• Journal of Convergence for Information Technology
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• v.8 no.4
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• pp.121-126
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• 2018

We are developing a hazard map creation support system for historical local towns. Our system aims at collecting the unique information received from residents and raising resident's consciousness to disasters by recording hazardous locations where residents feel danger in case of disasters. In this paper, we examine the hazard information of the area collected by the residents themselves in using the system. While exchanging opinions, the residents review the validity and completeness of the information gathered by walking around the area. We also consider how to integrate and share it throughout the region. We found that it was possible to gather regional hazard information from the viewpoint of residents in addition to high coverage for each district. Also, by sharing information at the review meeting, the residents were able to newly know the hazard information of other districts that they did not know before. This shows the usefulness of residents to share the dangerous information while examining each cause across the different districts.

• Journal of Korean Philosophical Society
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• v.147
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• pp.147-178
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• 2018

In this thesis, the author elaborates on how acceding to the Eurocentric paradigm-driven dichotomy of the premodern vs. modern engenders a logic bottleneck that debilitates academic efforts to explore the formation of the Korean constitution. Following this logic, the author will add credence to the belief that though the West may have had an influence on the formation of Korean democracy, the institution Korea enjoys today is a result of proactive and self-driven interpretation of those influences through the lens of local tradition. This insight is a prerequisite to understanding the spirit of Korea's First Constitution as a result of Koreans creative translation of Western democracy and Republicanism in the Korean context, and one whose roots lie deep in Confucian Great Harmony Thought. Through this, the thesis aims to offer insight into how Confucian Great Harmony Thought can shed light on the historical background of the spirit of Korea's Constitution.

• (The) Research of the performance art and culture
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• no.35
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• pp.373-404
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• 2017

As an art, Korean dance is a history, a tradition, and a continuing activity of consciousness. It is a present and future activity in the past that will continue the identity of Korean people. So storytelling is not just a description of the historical background, but of eternity that is being recreated. From this study, the inquiry of artistic beauty of Korean traditional dance is questioning the original essence and value of 'storytelling' through old tradition and historical art. If the study of the Korean dance among them was a study of the theorists for the aesthetic essence or the ideological system, the point of view of the storytelling of the Korean dance is that the public understanding about the core structure and reason of Korean dance and the study of the humanistic value It reminded me of a desperate attitude. The meaning of this study is to verify the usefulness of storytelling as a way to construct various contents of Korean dance in conceptual definition of storytelling. In the symbolic meaning of Korean dance, Cheoyongmu text formed the deep meaning network of the original art beyond the linguistic narrative structure and suggested the importance of storytelling development as DB of original contents.

• KSCE Journal of Civil and Environmental Engineering Research
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• v.29 no.6D
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• pp.703-709
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• 2009

This article analyzes the obtained data on consciousness survey of disabled and non-disabled pedestrians, and proposes fundamental data for public strategy in order to enhance facilities in subway stations in advance. This paper conduct literature review, new listing survey related to 'The Code for Improvement of Convenience for Moving Vulnerable Pedestrians', and Modified-Importance-Performance Analysis (M-IPA). The results show that disabled pedestrians want enhancement in information facilities as a whole. In addition, the results show that several improvements needs to be applied to accessible sidewalk, to informative notification, to alarm and evacuation system and to toilet for disabled pedestrians. This indicates that disabled pedestrians heavily concentrate on accessibility to subway station and provided information compared with disabled pedestrians.

• Journal of Korea Entertainment Industry Association
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• v.15 no.3
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• pp.211-219
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• 2021

Chinese Tibetan Opera is a highly comprehensive drama type, which combines the educational aesthetic characteristics of the realism of Western drama and the freehand of Chinese opera, including mask play, square play, ritual play and religious play. Tibetan opera, as a kind of local drama, has high research value, which is determined by its educational aesthetic characteristics. The world's three major dramas include Sanskrit dramas in India, tragic-comedies in ancient Greece and Chinese dramas, which have different forms of expression and educational aesthetic characteristics. Because of the particularity of its birthplace, Tibetan Opera inherits some of the three forms of the above three dramas. Ancient Greek tragedies originate from the sacrificial ritual of the god of wine. In the early ceremonial action performances, the actors were all men and needed to wear masks to perform. In Tibetan opera, men also play a role in masks, which are originated from the folk totem dance and religious pantomime music and dance. Due to the long history of Indian Sanskrit drama, except for the relevant records in dance theory, the specific performance form can not be verified. However, according to the relevant records in dance theory, the three characters "Wenba", "Jialu" and "Lamu" in the opening play of Tibetan opera are similar to the "concept character play" in Sanskrit opera. Tibetan Opera is a very important part of traditional Chinese opera, which inherits the educational aesthetic characteristics of Chinese opera.

• (The)Study of the Eastern Classic
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• no.49
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• pp.39-71
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• 2012

This paper examines Jang Hyeongwang's cultural awareness and the way of practice by focusing on his spirit of humanities in relation to the understanding of territory and bibliographic materials. In fact, this starts from conflicting evaluations on Jang Hyeongwang's way of learning in the field of Korean history. Jang Hyeongwang emphasizes realization of humanity, which is considered as basic framework of culture. He claims the indivisibility of Dao(道) and culture(mun文) by arguing that almighty principle of Dao manifests itself through phenomena of culture. In other words, Dao is the root of culture and, at the same time, culture is the necessary element of making Dao valuable. Furthermore, he insists that realization of human culture is the gist of manifesting the pattern of nature. In this vein, the roles of human beings are so important in creating humanistic civilization. He considers all kinds of human affairs as the contents of humanistic culture, which are contained in six classics. Especially, He says that the moral is reality of human culture and that literature is a literal expression of humanistic spirit. Thus, he criticizes that there are literatures without moral practices. He pays a special attention to his indigenous culture. He links the cultural understanding of geography, which is the foundation of realizing humanistic spirit, to awareness of Korean territory and grasps the territory in the light of topography of geographic power. Thus, he defines it as "Central Field" which bears comparison with China (middle kingdom). With the positive understanding of his country, he insisted that Korean indigenous culture and custom are as much advanced as China and was so proud of the moral characters and norms that Korean people had formed so far. Moreover, Jang truly exhibited affection to Korean literature, which had formed through Korean history. Kim Hyu, one of his students, activates Jang's will to preservation of Korean culture. Over twenty years, Kim completed Collected Record of Korean Literatures(haedong munhon ch'ongnok 海東文獻總錄). Actually, he started the preparatory works for compiling them. We should keep in mind that this compilation was completed following Japanese Invasion of Korea in 1592. It means that he has cultural awareness of preserving Korean literal heritages. Hence, it can be evaluated as the results of the enhancement of national studies. We have seen that He truly highlights realization of humanistic spirit by insisting the practices of moral values. In fact, his mind is linked to genuine affection to Korean territory, culture and literatures. Such affection can be paraphrased as moral awareness of humanity and its practices. In conclusion, his humanistic spirit should be understood as strong belief on universality of human morality. His cultural awareness of homeland and the will to practices should be considered as cultural pride of Korean intellectual traditions rather than following Chinese culture blindly.

• 한국벤처창업학회:학술대회논문집
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• 2017.04a
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• pp.23-23
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• 2017

본 연구에서는 지역사회의 생활문화공동체 만들기 사업의 한 사례로 경상남도 화동군 화개면 대성리 의신마을의 노인주민들을 중심으로 이루어지는 문화유산 개발과 자발적(생산적) 문화주체발굴 및 양성을 하고자 한 사례연구이다. 2017년부터 2019년의 3년차 사업으로 지역의 마을회(영농회, 부녀회, 청년회, 노인회)와 체험시설 관리운영, 체험행사 관리, 가공시설장 활용, 체험 프로그램 기획/운영, 마을기반조성사업 및 관광체험을 주요활동으로 하는 영농조합법인의 유기적 협력을 통하여 주변의 특산물, 자연환경, 산업환경 및 지리산을 중심으로 구성된 지역역사 문화환경이 연계되어 진행되는 생활문화공동체 만들기 사업이다. 특히 농악/낙차 동아리, 사진동아리, 그림동아리, 압화동와리와 같은 동아리 활동을 통하여 산골의 지역적인 약점을 보완할 수 있으며, 문화예술을 향유하려는 시대적인 욕구를 충족할 수 있는 실질적인 문화예술프로그램을 통한 공동체 발전을 지속하고자 함이 취지이다. 지역 노인들을 대상으로 노인들의 감성지능의 변화에 의한 지역공동체의식과 6차산업 기업가 정신 및 노인들의 사회참여에 대한 인식을 알아보고자 한다.

• Journal of the KSME
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• v.34 no.9
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• pp.666-677
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• 1994

이 글에서는 난류유동의 개략적인 특성을 살펴보았고, 환경 및 산업에서 등장하는 난류유동 문 제의 종류들과 그 해결방법들을 살펴보았다. 기술의 역사를 반추해보면 과학적 진보로부터 얻은 연구결과가 응용됨으로써 많은 분야의 사람들에게 넓고 보편적인 개념으로 확장 적용될 때 기 술적 진보가 이루어졌음을 우리는 알고 있다. 난류는 더 이상 복잡하고 어려운 학문이나 과학 으로 인식되어서는 안되며 누구나에게 보편적인 상식으로 파급되어야 한다. 현재까지 개발된 난류유동의 지식으로서도 충분히 해결가능한 문제들이 도처에 산재되어 있으며, 시급한 해결을 요구하고 있는 중요한 문제들이 대부분이기 때문이다. 특히, 전지구적인 문제로 부각된 환경문 제를 해결하고 산업기술의 획기적인 진보를 달성하여 지속가능한 기술적 미래를 창조하는 엔지 니어들은 더욱 큰 책임의식을 가지고 난류를 공부해야 할 것이다.

• JOURNAL OF ELECTRICAL WORLD
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• s.292
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• pp.21-26
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• 2001

올해는 건청궁 시등으로부터 114년, 한성정기회사 설립으로부터 103년이 되는 해이다. 모두 한 세기를 훌쩍 넘어선 이런 때에 통합체제였던 전력사업이 다시 분할 민등화되는 전력사적 대 전환점에 서게 되었다. 지난 한 세기 동안 전력사업은 정치, 경제, 사회의 변혁 그리고 전력기술의 발전과 더불어 소용돌이쳐 왔다. 사회 경제와 밀접한 연관관계를 갖는 공익사업이기 때문에 공익을 위해 겪어야만 했던 발자취이다. 한성전기 설립 이후 일정말기 태평양전쟁 수행을 위해 정치적, 전FIR적 개편을 강행한 것을 제외하면 순수한 공익목적 달성을 위해 사업의 발전적 해체 및 재정비가 이루어진 전력사적 대 전환점은 세 번 정도 있었다. (1) 초기의 창업과 사업의 난립, (2) 발송전설비의 계획적 배치와 배전권역의 대통합, (3) 통합 한전의 발족 등이 그것이다. 대전환의 도래는 약 35년에서 40년 주기를 보이고 있는데 경제변환주기처럼 순환론적 메커니즘에 의한 변환을 겪은 건 아니지만 ''전력사적 변환''의 필요성이 제기되어 몇 년씩 들끓다가 의식의 순화과정을 거쳐 새로운 구조로 탈바꿈한 발전단계를 거쳐왔다. 지금 우리 전력산업계가 대전환의 시점에 직면해서 여러 가지 진통을 겪고 있는 것도 새로운 체제가 태어나는 역사적 필연의 단계라고 할 수 있다.

• KLA journal
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• v.40 no.2 s.315
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• pp.14-24
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• 1999

이 대담 시리즈는 학교도서관에 대한 도서관계 안팎의 관심을 높이고 현단계 학교도서관 운동이 나아갈 길을 모색해 보려는 취지에서 시도된 것이다. 과거 학교도서관 운동을 주도하였거나 오랫동안 학교도서관 현장을 지켜온 인물들을 찾아 그들의 경험과 의식 속에 쌓여 있는 역사를 끌어내어 오늘을 비추어 보고 내일을 전망하는 계기로 삼을 것이다. 이번 대담에서 만난 사람은 전교조 5.6대 위원장을 역임한 정해숙 선생이다. 선생은 1966년 전남여고에서 사서교사로 첫 발을 내디딘 후 목포여고, 광주농고 등을 거쳐 1989년 해직 당할 때가지 광주 전남 지역의 학교도서관 운동에 크게 기여한 분이다. 10년간의 해직 교사 생활을 마감하고 1998년 9월 1일 부로 광주 기계공고에 사서교사로 복직하여 얼마 남지 않은 교직 생활을 사서교사로서 봉사하고 계신다. 이 대담을 통하여 선생께서는 학교도서관 문제 뿐만 아니라 우리 나라 교육의 전반적인 문제와 관련하여 깊이 있는 성찰을 보여주신다. 대담 일시 : 1998년 9월 24일 오후 9시-11시 30분 대담 장소 : 경주 교육문회회관 커피숍