• CHINESE LITERATURE
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• v.94
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• pp.19-30
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• 2018

It is generally believed, in his book San Yan, Feng Menglong shows a great contradictoriness when it related to female marriage problems, which is female are encouraged to pursue their emotional partners while being strongly demanded to keep the chastity. Existing researches seem relatively simple and superficially. Based on the influence Xin Xue has exerted on Feng, this article offers a thorough analysis of how Feng's inheritance plays a decisive role on creating the contradictoriness in Female marriage stories. Chapter 2 lists several concrete contradictory representations in female marriage stories. Chapter 3 starts with two aspects: theoretical inheritance and practical inheritance, assisting with specific stories, shows that Xin Xue has played a profound and key role in the formation of such contradictions. Finally, it arrived at a conclusion that Feng's stories are actually a fully reflection of the philosophy Xin Xue, and the contradictoriness appears in the stories is indeed the self-contradiction of Xin Xue.

• Journal of Popular Narrative
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• v.25 no.3
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• pp.67-99
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• 2019

This paper analyzed romance novels imported into Korea in the 1980s and examined the traits of Korean girls' culture at that time. To this end, This paper chose as subjects the series of 'high-teen romance' published by Samjungdang, 'princess bestseller' by Seoul Publishing and the 'silhouette romance' by Joongang Ilbo in the 1980s. Through the aspects of the paperback romances, the traits of the artist, the content of the work, and the response of the reader, this paper analyzed the position and affection of romance as a genre in Korean culture in the 1980s. In the 1980s, most of the paperback romances available in Korea were translations of the modern and progressive present lines of Harlequin Enterprise's category romance. There were also many writers who were mostly introduced with progressive characters like Charlotte Lamb. The Harlequin romance depicts a story of sensual love. These translated 1980s paperback romance novels allowed girls in Korea to freely imagine the problems of sex and love. In particular, it showed a new perspective on women's sexuality. In Korean love novels, the sexuality of women was treated as an object for the gaze of men. The novels of female writers as college student who criticized this dealt with women's sexuality, but focused on criticism and resistance to the ideology of chastity. The paperback romance made it possible for women to freely enjoy their sexuality by escaping the ethical standards of reality. In addition, the paperback romance was an escape from the frustration of love. Romantic love in Korean love novels did not lead to the unification of mind and body, and always ended in tragedy. On the contrary, the paperback romance started with the fear of the girl who felt love for the first time, showed the process of winning over anxiety, confirming love and reaching a happy marriage. Through this, girls understood general love that was not subordinated to the ideology of chastity, and accepted love positively. The process of establishing romance as a genre in Korean culture and the traits of its readers have not yet been sufficiently clarified yet. This paper compared the romance genre with the other love novels of the day, explaining the position and meaning of the romance genre in Korean culture in the 1980s. Through this, we were able to chart the historical development of the Korean romance genre.