• Korean Journal of Comparative Education
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• v.22 no.4
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• pp.51-73
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• 2012

The purpose of this study was to demonstrate the characteristics of ideal figure aimed by the moral education of both Korea and Japan by comparing and analyzing the descriptive content and characters' tendency appeared in the moral education textbooks published in accordance with the current moral education curriculum in Korea and Japan. First, this study examined the tendency of real persons appeared in the moral education textbooks in both countries. To be specific, this study attempted a quantitative comparative analysis of the characters' tendency by expressing the distribution of the characters by appearance time, male-to-female ratio, Koreans and foreigners and characters by occupation and position in percentage. Furthermore, it attempted to demonstrate the particular emphasis in values and virtues in both countries by examining the moral values derived from the characters' decency, way of life and teachings and expressing the distribution of the characters by value and virtue in percentage.

• Cross-Cultural Studies
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• v.47
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• pp.191-216
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• 2017

Among 20th century Western ideologies (Western civilization), existentialism is a spirit of the times to restore humanity as rationality and advanced technology have driven mankind to impoverishment and death, experiencing the First and Second World War, Great Depression, Fascism and the Spanish Civil War. In his literature, $Andr{\acute{e}}$ Malraux records his existential agony of how mankind lives and faces death by questioning the fateful life and death of characters. For Malraux's characters, the absurdity of existence related to the human identity means self-examination. Malraux explores existential consciousness and actions of characters in the presence of a concept known as death relative to terror, revolution, and adventure. Malraux deftly addresses the concept of death in his literary works, and it has being emphasized as a central subject for philosophical speculation. In Les $Conqu{\acute{e}}rants$(1928), La Voie Royale(1930), La Condition Humaine (1933), L'Espoir(1937), Malraux suggested a philosophical thesis of the meaning of life through characters in tragic situations, and sought out the consciousness of being and the existential meaning through how the characters control their fate. Malraux, in such a tragic perspective of the world, portrays humanity, affirmation of life, and characters' consciousness and actions in denying death. The agony of death triggers escapist behavior such as having unpredictable instinctual desires such as gambling or smoking opium, but these are desperate struggles to flee from frustration and related to the question of one's existence. What is always emphasized with respect to Malraux's existentialism is the tragic metaphysics of the inevitable destiny of the human condition eventually leading to the question of how humans ultimately confront death. But as characters unite in times of war, revolution and adventure in the novel, such cooperative actions symbolizes a keen sense of solidarity reflecting a camaraderie that transcends individualism. Fellowship among people who voluntarily gather for the common cause of philanthropy and restoring humanity is possible because of the underlying human greatness to sacrifice for such a noble cause. Therefore, Malraux's camaraderie includes the victory of existentialism in creating a world of humanism.

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.331-332
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• 2014

21세기 포스터모더니즘 트렌드는 실존 인물인 예술가의 삶과 예술품을 다루면서, 회화, 조각, 스케치, 음향, 조각소리 등, 복합적인 콘텐츠 융합의 시청각 효과로 스토리의 시너지 효과를 낸다. 그럼으로써 내러티브의 진실성을 나타내는 것이다. 그러나 무엇보다도 신빙성 있는 탄탄한 증거자료 수집이 영화의 진실성을 뒷받침하고 있다.

• Trans-
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• v.11
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• pp.1-35
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• 2021

This study looks to explore situations in which the authenticity of reality audition programs is inherently distorted by subjective intervention through a theoretical model of existentialism and case study of how it was practiced in an actual program. In detail, we examine the impact on the essence of human subjective intervention and the behavior by free will and use Sartre's existentialism a theoretical model and a Korean audition program series as the case for the study. We believe that the producers intended to narrow the audiences choices by creating a favorable environments for certain participants (trainees as they were called) to be recognized and liked by the voting audiences. We look to "subjectivity," the first principle of existentialism, people determine their essence through free will, and all actions in the production process are aimed at achieving that goal, which keeps the position balance of final debut group by creating the character image and personality through character making, storytelling and increasing or decrease the assigned air-time of each individuals.

• Digital Contents
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• no.3 s.142
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• pp.80-83
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• 2005

모든 이야기 예술의 창작은‘만약에, ~이라면’이라는 상황의 가정에서 시작된다고 한다. 스타니 슬라브스키가‘매직 이프(Magic If)’라고 명명한 이 창작의 발상방법에서 거의 모든 극적 상황들이 탄생한다. 멜 깁슨이 주연했던 영화 <왓 위민 원트(what women want)>는‘만약 내귀에 여자들의 속마음이 들린다면’이라는 가정에서 출발한영화다. 또<로빈슨크루소>는‘만약 내가 무인도에 고립된다면’이라는 가정에서 만들어진 유명한 소설이다. 비교적 최근 등장한 게임은 어떨까? <파이널 판타지10>은‘만약 내가 실존인물이 아니고 다른 사람의 꿈이 만들어낸 가짜 존재라면’이라는 가정에서 출발한다.

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.343-344
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• 2014

본 연구는 홍명희의 "임거정(林巨正)"에 나타난 정치성을 연구한 것이다. 주된 논의는 랑시에르의 이론을 원용하여 크게 네 가지 방향에서 이루어졌다. 핵심 키워드는 탈봉건적 민중언어, 평등사상, 서사의 확장, 반시대적 자유인을 들 수 있다. 랑시에르가 지적했듯이 예술을 통한 감성의 분할은 사유의 특권을 가진 집합의 경계를 무너뜨릴 수 있기에, 기존 체제에 '불화'와 '불일치'를 가져온 실존 인물을 다룬 "임거정(林巨正)" 이에 적합한 텍스트로 볼 수 있을 것이다.

• Proceedings of the Korea Contents Association Conference
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• 2017.05a
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• pp.397-398
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• 2017

본 연구의 목적은 최인호의 "유림"에 나타난 유가사상이 실존인물을 중심으로 전개되는데 주목하여 유가사상의 본질이 무엇인지 밝히고, 이를 통해 탈근대의 단초를 제시함에 있다. 연구를 통해 알 수 있는 사실은 '예'가 동아시아인을 넘어 세계인의 사상이 될 수 있다는 사실이다. 이는 이황과 이이, 이황과 기대승의 담론을 통해 확인할 수 있다. 유가사상은 상생과 공존을 제시한 레비나스의 '타자성의 윤리'에 맞닿아 있는 것이다.

• The Inventors News
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• no.59
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• pp.1-16
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• 2007

'여성 발명' 사업화 성공 가능성 확인/발행인 칼럼/특허청, WIPO와 업무협약 체결/특허수수료 휴대폰 결재/장영실 그리고 세종대왕/"세계여성발명대회 개최 적극 협조"/모든 여성경제인에게 기회 주어져/특허출원 쉬워져 여성.발명초보자에게 유리/결산.사진으로 보는 2007 여성발명품박람회/"창의적 교과과정으로 발명 조기영재 육성"/"발명전문인력 고교시절부터 육성한다"/역사 속의 발명품/하루 10분 발명교실/특허 Q&A/'제42회 발명의 날' 표창장 받은 문승자.서진순.김연희 회원/실존인물 임꺽정 소설인물 홍길동/특허청 서울사무소 고객공간 재배치/아이디어 착상 및 발명 기법/3만불 선진국 진입 "여성 경제력 커져야만 가능"/듀보스의 항생제/한.미.일.중.EU 5개국 특허협력/상표등록 이의신청제 모방상표 잡는 효자/발전설비진단시스템 특허출원 급증/보안기능 갖춘 휴대폰 기술 인기/일회용비밀번호 뜬다/협회소식

• Journal of Fashion Business
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• v.19 no.2
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• pp.118-135
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• 2015

This study probed into the fashion of modern girls between the 1920's and the 1930's who led the mentality and fashion of women as the progenitor of the alpha girl in Korea. For this, the fashion of actual people who received attention as modern girls in various occupations and that of modern girl heroines reinterpreted in films were examined. Methods included the theoretical study based on fashion related newspaper articles at the time, specialized publications, advance researches, and internet data and the empirical study that involved contents analysis centering on visual data. The Western women's fashion between the 1920's-1930's was dominated by the garçonne look to promote women's entry into society and competition against men and the practical and mature long and slim look due to the influence of economic recess. Korean people also adapted Western clothes following Western fashion while also modified the traditional clothes and wore modified Korean clothes. The fashion of 5 actual modern girls of Korea and that of 3 film heroines were examined. The fashion of actual people most well represented the fashion trends at the time and that they used fashion as the means to express their mentality and their artistic propensity and professionalism were expressed through fashion. On the other hand, the fashion of film heroines substantially expressed various occupations of the characters in the film and reflected trendy clothes and cosmetics, and it showed sexy and romantic fashion trend due to the influence of modern trends and reinterpretations.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.28 no.1
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• pp.191-207
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• 2017

This paper employs entitymetrics analysis on the research works of Dong-ju Yun. He was a Korean poet who was studied by many researchers on his works, religion and life. We collected 1,076 papers about Dong-ju Yun and conducted various approaches including co-author citation analysis, topic modeling analysis to identify the topic trend in the study of Dong-ju Yun. Also we extracted entities like person's name and literature's title from abstract to examine the relationship among them. The result of this paper enables us to objectively identify the topic trend and infer implicit relationships between key concept associated with Dong-ju Yun based on text data. Moreover, we observed sub-research topics such as life, poem, aesthetic existence, comparative literature, literary translation, and religious beliefs. This paper shows how entitymetrics can be utilized to study intellectual structures in the humanities.