) than using all of an image data in depth estimation.

• Journal of Korean Society of Coastal and Ocean Engineers
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• v.34 no.4
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• pp.119-127
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• 2022

To investigate varying wave impact pressure exerting at the crest wall of rubble mound seawall, depending on breaking wave properties, regular waves with different wave periods were generated. Wave velocity fields and void fraction were measured using bubble image velocimetry and simple combined wave gauge system (Na and Son, 2021). For the waves with shorter wave period, maximum horizontal velocity was less reduced compared to incident wave speed while breaking-induced air entrainment was occurred intensely, leading to a significant reduction of wave impact pressure at the crest wall. For the waves with longer wave periods, less air wave entrained and the wave structure followed a flip-through mode (Cooker and Peregrine, 1991), resulting in an abrupt increase of the impact pressure.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.18 no.4
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• pp.891-898
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• 2014

The DVC (Distributed Video Coding) provides a theoretical basis for the implementation of light video encoder. Conventionally, lots of studies have been focused on the codec scheme of Stanford University that has a feedback channel to control the bit rate finely. However, the codec scheme can not evaluate the qualities of the frames reconstructed by the received parity bits at the decoder side. This paper presents an efficient method of estimating distortion by correcting the virtual channel noises in side information and then facilitating the measurements of the visual qualities. Through several simulations, it is shown that the proposed method is very efficient in estimating the visual qualities of the reconstructed WZ frames.

• Journal of the Korean Society of Propulsion Engineers
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• v.1 no.1
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• pp.8-23
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• 1997

Steady and unsteady numerical simulations are conducted for the comparison with the experiments performed to investigate the ram accelerator flow field by using an expansion tube facility in Stanford University. Wavier-Stokes equations for chemically reacting flows are analyzed by fully implicit and time accurate numerical methods with Jachimowski's detailed chemistry model for hydrogen-air combustion involving 9 species and 19 reaction steps. Although the steady state numerical simulation shows a good agreement with the experimental schlieren and OH PLIF images for the case of $2H_2$＋$O_2$＋$17N_2$ fails in reproducing the combustion region behind the shock intersection point shown in the case of $2H_2$＋$O_2$＋$12N_2$ mixture. Therefore, an unsteady numerical simulation is conducted for this case and the result shows all the detailed flow stabilization process. From the result of unsteady numerical simulation, the experimental result seems to be an instantaneous state during the flow stabilization process. The combustion behind the shock intersection point is the result of a normal detonation formed by the intersection of strong oblique shocks that exist at early stage of the stabilization process. At final stage, the combustion region behind the shock intersection point disappears and the steady state result is retained. The time required for stabilization of the reacting flow in the model ram accelerator is found to be very long in comparison with the experimental test time.

• Trans-
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• v.2
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• pp.75-94
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• 2017

The film director is the responsible for artistic quality of the film. In Hollywood, the director considered as a technician only visualizes the given scenario. In the 1950s, young critics of the Cahiers du cinéma, who were at the center of Nouvelle Vague, re-qualified some Hollywood directors, for example Alfred Hitchcock, Howard Hawks and John Ford. They are considered "auteurs(authors)" because their films have their own styles. In France, the word "auteur-directoir" is often used in the film production. It refers to the person who writes the original screenplay of a movie. Auteur's legal definition of copyright is set out in Article L.111-1 of the Intellectual Property Code: "the auteur of a work of the mind enjoys the work by reason only of its creation, of an exclusive intangible property right and opposable to all. On the other hand, in the definition of producer, it is the natural or legal person who takes the initiative and responsibility for the realization of the work according to Article L. 132-23 of the same code. We study here the competence and responsibility of the French director as an "auteur" by consulting the two types of contract: director-technician and author-director. We rant to offer a reflection on the position of the film director and the relationship between the director and the producer.