• The Journal of the Korea Contents Association
• /
• v.18 no.11
• /
• pp.205-212
• /
• 2018

Learning how to express and express the characteristics of acting expressions required by different media is easy to express the acting required in various mediums. The style of acting required by each medium is different depending on the characteristics of the medium. In particular, digital acting using computer graphics technology expresses actors as if they are in the space by imagining the imaginary space. Through computer graphics post-production, the actual space that will be visible on the final screen is completed and creates a story based on the actual situation. The role of digital actors in applying motion capture to movies is becoming increasingly important. Natural cross-reaction acting between live-action actors and digital character actors has become a trend in animation films where only digital actors appear. In animation films, a real actor plays a major role in connecting the characters of a digital actor. The core of a digital actor is the realization of a unique character performance. In the era of trans-media, the importance of digital acting is increasing day by day.

• Journal of Korea Entertainment Industry Association
• /
• v.13 no.1
• /
• pp.89-98
• /
• 2019

Performing arts, for instance, theatre and dance that perform on the stage, should recognize the contemporary characters and also emphasize the trend of the times. Thus, the subject of those varies and provides the audience diversity contents and style. People who perform those try to put the contemporary characteristic and sociality into their stage by utilizing new technology for their stage to be more sophisticated in aesthetic and philosophic aspects. According to the trend of the times, science and technology have been making great progress. As a result, the stage technology continues to develop, contributing to enhance the aesthetic and philosophical completeness of the performing arts. Also, there are technical and formal researches or methods constantly that make the performing arts new and diverse. Therefore, it can be said that it is very important to widen a category of the performing arts that amplify the actor's acting and emotions on the stage and then give the audience an experience. This paper will analyze in the way which various image techniques utilize to widen the actor's technique in the performing arts and the actor's technique progresses in the era called the Fourth Industrial Revolution era that grafts the art onto new media. Through this paper, in the era of the Fourth Industrial Revolution, a new paradigm in actor's acting which is becoming a hot topic in performing arts is predicted and anticipated.

• The Journal of the Korea institute of electronic communication sciences
• /
• v.6 no.2
• /
• pp.206-211
• /
• 2011

In this paper, a fire detection algorithm based on video processing is proposed. At the first stage, background image extracted from CCTV video input signal, and then foreground image were separated by differencing CCTV input signal from background image. At the second stage, candidated area were extracted by using color information from foreground image. At the final stage, smoke or flame characteristic area were separated by using Gaussian mixture modeling applied to candidated area, and then fire can be detected. Through real experiments at the inner room, it is shown that the proposed system works well.

• Korean Journal of Remote Sensing
• /
• v.39 no.3
• /
• pp.283-295
• /
• 2023

With the development of sensor and satellite technology, numerous high-resolution and multi-spectral satellite images have been available. Due to their wavelength-dependent reflection, transmission, and scattering characteristics, multi-spectral satellite images can provide complementary information for earth observation. In particular, the short-wave infrared (SWIR) band can penetrate certain types of atmospheric aerosols from the benefit of the reduced Rayleigh scattering effect, which allows for a clearer view and more detailed information to be captured from hazed surfaces compared to the visible band. In this study, we proposed a multi-resolution transform-based image fusion method to combine visible and SWIR satellite images. The purpose of the fusion method is to generate a single integrated image that incorporates complementary information such as detailed background information from the visible band and land cover information in the haze region from the SWIR band. For this purpose, this study applied the Laplacian pyramid-based multi-resolution transform method, which is a representative image decomposition approach for image fusion. Additionally, we modified the multiresolution fusion method by combining a haze-guided weight map based on the prior knowledge that SWIR bands contain more information in pixels from the haze region. The proposed method was validated using very high-resolution satellite images from Worldview-3, containing multi-spectral visible and SWIR bands. The experimental data including hazed areas with limited visibility caused by smoke from wildfires was utilized to validate the penetration properties of the proposed fusion method. Both quantitative and visual evaluations were conducted using image quality assessment indices. The results showed that the bright features from the SWIR bands in the hazed areas were successfully fused into the integrated feature maps without any loss of detailed information from the visible bands.

• Journal of the Korean Society of Marine Environment & Safety
• /
• v.27 no.1
• /
• pp.22-28
• /
• 2021

This is a basic study on the development of deep learning-based algorithms to detect smoke before the smoke detector operates in the event of a ship fire, analyze and utilize the detected data, and support fire suppression and evacuation activities by predicting the spread of smoke before it spreads to remote areas. Proposed algorithms were reviewed in accordance with the following procedures. As a first step, smoke images obtained through fire simulation were applied to the YOLO (You Only Look Once) model, which is a deep learning-based object detection algorithm. The mean average precision (mAP) of the trained YOLO model was measured to be 98.71%, and smoke was detected at a processing speed of 9 frames per second (FPS). The second step was to estimate the spread of smoke using the coordinates of the boundary box, from which was utilized to extract the smoke geometry from YOLO. This smoke geometry was then applied to the time series prediction algorithm, long short-term memory (LSTM). As a result, smoke spread data obtained from the coordinates of the boundary box between the estimated fire occurrence and 30 s were entered into the LSTM learning model to predict smoke spread data from 31 s to 90 s in the smoke image of a fast fire obtained from fire simulation. The average square root error between the estimated spread of smoke and its predicted value was 2.74.

• The Journal of the Korea institute of electronic communication sciences
• /
• v.10 no.1
• /
• pp.21-26
• /
• 2015

In this paper, we propose a system which can detect the smoke in real time from the high-quality IP camera. For real-time processing, open directly the RTSP streams transmitted from the IP camera using the library FFmpeg as opening a video file. To recognize smoke, color information and morphological characteristics of smoke, as well as the dynamic characteristics of the smoke also considered for candidate regions. To combine the characteristics of the various smoke effectively, the Adaboost algorithm, was used as the boosting algorithm finally. Through the experiments with input videos from IP camera, the proposed algorithms were useful to detect smokes.

• Journal of Korea Entertainment Industry Association
• /
• v.13 no.8
• /
• pp.313-323
• /
• 2019

For the actors on video, facial expression acting can easily become 'forced facial expression' or 'over-acting'. Also, if self-restraint is emphasized too much, then it becomes 'flat acting' with insufficient emotions. By bringing forth questions in regard to such facial expression acting methods, this study analyzed the facial expression acting of the actors in genre dramas with strong commercial aspects. In conclusion, the facial expression acting methods of the actors in genre dramas were being conducted in a typical way. This means that in visual conventions of video acting, the aesthetic standard has become the important standard in the facial expression acting of the actors. In genre dramas, the emotions of the characters are often revealed in close-up shots. Within the close-up shot, the most important expressive medium in a 'zoomed-in face' is the 'pupil of the eye', and emotions are mostly expressed through the movements of the eye and muscles around it. The second most important expressive medium is the 'mouth'. The differences in the degree of opening and closing the mouth convey diverse emotions along with the expression of the 'eye'. In addition, tensions in the facial muscles greatly hinder the expression of emotions, and the movement of facial muscles must be minimized to prevent excessive wrinkles from forming on the surface of the face. Facial expressions are not completed just with the movement of the muscles. Ultimately, the movement of the muscle is the result of emotions. Facial expression acting takes place after having emotional feelings. For this, the actor needs to go through the process of 'personalization' of a character, such as 'emotional memory', 'concentration' and 'relaxation' which are psychological acting techniques of Stanislavsky. Also, the characteristics of close-up shots that visually reveal the 'inner world' should be recognized. In addition, it was discovered that the facial expression acting is the reaction acting that provides the important point in the unfolding of narratives, and that the method of facial expression and the size of the shots required for the actors are different depending on the roles of main and supporting characters.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
• /
• 2007.10a
• /
• pp.427-430
• /
• 2007

Many victims and property damages are caused in fires every year. In this paper, flame and smoke detection algorithm by using image processing technique is proposed to early alarm fires. The first decision of proposed algorithms is to check candidate of flame region with its unique color distribution distinguished from artificial lights. If it is not a flame region then we can check to candidate of smoke region by measuring difference of brightness and chroma at present frame. If we just check flame and smoke with only simple brightness and hue, we will occasionally get false alarms. Therefore we also use motion information about candidate of flame and smoke regions. Finally, to determine the flame after motion detection, activity information is used. And in order to determine the smoke, edges detection method is adopted. As a result of simulation with real CCTV video signal, it is shown that the proposed algorithm is useful for early fire recognition.

• Proceedings of the Korea Institute of Fire Science and Engineering Conference
• /
• 2010.10a
• /
• pp.155-158
• /
• 2010

본 연구에서는 최근 도심지 대심도 지하도로 및 침매터널등에서 중요성이 부각되고 있는 터널내 화재안전 설계를 위한 영상유고감지시스템의 성능평가를 수행하였다. 영상유고감지시스템(VIDS)의 성능 평가를 위하여 터널 내부에서 발생할 수 있는 유고상황을 5가지로 구분하여 보행자, 낙하물, 정지차량, 역주행, 연기발생등의 상황을 인위적으로 발생시켰으며 이에 따른 감지 능력을 평가하였다. 실험결과 2, 3회 걸친 지속적인 교정과 세부조정을 거친 후에는 보행자 98.3%, 낙하물 96.7%, 정지차량 100%, 역주행 100%, 연기감지 100%의 감지율을 나타내었으며 카메라의 설치거리 100m 이내에서 비교적 높은 감지율을 나타내었다. 영상유고감지기의 적용 신뢰도는 터널내 조도, 카메라의 설치 위치에 따른 영상 변화등에 의존적이었으나 대심도 터널등의 신속한 화재감지를 위한 대안으로 적용될 수 있을 것으로 판단되었다.

• Journal of Korea Entertainment Industry Association
• /
• v.14 no.8
• /
• pp.103-116
• /
• 2020

This paper starts with the recognition of the problem of the need for a link between text-centered acting and body-centered acting. This study is focused on Brecht's theory of acting to overcome loss of presence by repetition which have been discussed many times by not only actors, but also acting educators. Brecht's acting theory has already been mentioned by many researchers as an alternative to conventional actor training. However, not many studies have been conducted on practical applicable methods. The purpose of this study is to provide the basis for the actual practice of Brecht acting and possibility that his acting theory can serve as a link between text and body-centered acting theory. As a research method, we first conduct theoretical considerations on the concepts and limitations of text-centered representational acting and body-centered post-drama acting. Then distinguish between text and body-centered acting tools among Brecht's epic theatre, to summarize the terms and concepts he uses and to identify the existing effects he reaches while acting. Finally, this paper proposes an teaching model that transforms and develops Brecht's acting theory through the writer's teaching experience. However, there are limitations in generalizing its effectiveness because this study is based on the writer's experience. We hope that further research will help the diversity of acting education by developing in-depth insights on Brecht acting theory and various models of acting teaching methods.