• 자연과학논문집
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• 제10권1호
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• pp.153-174
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• 1998

95년이후의 FASHION TREND를 보면 단일 지향에 머물지 않고 다양한 상상력이 기초가 된다. 특히 여성복에 있어 여성들의 사회진출과 확실한 위치를 차지하면서 여성스러움으로 돌아가려고 한다. 그 중에서도 특히 르네상스 패션의 경향은 다음과 같은 현대복식의 장식미를 보여주고 있다. ${\cdot}$ 러프칼라모양의과장된 칼라 ${\cdot}$ 과장된소매나 스토마커등의 실루엣 ${\cdot}$ 디프하며 리치한 칼라, 벨벳소재등이 많이 표현되어진다.

• 한국의류학회지
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• 제31권3호
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• pp.451-462
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• 2007

The purpose of this study is 1) to find out the dominant clothing ornaments in Europe in the 16th, 17th and 18th centuries, 2) to examine the changes of such clothing details as neckline and collar, sleeve and stomacher from 16th to 18th century 3) and to classify the ornaments of these 3 centuries according to Yin and Yang's traits. An analysis was conducted of 405 pieces of art out of 10 books of costume history. Of these pieces, 121 were from the Renaissance era, 107 were Baraque and 177 were Rococo. The analysis found that the distinctive ornaments in 16th century were ruff, slash, chain and girdle decoration. The distinctive ornaments of Baroque period were tassel, fringe, loop and binding. The Rococo period were distinguished by falbala, sash belt and fabric necklace. With regard to the changes over the 3 centuries necklines changed from high to lower. Sleeves became shorter. Stomacher which was long and sharp became wider and shorter. As to the Yin and Yang's traits there was also an evolution. Renaissance costume with Yang's style was decorated mostly Yang influenced ornaments. Baroque clothing was a mixed of Yin and Yang, as were the ornaments. By Rococo both clothing and ornaments reflected Yin's traits.