• (The)Study of the Eastern Classic
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• no.41
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• pp.477-516
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• 2010

The Korean art history academia has lately been carrying out active research on the Korean art market and art collectors. This area of research is significant in that it attempts to overcome the limitations of previous research trends focused on tracing back and analyzing preeminent masters, their schools and their influence, and approach new subject matters such as art and society, circulation and consumption of art works, which were unapproachable with previous research methods. This paper examines the life, artwork and art collection activities of Songeun(松隱) Yi Byeong-jik(李秉直: 1896-1973), an outstanding painter, calligrapher and art collector during the Japanese colonial period. The primary purpose of this paper is to advance the research project the author has recently initiated on modern Korean art collectors by reconstructing parts of this major art collector's individual lifestyle and to generally identify the art collection activities and the art works that he kept. Yi Byeong-jik, one of the preeminent art collectors during the colonial period, disposed his voluminous collection through two auctions in 1937 and 1941, and then held another auction two weeks before the onset of the Korean War on June 25, 1950 to sell off the remaining works. It seems that the reason why Yi had auctioned off his collections was for the purpose of investing in education. The tale that Yi safely kept 'Sam-guk-yu-sa(三國遺事),' which is considered a national treasure, even through the time of turbulence is evidence of his exemplary behavior as a model art collector. He may be one of the best examples of what an art collector should be in terms of giving back to the society and preserving things of beauty and value. However, one factor that limited and defined Yi's life was that he was a eunuch. This aspect of his life could be pointed out as the biggest factor that stopped him from becoming a mainstream participant in the art world despite his influence as a great painter, calligrapher, significant art collector, and discerning connoisseur.

• KOMUNHWA
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• no.64
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• pp.111-131
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• 2004

Academic museum have to prevent damage about a microorganisms(bacteria, fungi) and damage in current facilities and environmental condition, and an exhibition or garnered relics and are so, analysis checks maintenance environmental condition of an academi

• Korean Journal of Construction Engineering and Management
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• v.20 no.2
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• pp.53-59
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• 2019

As solve the shortage problems of storage space for exhibition facilities, the South Korean government is establishing plans to expand storage space for exhibition facilities. From a medium- to long-term perspective, an energy-efficient storage space for exhibition facility is needed to implement efficient state budget execution and achieve national greenhouse gas reduction goals. In this regard, this study analyzed the energy consumption of storage space for exhibition facilities according to the use of absorption materials. To this end, a case study was conducted on 12 storage spaces for exhibition facilities in South Korea. Compared to the storage space using the absorption material, the storage space without using the absorption material showed an increase in HVAC system operation time by 47.50% during summer periods and 58.85% in non-summer periods. In particular, the analysis found that in the case of storage for 'H' exhibition facility, the energy cost was reduced by 2,721,700 won/year after remodeling work using the absorption material. It is expected that the findings of this study can help the government and the person in charge from construction companies to construct energy-efficient storage space room for exhibition facilities.

• (The)Study of the Eastern Classic
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• no.34
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• pp.415-447
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• 2009

It is encouraging fact that people are more interested in collecting modern archaic art objects of Korea with broadening spectrum of research these days. For the research in this area is significant in that it makes us learn the level of collection and appreciation which were prevalent at the end of the Josen Age by trend of preferring Occidental pictures as well as modern change in the form of collection, and enables us to reconstruct the history of modern art objects in East Asia. Except Jeon, Hyung-Pil(全鎣弼: 1906-1962), the modern collectors of Korea were not studied in details with respect to the course or contents of collection. Besides Jeon, Hyung Pil, the main modern collectors of Korea were Park, Young-cheol(朴榮喆: 1879-1939), Kim, Yong-jin(金容鎭: 1882-1968), Ham, Seok-tae(咸錫泰: 1889-?), Kim, Sung-soo(金性洙: 1891-1955), Choi, Chang-hak(崔昌學: 1891-?), Jang, Taek-sang(張澤相: 1893-1969), Kim, Chan-young(金瓚泳: 1893-?), Lee, Han-bok(李漢福: 1897-1940), Park, Chang-hun(朴昌薰: 1898-1951), Baek, In-je(白麟濟: 1898-?), Lee, Byung-jik(李秉直: -1973), et al. The object of this publication in serial form is to trace and identify the life, collected articles and contents of collection of Korean collectors who intensively collected archaic art objects in the modern age of Korea, especially, under the rule of Japanese imperialism. The first person to be introduced in this publication in serial form is Jang, Taek Sang, a leading figure in the political history of Korea. Born as the son of wealthy man, he ascended to the position of prime minister, leading a dramatic life. Being a distinguished orator, Jang, Taek Sang was well known as an appreciator and collector of picture, calligraphy and pottery. As one of the collectors of main cultural property under the rule of Japanese imperialism, Jang, Taek Sang collected countless distinguished heritages, most of which were lost during the Korean War. As he became a candidate for president to compete with Lee, Seung Man later, he sold main heritages. Thus, nearly all of the collected articles were scattered.

• Journal of the Korean Society for Library and Information Science
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• v.49 no.3
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• pp.437-456
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• 2015

This study aims to compare the retention efficiency of library materials of Automated Storage and Retrieval System(AS/RS) revealed by the literature review to other types of book stacks. Domestic and foreign academic libraries adopted AS/RS as part of a plan to improve the retention efficiency. Literature review reveals that in general, AS/RS is better in the retention efficiency in compare to other types of book stacks. This study compared the amount of library materials stored by the AS/RS of S University Library to the general book stack and the fixed-type and the mobile rack-type of virtual book stacks. The study reveals that AS/RS is up to 6 times more efficient than general book stacks, up to 3.61 times more efficient than fixed-type book stacks and up to 1.45 times more efficient than mobile rack-type book stacks. However, the study claims that the retention efficiency of library materials of AS/RS is lower than what is known.

• KOREAN JOURNAL OF CROP SCIENCE
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• v.24 no.1
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• pp.24-29
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• 1979

Intra-hill variances and coefficients of variance of culm and panicle length were increased while the avrage culm and panicle lenghts were decreased in the plot of the more planting numbers of seedlings per hill in paddy rice. The cumulative frequency of shorter culm than average lenght showed great differences between different planting numbers of seedling per hill. Verietal response of intra-hill culm and panicle length variation to different planting numbers of seedling per hill was not same and non-application of nitrogen fartilizer induced length under the more planting numbers of seedlings per hill.

• Conservation Science in Museum
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• v.7
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• pp.75-87
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• 2006

The National Museum of Korea has striven for the stable preservation environment for its collection as it reopened in October 2005. The temperature and humidity, harmful gases in the collection storage space and the galleries were regularly measured to confirm whether the environment was stable for the collection; the material that could directly influence the collection such as showcases were tested in advance to select stable material. In addition, to prevent biological damage, whole collection was fumigated; insect monitoring traps have been regularly established to check the status of the collection storage space.

• Sijohaknonchong
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• v.42
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• pp.187-212
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• 2015

This study is focused on how Kim Sujang Gagok which celebrated Chingyeong Chinjam procedure was created on ChungHae year (1767). It largely consists of four main parts. First, it studied Chingyeong procedure which was arranged by the King on 26 February 1767. Chingyeong procedure was performed at the East Jeokjeon(this area is now Jeonnong-dong). Second, it also studied Chinjam procedure which was arranged by the Queen on 10 March 1767. Chinjam procedure was performed at the old ruins of Gyeongbok Palace. Third, Kim Sujang created the celebrated Gagok on 9 March, the day before Chinjam procedure. It tells that he certainly recognized Chinzamryae was contained within Chingyeongryae. Finally, While Kim Sujang served as a Seoli of Byeongjo and then got an additional office and a practical office for old man, he got involved in Chingyeong Chinjam procedure on ChungHae year. And consequently, it seems that he created those celebrated Sijo.

• Fire Science and Engineering
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• v.32 no.3
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• pp.60-66
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• 2018

Museum storage has been a unique area for experts, such as curators and managers etc., is a part that requires attention among the recent changes in museums because of changes to a type that is being opened gradually to visitors. On the other hand, there is an increased the risk of a fire according to negligence etc. of visitors. Hence, appropriate measures for a fire protection system to respond to varying museum storage are required. This study examined the status of fire protection systems applied to museum storage visiting 40 domestic public museums with the support of the Ministry of Culture, Sports and Tourism, and a direction to install a fire protection system was presented by drawing cases of fire protection systems with less adaptability or poor management or excellent fire protection systems, and a direction for improvement was presented.

• Korean Journal of Heritage: History & Science
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• v.44 no.4
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• pp.70-85
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• 2011

The study of the modern art market and distribution differs in its research focus from that of traditional art history, which traces and analyzes the works of master artists, their schools and influence, in that it attempts to approach such issues as art and society, and distribution and consumption of works of art, based on new research methods and perspectives. This paper examines the life and art collection activities of Park Yeong-cheol, considered to be one of the earliest major modern Korean art collectors. He graduated from the Japanese military academy and served as both a solider of the Greater Korean Empire and a high level officer of the Japanese army. After being discharged, he served as Governor of Gangwon-do and then Hamgyeongbuk-do, and after his retirement from public office, he became a leading businessman. He is well-known as a Japanese sympathizer who approved of and advocated for the aggressive colonial policies of the Japanese empire. As a cultural enthusiast and art collector, however, Park Yeong-cheol published the most accurate edition of Yeonamjip, and donated his collection to Geyongseong University at the end of his life, thus providing the foundation for the Seoul National University Museum. All of these activities are highly commendable. His interest in growing his collection of paintings and calligraphies was largely motivated by his love of paintings and Chinese poems,but it also appears to have been the result of his active collaboration with the Japanese government's policy of trying to discover the distinct, non-western characteristics of traditional Eastern art.