• Title/Summary/Keyword: 악지

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A New Species, Caprella multituberculum (Amphipoda, Caprellidae) from the East Sea in Korea (한국산 바다대벌레속(단각목, 바다대벌레과)의 1신종, Caprella multituberculum)

  • 이창목;이경숙
    • Animal Systematics, Evolution and Diversity
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    • v.12 no.4
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    • pp.281-287
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    • 1996
  • A new species of Caprellidae, Ca;rella multitberculum collected from 3 localities in the coast of the East Sea in Korea, is described and illustrated. This new species is very close to Caprella soyo Arimoto, 1934 from Japan, but is distinguished from it by having the more numerous small tubercles on body surface, the shorter flagellum of antenna 1 and the smaller appendages of abdomen. Moreover, the shape of propodus of gnathopod 2 reveals several prominent differences between the two.

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A New Species of the Genus Gitanopsis (Amphipoda, Amphilochidae) from Korea (한국산 Gitanopsis속(단각 목, Amphilochidae과)의 1신종)

  • Kim, Chang-Bae;Kim, Won
    • Animal Systematics, Evolution and Diversity
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    • v.8 no.2
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    • pp.183-188
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    • 1992
  • Gitanopsis koreana, new species collected at Ganggu and Sadong in Korea is described and illustrated. This species is very close to G. robastodentes Hirayama, 1983 from west Kyushu, Japan. But, this new species is distinguished from G. robastodentes by the shorter ventrodistal extension of article 2 of gnathopod 2 and the shorter telson.

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First Zoea of Liomera bella (Crustacea: Decapoda: Xanthidae) Reared in the Laboratory (실험실에서 부화된 Liomera bella (갑각강: 십각목: 부채게과)의 제1조에아 유생)

  • Yang, Hoi-Jeong;Ko, Hyun-Sook
    • Animal Systematics, Evolution and Diversity
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    • v.21 no.2
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    • pp.193-199
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    • 2005
  • The first zoea of Liomera bella belonging to the subfamily Liomerinae is described and illustrated for the first time. Its morphological characteristics are compared with those of other known species of the Xanthidae The general morphology of it corresponds well with zoeas of the Xanthidae. Based on the zoeal morphology, the zoea of L. bella shows a greatest affinity with those of Xontho incisus and Pseudomedaeus agassizii by having the exopod of antenna with two setae, the terminal segment of the endopod of the second maxilliped with six setae, and the fork of telson with one stout and one smaller lateral spines.

Zoeal Stages of Actaea semblatae (Cruistacea, Decapoda, Xanthidae), with a Key to the Known Xanthid Zoeas of Korea (옴부채게(갑각강, 십각목, 부채게과)의 조에아 유생기 및 한국 부채게과 종의 조에아 유생 검색표)

  • Ko, Hyun-Sook;Yang, Hoi-Jeong;Ban, Kye-Ho
    • Animal Systematics, Evolution and Diversity
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    • v.18 no.1
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    • pp.1-12
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    • 2002
  • Actaea semblatae (Guinot, 1976) has been roared in the laboratory, from hatching to the first young crab stage at $25^{\circ}C$. The two zoeal stages are described and illustrated in detail. The first zoea of A. semblatae in the present study slightly differs from that described by Terada (1987) on the respect of the setal presence on the carapace, the antennule, the coxa of the first maxilliped and the first abdominal somite. Within the family Xanthidae, the zoea of A. semblatae can be clearly distingushed from the other known zoeas by having a seta as an antennal exopod or a vestigial exopod with a sets. A provisional key is provided to aid the identification of the xanthid zoeas in Korea.

Geomorphic Development of Tucson and Chiricahua in Arizona, U.S.A (미국 아리조나 투산과 치리카와 지역의 지형발달)

  • PARK, Heui Doo
    • Journal of The Geomorphological Association of Korea
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    • v.15 no.2
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    • pp.1-9
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    • 2008
  • This studied area is divided into the mountains and the valleys. The former is nearly consisted of the badland, the latter is consisted of alluvial plains in the valley, fluvial terrace at the side of the river, alluvial fans between mountains and river terrace. There are many tors, mushroom rocks, sugarloaves, weathering pits, castle coppies, columnar rocks, pinnacles, balanced rocks carved on tuff by means of erosion in the Chiricahua Nat'l Monument. Willcox Playa is alkalic crust where was lake in pleistocene epoch at the time wetter than present. Alkalic crust was made of Ca, Na, K etc. There are sand dunes around here where was lake side in the past. We found many kinds of fossils at the 2,000ft thick horizons of valley alluvium. Pediment and alluvium bordered at the base of Mt. Dragoon wavily. Exfoliation and spalling and sheeting resulted in boulders around here. Tucson is alluvial plain filled in thick 7,0000ft valley. Volcano, fault, erosion, alluvium were and are processing in this area.

The Characteristics in the Genres of Sijo and Byul-gok (시조와 별곡의 장르적 특성)

  • Lee chan-wook
    • Sijohaknonchong
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    • v.22
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    • pp.143-171
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    • 2005
  • Sip and Byul-Gok (New tunes), as folks musics, are musical concepts opposite to that of the Court musics. They have the tunes. typical and universal. and Byul-Gok for singing. has the words in which the properties of melodies in the structures of compositions are reflected harmoniously. The Song. or Shiga. in Koryo-Sa, History of Koryo. Acjee and Acjanggasa. named ByulGok. is divided into two types. according to the characteries of the forms.: Koryo Sokyo. or the folk songs in Koryo. such as Chengsanbylulgok. and Segyoungbyulgok. and Kyonggichega, or nobility songs in Koryo and Chosen Dynasty. such as Hallimbyulgok. Kwandongbyulgok. and Jucgyebyulgok. In addition. Gasa. or the nobility and folk songs in Chosen Dynasty. such as K wandongbyulgok. also has the title. Byul-Gok. Even though these types of the songs have the same tittle. Byul-Gok, it is not appropriate that Byul-Gok is used as a term described as a branch of the literature: in light of music. they have the properties in common in the sense that they are opposite to the Court music. but. in light of literature. their forms are very different from one another. Therefore, it is appropriate that they are classified according to the characteristics of the forms, winters, the ideology of people who enjoy them, and periods: Sokyo, Kyonggichega, and Gasa. Byul-gok means not only the folks songs opposite to the court musics, but also the songs by setting words to the melodies present. Orignal tunes and their new tunes are not different musical compositions, but the same ones with the melodies which Korean acquired transcendentally. It is general tendency, at those times, that after compositions were made, words are set to them. Such words represent the politic thought in which courtesy and music are considered important. and the spirit with which the ruler and the people enjoy together.

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Morphological Landscape of Patagonia and Atacama in the Andes based on Geotourism (지오투어리즘 관점에서 본 안데스 파타고니아와 아타카마의 지형경관)

  • PARK, Jongkwan
    • Journal of The Geomorphological Association of Korea
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    • v.20 no.4
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    • pp.15-28
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    • 2013
  • This paper was made on the basis of geotourism to explain morphological characteristics of Patagonia and Atacama region in the Andes through 10-day fieldwork. The Patagonian landscape was focused on the Torres del Paine National Park, Chile and the Los Glacier National Park, Argentina; on the other hand, the Atacama morphological landscape was investigated around the San Pedro de Atacama. Many geomorphological features such as uplift, semiarid and glacier landscapes can be found in Patagonia, so it is strongly recommended to have an opportunity to enjoy these landforms by geotourism. Massive intrusive rock bodies of granite can be shown in those two National Parks declared a Biosphere Reserve by UNESCO. And, the Atacama Desert located on the forearc depression in the Andes, Chile has also many geomorphological destinations of arid and volcanic landforms; badland, pediplain, pediment, salt lake and geyser. Especially, huge pediplain is one of the greatest view points in the Atacama Desert. Patagonia and Atacama are the best geographical tourism sites to know diverse tectonic landforms made by the conflict between South American and Pacific plates.

Reconsideration of the Formation Process of Current Nagyangchun (현행 낙양춘의 형성과정 재고)

  • Yim, Hyun-taek
    • (The) Research of the performance art and culture
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    • no.43
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    • pp.79-120
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    • 2021
  • Nagyangchun is a Dangak that has been handed down to the present time with Boheoja as a Saak of the Song Dynasty which was introduced in the Goryeo Dynasty. The title and lyrics of Nagyangchun are conveyed in the Dangakjo of Goryeosa-akji and the Jeungbomunheonbigo. The remaining scores containing Nagyangchun include Akjangyoram, Sogagwonbo Vol.4 and Vol.6 of the Joseon Dynasty and Aakbu-akbo, the 6th Aaksaeng-gyogwacheol, Leewangjikaakbu-oseonakbo during the Japanese colonial period. Besides, the current melody of Nagyangchun is based on Hangugeumak and Gugakjeonjib published by the National Gugak Center. This paper aims to examine how Nagyangchun, which is currently being performed at the National Gugak Center, went through the process of change to have the same structure and form as it is now using these scores as a research subject. The study results are summarized as follows. First, the song of Nagyangchun, which was originally Saak but transmitted as an instrumental piece without lyrics, first appeared in the Hangugeumak Vol.16 and Gugakjeonjib Vol.7 published by the National Gugak Center in 1978 and 1979. In this process, the Janggu added by Kim Ki-soo is now disappearing and is replaced by Jwago. Second, though the five notes of 黃, 太, 仲, 林, and 南 have been maintained unchanged since the Akjangyoram, the pitch of 無/應 and 夾/姑, which appear once each, gradually rises and is unified into 應 and 姑 during the period of Aaksaeng-gyogwacheol or at the latest Leewangjikaakbu-oseonakbo, and reached the present. Third, the current melody of Nagyangchun consists of a structure in which the tones and range of each phrase rises within the form of Mijeonsa (a·b·c·d) and Mihusa (e·b'·c'·d'). Particularly, except for the a-type and e-type melodies, which are the introduction for the Mijeonsa and Mihusa, the remaining melodic types show a gradually descending structure within the corresponding phrase, so the structure of ascending and descending is generally in harmony. Forth, the Ganeum that appeared from Aakbu-akbo are currently classified into seven types, and they appear in ascending pitches of 2nd, 3rd, 4th, and 5th and play a role in smoothly or fluently connecting melodic progression. Fifth, after Akjangyoram, Nagyangchun, which had been handed down as an instrumental piece without lyrics, was restored in 1960 by Lee Hye-gu, and is being passed down as the form of male and female vocals added to the instrumental accompaniment. As a result of examining the current Nagyangchun, which was formed through the process of change after Akjangyoram, it was found that there were tasks that required reconsideration of the current Nagyangchun, which is being played at the National Gugak Center, such as the arrangement of Janggu, the identification of the key, and the investigation of the lyrics. When follow-up studies are continued in the future, it will be able to contribute to the cultural transmission of Nagyangchun.

Morphological Classification of the Korean Local Corn Lines (재래종(在來種) 옥수수의 형태적(形態的) 특성(特性)에 의(依)한 분류(分類))

  • Kwon, Kyeong Hak;Choe, Bong Ho
    • Korean Journal of Agricultural Science
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    • v.13 no.1
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    • pp.1-16
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    • 1986
  • This experiment was carried out to obtain genetic information for future corn breeding. The materials used for the study were obtained from the nationwide collection of Korean local corn lines. A total of 262 lines were used for the study of morphological characters and for the classification of lines. Results obtained are summarized as follows; 1. The days to flowering of lines ranged from 57 days to 87 days. Most lines had an average of 67 days of flowering days. 2. The number of tillers of lines showed a lot of variation among lines with 49.2% of coefficient of variation. 3. The coefficients of variation computed based on the phenotypic observation or measurement of each line were 36.1%, 27.2%, 20.0%, 16.4% and 16.3% for kernel weight per ear, 100 kernel weight, ear height, plant height and ear length, respectively. 4. Ear height, ear length, ear diameter, tiller number and days to flowering were highly and positively correlation with the plant height. Kernel size, ear size, and plant height were highly correlated with 100 kernel weight and kernel weight per ear. 5. The 262 corn lines were possibly classified into four major groups by the Euclidean distance. Group I comprised 110 lines, group II 74 lines, group III 66 lines and group IV 12 lines, respectively. Group I was characterized as having early maturity, medium plant height large kernel size and large ear size. Group II had medium maturity, short plant height, medium kernel size and small ear size. Group III had medium maturity, medium plant height, large kernel size and medium ear size. Group IV had late maturity, long plant height, small kernel size, small ear size and many tillering. 6. The plant height showed significant difference between group I and II, II and III, and II and IV group. No statistical differences were observed between group III and IV. The ear size of group I was significantly different from those of group II, III and IV. Also difference of ear size between group II and III was significant. The kernel size, 100 kernel weight and kernel weight per ear were all significantly different among all groups classified. The row number was different between group I and II. The row number of lines in group IV was significantly different with group I, II, III respectively. The number of tillers and flowering days of lines in group IV were greatly different from those of group I, II and III. 7. The corn lines collected from northwest plain regions and middle hilly regions in Korea had medium maturity, medium plant height, large ear and large kernels. The corn lines from middle eastern hilly regions had medium size of ear kernels. The corn lines from middle southern hilly regions had late maturity, small kernel size and many tillers. The corn lines from southwest plain areas had late maturity, long plant height and many tillers.

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