• Title/Summary/Keyword: 신(新)전통

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A Study on the Analysis of Traditionality in the Architecture of Kenzo Tange (단게 겐조(丹下健三)의 건축에서 나타나는 전통성 해석에 관한 연구)

  • Kwon, Je-Joong
    • Journal of the Korea Convergence Society
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    • v.10 no.6
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    • pp.171-178
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    • 2019
  • Kenzo Tange who had successfully led Japan's early modern architecture has been interested in how to express tradition in the process of realistic creation of architecture since the 1950s. He tried to express the tradition of Japanese architecture in modern architecture in his own way. Tange believed that existing theory of tradition preserving traditional forms would no longer make Japan's tradition international. Therefore, he insisted that through his own 'new tradition', the tradition is maintained only by constant innovation, and that it does not leave traces in the results as a catalyst to stimulate creative activities. Therefore, this study aimed to analyze the concept and characteristics of 'new tradition' which Tange has claimed in his architecture.

A Study on the Expression of Traditionality in the Architecture of Kenzo Tange - Focused on formal aspects - (단게 겐조(丹下健三)의 건축에서 전통성 표현에 관한 연구 - 형식적 측면을 중심으로 -)

  • Kwon, Je-Joong
    • Journal of the Korea Convergence Society
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    • v.11 no.4
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    • pp.179-188
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    • 2020
  • Kenzo Tange was interested in how to express tradition in the process of creation of modern architecture and tried to express the traditionaluty of Japanese architecture in his own way. In particular, Tange expressed Japanese tradition in terms of building materials and components from the point of view of his own 'New Tradition'. Tange created the 'Japanese style of architecture' based on traditional architecture to match the discourse of international architecture and distinguish it from the Western one, by harmonizing the plasticity of Japanese traditional architecture with the Western technology in building materials and components. Therefore, this study aimed to analyze the signs and traces of traditions in the building materials and components in his architecture. Through this study, I would like to have implications for our architecture, which had a very different process and result from Japan in digesting and combining it with traditional architecture although Western civilization was accepted at about the same time.

ESCO Special - 에너지, 저장해 사용하고 팔자! 일석이조 ESS (Energy Storage system)

  • 에너지절약전문기업협회
    • The Magazine for Energy Service Companies
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    • s.84
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    • pp.8-11
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    • 2013
  • 지난 5월 28일 국무회의에서 박근혜 대통령은 "과학기술을 통한 에너지 효율성을 제고하거나 낭비를 막는 방법도 있고 스마트 그리드 같은 IT기술을 이용해서 실시간으로 자신이 얼마를 소모하는지 알려줌으로써 스스로 아껴 쓸 수 있는 방법이 있는데, 그런 방안도 적극 연구해 달라"고 당부했다. 실제로 우리 산업은 현재 ICT기술과 전력시장을 창조적으로 융합하여 새로운 시장을 형성하고, 이를 통해 신(新)성장동력, 신(新)서비스업을 육성해야 하는 시점에 직면해 있다. 전력공급에 소요되는 사회적 비용이 급증하여 빠른 속도로 증가하는 수요를 충족시키는데 많은 어려움이 있는 것도 사실이다. 늘어나는 수요에 따라 공급을 확대하는 공급중심 정책에서 합리적으로 수요를 줄인 후 공급을 확대하는 수요관리 중심의 정책으로 전환이 필요한 때이다. * 연평균 전력소비증가율('00~'10년, %) : 한국 5.3('10년 10.1), 일본 0.2, 미국 0.7, OECD 평균 1.0 최근 다각도로 전력 사용을 줄이기 위한 이벤트가 실시되고 있는데 실내온도 제한 등 일시적 절약에서 벗어나, 세계적 수준의 우리 ICT기술을 활용하여 근본적이고 시스템적인 수요관리 추진이 필요하다. 한편 전력수급 위기를 새로운 시장창출의 기회로 만드는 발상의 전환을 통해 창조경제시대의 신성장동력과 일자리를 창출하게 되는 기회가 될 수 있다. 이는 전통적인 에너지산업에 2차전지산업, 소프트웨어 산업을 융합하여 ESS, EMS, LED 등 ICT기반 에너지 신산업 시장 진출을 의미한다. 이번호에서는 ESS(Energy Storage System)라고 불리는 에너지저장장치에 대해 살펴보고자 한다.

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디지털 융합인프라 추진 방향

  • Kim, Seong-Tae
    • Information and Communications Magazine
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    • v.27 no.1
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    • pp.35-41
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    • 2009
  • 본고에서는 디지털 융합시대의 국가 미래 IT 인프라 전략으로 지능형 광대역 인프라를 제시하였다. 지능형 광대역 인프라는 광대역 네트워크 인프라, 정보통신 서비스 인프라, 기반체계 인프라로 구성되는 디지털 사회간접자본으로서 전통적인 사회간접자본과 융합되어 신(新)지식기반 SOC를 구축함으로써 국가 지식인프라의 하부구조를 이루게 된다. 초고속정보통신망 정책 성공요인에 대한 고찰을 기반으로 지능형 광대역 인프라의 성공적 구축을 위한 정책과제를 제시한다.

집중탐구 4_정유산업 바로알기 - 정유산업, 위기속 '신(新)성장엔진' 장착으로 '부활'

  • Park, Yong-Hwan
    • Korea Petroleum Association Journal
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    • s.277
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    • pp.48-53
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    • 2010
  • 정유산업은 새로운 도전에 직면해 있다. 2000년대 들어 중국 경의 급속 성장에 힘입은 '정유업 황금기'를 구가했지만, 2008년 하반기 이후 세계 경기침체로 인한 '암흑시대'로 접어들었다. 경기침체로 수요가 둔화되는 반면, 중국을 비롯한 중동의 신증설이 본격화되며, 공급과잉 시대로 진입한데 따른 것이다. 아울러, 세계 경제의 패러다임이 '환경'으로 급속 재편되고 있는 점은 전통적인 정유산업에 위기감을 불러일으키고 있다. 화석연료 고갈과 함께, '온실가스' 감축이라는 시대적 요구는 정유산업에 일대 도전이다. '어두운 터널'을 지난다고 하면, 참고 견디면 되겠지만, 현 시대적 도전은 국내 정유업에 새로운 엔진을 요구하고 있다. 저(低) 마진 시대의 본업 경쟁력을 확보하기 위한 고도화 설비 확충에 속도를 내고 있으며, 에너지의 안정적인 확보를 위한 석유개발 및 화석연료로 대변되던 에너지의 근본적 전환의 시기에 주도권을 선점하기 위해 신재생에너지 사업에도 발 빠른 움직임을 보이고 있다. 석유개발에서부터 석유화학제품까지 일괄체제를 구축하는 동시에 다음 세대 에너지 개발을 통해 종합에너지사로 DNA를 바꾸고 있는 것이다.

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Joseon Intellectuals' Awareness in 'Gǔ(古) and Jīn(今)' and Historical Changes - Focusing on distinctions between different schools (조선 지성인들의 '고금(古今)' 인식과 역사변동 - 학파 간의 차이를 중심으로 -)

  • Choi, Young-sung
    • The Journal of Korean Philosophical History
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    • no.54
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    • pp.43-75
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    • 2017
  • This paper is to examine how Joseon intellectuals understood $g{\check{u}}$(古) and $j{\bar{i}}n$(今) and how its history consequently changed. It is to take a macroscopic view focusing on differences of different schools. Understanding of '$g{\check{u}}$' and '$j{\bar{i}}n$' directly and indirectly affected academia, art and even politics throughout Joseon dynasty. As different scholars and schools distinctively understood $g{\check{u}}$ and $j{\bar{i}}n$, issues of tradition and creation; conservatism and progressivism and; ideal and reality were deeply discussed. Those discussions greatly and historically contributed to making changes in politics and society as well. A cultural tradition of emphasizing '$g{\check{u}}$' took a deep root in overall Joseon society. Meanwhile, understanding of '$j{\bar{i}}n$(今)' or '$x{\bar{i}}n$(新)' was required with changes of times. as When people thought the reality is confusing or corrupt, they adopted restoration(復古) which means to go back to basis as the slogan. Awareness in $g{\check{u}}$ and $j{\bar{i}}n$ served as a drive to change the society. However, they never lifted their voices for '$j{\bar{i}}n$' or '$x{\bar{i}}n$,' abandoning '$g{\check{u}}$'. Criticism on '$g{\check{u}}$' was merely for criticizing being bound by '$g{\check{u}}$,' not targeting '$g{\check{u}}$' itself. '$J{\bar{i}}n$' actually was a dependent variable of '$g{\check{u}}$.' It is a dichotomous view to consider '$g{\check{u}}$' as conservatism and '$j{\bar{i}}n$' as progressivism.

A Study on the Popularization of Traditional Korean Art through the Case Study of Convergence of K-POP and Traditional Art - Focusing on the idolization of BTS - (K-POP과 전통예술의 융합 사례분석을 통한 한국전통예술의 대중화 방안 연구 - BTS의 IDOL을 중심으로 -)

  • Cho, Young-In
    • Journal of Korea Entertainment Industry Association
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    • v.13 no.2
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    • pp.27-36
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    • 2019
  • Today, the Korean wave headed by K-pop is newly named as 'New Korean Wave' in that it has been extended to United States, Europe and Russia. K-POP, the main player of the new Korean wave, has been successful in SNS marketing channels. Furthermore, the content of K-pop has attracted the attention of the global audience. The media and public attention on the Korean Wave is meaningful because it is not merely a cultural export. It also makes Korean people feel national pride, seeing the mental influence of its culture on other regions. Moreover, the development of the cultural industry in our society, which is different from industrial or material development, is a proof that Korean society is at the center of globalization. Until the 20th century, Korean culture had been rather receptive than dominant. In other words, it was focused more on acceptance of other cultures than active creation or outflow of its own. Now, however, K-POP is not anymore copying Western culture. It is creating its own unique characters, which makes K-pop very competitive. Korean culture has been formed for a long time in Korea's unique historical background. Korean popular culture also has to establish a solid foothold in world markets through its distinctive and traditional feature. The positive consumer response to Korean pop culture will create the added value of Korean contents and their derivatives, which will heighten Korea's national image also. In other words, if traditional art and K-POP are converged and equipped with our own unique and highly artistic culture, they will take the lead in the global cultural art market. In this study, we will recognize the possibility, growth and development of K-pop culture and analyze the cases of combining K-pop and Korean traditional art. First, we have to blend traditional art and other various genres to create diverse contents, and we have to actively utilize media channels. Second, we must improve people's awareness of the copyrights of traditional art. Also, we have to mitigate the copyrights of creative dance to expand the disclosure of contents which can be utilized. Third, we have to learn about traditional arts from younger age. Fourth, we will expand traditional arts to the whole of Korean cultural policies, which can enhance the nation's cultural value and create economic benefits. These four are expected to be effective ways to preserve the identity of traditional art and at the same time, globalize Korean culture.

The Conceptual Intersection between the Old and the New and the Transformation of the Traditional Knowledge System (신구(新舊) 관념의 교차와 전통 지식 체계의 변용)

  • Lee, Haenghoon
    • The Journal of Korean Philosophical History
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    • no.32
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    • pp.215-249
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    • 2011
  • This essay reflects on the modernity of Korea by examining the transformation of the traditional knowledge system from a historico-semantic perspective with its focus on the opposition and collision of the old and the new conception occurred in the early period(1890~1910) of the acceptance of the Western modern civilization. With scientific success, trick of reason, Christianity and evolutionary view of history, the Western modernity regarded itself as a peak of civilization and forced the non-Western societies into the world system in which they came to be considered as 'barbarism(野蠻)' or 'half-enlightened(半開).' The East Asian civilization, which had its own history for several centuries, became degraded as kind of delusion and old-fashioned customs from which it ought to free itself. The Western civilization presented itself as exemplary future which East Asian people should achieve, while East Asian past traditions came to be conceived as just unnecessary vestiges which it was better to wipe out. It can be said that East Asian modernization was established through the propagation and acceptance of the modern products of the Western civilization rather than through the preservation of its past experience and pursuit of the new at the same time. Accordingly, it is difficult to apply directly to East Asian societies Koselleck's hypothesis; while mapping out his Basic Concept of History, he assumed that, in the so-called 'age of saddle,' semantic struggle over concepts becomes active between the past experience and the horizon of expectation on the future, and concepts undergoes 'temporalization', 'democratization', 'ideologization', 'politicization.'The struggle over the old and new conceptions in Korea was most noticeable in the opposition of the Neo-Confucian scholars of Hwangseongsinmun and the theorists of civilization of Doknipsinmun. The opposition and struggle demanded the change of understanding in every field, but there was difference of opinion over the conception of the past traditional knowledge system. For the theorists of civilization, 'the old(舊)' was not just 'past' and 'old-fashioned' things, but rather an obstacle to the building of new civilization. On the other hand, it contained the possibility of regeneration(新) for the Neo-Confucian scholars; that is, they suggested finding a guide into tomorrow by taking lessons from the past. The traditional knowledge system lost their holy status of learning(聖學) in the process of its change into a 'new learning(新學),' and religion and religious tradition also weakened. The traditional knowledge system could change itself into modern learning by accepting scientific methodology which pursues objectivity and rationality. This transformation of the traditional knowledge system and 'the formation of the new learning from the old learning' was accompanied by the intersection between the old and new conceptions. It is necessary to pay attention to the role played by the concept of Sil(hak)(實學) or Practical Learning in the intersection of the old and new conceptions. Various modern media published before and after the 20th century show clearly the multi-layered development of the old and new conceptions, and it is noticeable that 'Sil(hak)' as conceptual frame of reference contributed to the transformation of the traditional knowledge system into the new learning. Although Silhak often designated, or was even considered equivalent to, the Western learning, Neo-Confucian scholars reinterpreted the concept of 'Silhak' which the theorists of civilization had monopolized until then, and opened the way to change the traditional knowledge system into the new learning. They re-appropriated the concept of Silhak, and enabled it to be invested with values, which were losing their own status due to the overwhelming scientific technology. With Japanese occupation of Korea by force, the attempt to transform the traditional knowledge system independently was obliged to reach its own limit, but its theory of 'making new learning from old one' can be considered to get over both the contradiction of Dondoseogi(東道西器: principle of preserving Eastern philosophy while accepting Western technology) and the de-subjectivity of the theory of civilization. While developing its own logic, the theory of Dongdoseogi was compelled to bring in the contradiction of considering the indivisible(道and 器) as divisible, though it tried to cope with the reality where the principle of morality and that of competition were opposed each other and the ideologies of 'evolution' and 'progress' prevailed. On the other hand, the theory of civilization was not free from the criticism that it brought about a crack in subjectivity due to its internalization of the West, cutting itself off from the traditional knowledge system.