• Journal of Bio-Environment Control
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• v.14 no.2
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• pp.114-118
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• 2005

The experiment was conducted to establish the blanching culture of chicon expected to become exporting crop, for preventing Korea fiom importing the ffreign chicon and increasing the growers' profits, the days of blanching culture are based on the 5 treatments such as 10 days, 15 days ,20 days, 25 days, and 30 days. In the blanching culture days of chicory, the growth was good as blanching culture days were longer, there were too many outer leaves, and the ratio of bolting was $16\%$ on the 25 days, $30\%$ on the 30days. On the 10th day, the weight of chicon was light, the hardness was low, the density was low. The quality of chicon had no differences among the treatments. Therefore, the optimal condition for blanching culture of chicory is that the days of blanching culture is 20 days.

• The Korea Beekeeping Bulletin
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• s.348
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• pp.50-51
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• 2009

• The Korea Beekeeping Bulletin
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• s.348
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• pp.34-37
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• 2009

• Proceedings of the KGS Conference
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• 2005.05a
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• pp.45-46
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• 2005

• Journal of Conservation Science
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• v.34 no.2
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• pp.69-76
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• 2018

Lead-based pigments (Lead White, Massicot, and Red Lead) are known to cause discoloration easily in indoor air environments. This study was conducted to investigate the effect of representative indoor air environment factors ($O_2$, $CO_2$) on lead-based pigments. As a result of the experiment, almost all of the specimens showed changes of more than ${\Delta}E=5.0$ in their values of chromaticity under $O_2$ (99%, RH 99%) and $CO_2$ (36,000 ppm, RH 99%) environments. Scanning electron microscopy also showed that the pigment particles lose sharpness of the edge. Furthermore, under the degradation, the intensities of the characteristic peaks in the X-ray diffraction patterns were decreased, and Lead White, Massicot, and Red Lead exposed to $CO_2$ (36,000 ppm, RH 99%) were shown to include the new material cerussite ($PbCO_3$). In particular, Plattnerite ($PbO_2$) was identified on Massicot, and for white lead, the characteristic peaks disappeared and those of Cerussite were identified. It was confirmed that chemical change with discoloration can occur when these lead-based pigments are exposed to a high-humidity $CO_2$ environment.

• Conservation Science in Museum
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• v.15
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• pp.96-121
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• 2014

Portrait of Sim Huisu is a seventeenth-century Joseon portrait of a meritorious vassal. The National Museum of Korea currently owns two portraits of Sim Huisu, which are the eldest son's family and by the eldest grandson of the family's second eldest son. Both were donated in 1980. Portraits were still in its original mounting, but the supporting silk had been damaged and stained in a flood. Conservation treatment was undertaken to restore the original style, and scientific analysis, such as, X-ray, XRD, XRF and Graff "C" stain, was conducted to study the materials and painting techniques. The support silk was found to be refined fibroin and a plain weave consisting of two weft threads and one warp thread. The lining papers were found to be bamboo fiber paper of first layer in China and Korean traditional mulberry paper in second. Various pigments were identified in the painting, including white lead, cinnabar, atacamite, ink stick, azurite, silver, and gold. The study also confirmed the use of the back painting, with colors such as white ^{White Lead}, green ^Atacamite, orange ^Minium, black ^{Ink Stick}, and yellow ^Dye. Also, it was found that stick ink or dye was used with white lead.

• Korean Journal of Mineralogy and Petrology
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• v.36 no.1
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• pp.1-17
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• 2023

On painting cultural properties to which Orpiment, a traditional yellow mineral pigment, is applied, the color's degeneration is frequently observed. To identify the cause of the degeneration, this study takes a look into orpiment and the various pigments that are mixed into it (Lead White, Lead Red, and Cinnabar) in powder and painting state. The pigment was mixed with Argyo glue and then applied to korean traditional paper and silk. Considering the possibility that alum causes the discoloration, it was applied to the specimen. With a UV tester, the powders and the painted specimens were subjected to a light resistance test in three phases (96 hour). Color changes were measured with a colorimeter and minerals, chemical composition and structural changes were analysed by XRD, SEM/EDS and Raman spectrometers. While the color change of pure Orpiment powder according to the light resistance test was small, the colored specimen became darker. The color change was large in the Orpiment colored on the silk and in the alum-treated specimen. In Orpiment powder was produced white arsenolite as altered orpiment after UV test. In the mixed powder of Orpiment and Lead White were detected only the constituent minerals of Orpiment and Lead White, and no altered substances were produced. Whereas after the UV test, orpiment and arsenolite, which were altered substances of orpiment, and the constituent minerals of Lead White were detected. In the case of mixing the two pigments in the powder state, darkening did not occur even by the UV test. However, the specimens colored with the mixed powder were darkened by the UV test. The color change of Orpiment was different depending on the mixed pigment and base material. The color change was greater in the case of alum treatment than in the case without alum treatment, and it was found that alum also had an influence on the color change of Orpiment.

• The Science & Technology
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• s.513
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• pp.64-67
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• 2012

일본강점기에 수원고등농림학교를 졸업, 일본으로 건너가 조선인으로는 입학하기 어려웠던 규슈대학 농학부를 나온 후, 해방되던 해에 수원중앙농업시험장의 전작계장으로 부임한 인연을 시작으로 50년여 동안 우리나라 밭작물의 발전과 농학도 양성에 매달려 온 서하 조재영(西荷 趙載英) 박사(93)를 서울 서초구에 있는 한국학술원에서 만났다. 조박사는 1950년대에 보리, 밀 고구마 신품종을 개발, 농가에 보급해 '보릿고개'를 극복하게 했고 밭작물의 재배 및 육종 연구를 토대로 '재배학범' '전작'을 저술해 우리나라 작물학의 초석을 다져낸 이후, 오로지 그 일에 몰두하여 작물학 체계를 집대성해냈다. 황해도 연백 출생으로 대한민국 과학기술상 수상, 국민훈장 목련장 등을 수훈했다.

• Fashion & Textile Research Journal
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• v.15 no.6
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• pp.886-898
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• 2013

This study explores the types, shapes and changes of the court dance garments of mudong[child court dancer] and yeoryeong[female court dancer] for court dances such as Jangsaengboyeonjimu, Yeonbaekbokjimu, Jesuchang, and Choehwamu, and the arrangement of colors in their garments. The conclusion of the study is as follows: First, the type of garments of mudong varied according to the type of dance, role of mudong and passage of time. In all four jeongjae's, hongpo[red robe] and baekjilheukseonjungdaneui[white under garment trimmed in black] were commonly found. Second, the dress of yeoryeong in the Jangsaengboyeonjimu, Yeonbaekbokjimu, Jesuchang and Choehwamu was that of other yeoryeong, which was basically comprised of hwagwan[flower headdress], hwangchosam[yellow robe], hongchosang[red skirt] and sudae[embroidered belt]. Third, the color schemes of the court dance garments used in Jangsaengboyeonjimu, Yeonbaekbokjimu, Jesuchang and Choehwamu revealed that the color arrangement of sangsaeng [mutual generation] of the Ohaeng[Five Elements] scheme were favored in the garments of mudong and yeoryeong. The dress of mudong is characterized by sangsaeng between top and bottom, and between total and part, while the color scheme of the outer and inner was sanggeuk[mutual overcoming]. As for yeoryeong, the color arrangement was of sangsaeng in top and bottom, outer and inner, and total and part, but in the five-colored hansam[sleeve extension], both sangsaeng and sanggeuk were found.

• Conservation Science in Museum
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• v.28
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• pp.109-136
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• 2022

This study analyzes the , one of the three panels of 《Welcoming Banquets for the Governor of Pyeong-an》, a documentary painting of the late Joseon Dynasty, with the aim to identify the coloring materials used in the painting. The painting was first imaged at each wavelength in order to minimize the potential problems in the process of analyzing specific parts. This study applied X-rays to identify ink, gold, and organic and inorganic pigments and used infrared rays to find ink and copper-based pigments. It also applied hyperspectral imaging to distinguish organic pigments from black, blue, and green materials. It also analyzed spots selected for each color to identify the following materials: white lead (white), ink/indigo (black), a combination of red lead and cinnabar (red), pink dye, purple dye, iron oxides (brown), orpiment/dye (yellow), malachite/malachite and yellow dye/indigo (green), azurite/white lead and indigo/indigo (blue), indigo and cochineal (violet), and gold leaf (gold). It is expected that more efficient analysis will be made possible by securing a sufficient library for each wavelength.