• Title/Summary/Keyword: 성악

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Pulmonary Functionn and the Maximal Inspiratory and Expiratory Pressure, and Maximum Phonation Time Before and After the Specially Programmed Training (호흡훈련보조기구를 이용한 호흡훈련 전 후의 폐기능 호흡근력과 최대발성지속시간의 변화)

  • 남도현;최홍식;안철민
    • Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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    • v.14 no.2
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    • pp.88-93
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    • 2003
  • Whether respiratory muscle training is of benefit to the singing students is controversial. The purpose of the study is to investigate pulmonary function and the maximal inspiratory(MIP) and expiratory pressure(MET), and maximum phonation time in five female singing students before and after the specially programmed respiratory muscle training during 2 months. All singing students had average 4.8 years of formal classical voice training. Respiratory muscle training machine (Ultrabreath) was used to train respiratory muscle. Pulmonary function test data on simple pulmonary function, flow volume curve, static lung volumes are obtained from Vmax 6200. The MIP and MEP were measured using Spirovis, and the MPT were measured using hand-held stopwatch. Any pulmonary function test variables are not changed after respiratory muscle training. However, MIP and MEP were significantly increased between before and after respiratory muscle training. MPT increased significantly after training, compared to the pre-trained. MIP, MEP, and MPT after training in female singing students were 26%, 25% and 33% higher than those before training. The result indicated that the specially programmed respiratory muscle training is beneficial to improve respiratory muscle strength and vocal function without an increment in pulmonary function.

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A Singing Visitors Activity at Royal Banquet in Chosun Dynasty (조선조 외연(外宴)의 성악정계, "가자(歌者)")

  • Shin, Kyung-Sook
    • Sijohaknonchong
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    • v.23
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    • pp.189-212
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    • 2005
  • There are the at Royal Banquet(Woiyoa 외연) in the 19th Chosun Dynasty. The is a performance at Royal Banquet by Singing Visitors in Chosun Dynasty. The was performed by the singing male visitors for long times. They sang some Korean Alphbet Songs while congratulators were enjoying the md and drink. The purpose of this wrritten essay is to search the existense of before the 19th century. 1 show the results as follows. 1. There are the records the performed in the Kukjo-Olyeei (國朝五禮儀), Kukjo-Olyeei(國朝五禮儀) is a book of the royal various ceremonial rules in Ealy Chosun Dynasty. 2. There are the records of the performed in the Kukjo-SokOlyeei(國朝續五禮儀). Kukjo-SokOlyeei(國朝五禮儀) is a book of the royal various ceremonial rules in Late Chosun Dynasty. 3. All of the is the same in the order and form. 4. All conculusion the was performed always in Chosun Dynasty.

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Connection between Acoustical Parameters and Solo Performance on a Concert Hall Stage (콘서트홀 무대에서 음향지표와 독주 연주와의 상관관계)

  • Kim, Yong-Hee;Lee, Chang-Woo;Seo, Chun-Ki;Jeon, Jin-Yong
    • The Journal of the Acoustical Society of Korea
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    • v.27 no.6
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    • pp.296-302
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    • 2008
  • This study investigated that the preference model of soloist performers for both vocal and instrumental types in terms of a stage support parameter, ST1. The test was carried out on a stage of a fan-shaped multi-purpose hall with orchestra shell. Objective measurements were carried out at 15 positions on the stage to evaluate various stage condition. The results showed that ST1 varies between -19.9 and -11.3 dB. Vocal and instrumental players participated in performance evaluation test as they played at 5 selected positions according to ST1 values. Players' preference was evaluated by 5-point rating and rank ordering method. As a result, it was found that the preference model of vocalist is different from that of instrumentalist. It was also found that the ST1 does not correlate well with the performer's preference.

오데사 국립 음대 신문희 교수의 삶과 공간

  • Gwon, Hui-Ran
    • 주택과사람들
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    • s.193
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    • pp.10-15
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    • 2006
  • 러시아에서 동양인 최초의 젊은 여교수로 유명세를 치른 작은 체구의 신문희 교수. 영국의 왕립음악학교, 이탈리아에서 정식 성악 코스를 거친 그녀는, 이제 보수적이면서도 정적인 한국의 클래식 음악계를 활기찬 손길로 노크하고 있다. 그것도 정통 클래식이 아닌 크로스오버 음악으로. 음악인이기 전에 한없이 꿈 많고 여린 감성의 소유자인 그녀가 말하는 '나의 인생과 나의 집'.

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The Effect of Music Intervention on Emergency Room Nurse Anxiety through Music Appreciation (음악 감상을 통한 음악중재가 응급실 간호사의 불안에 미치는 효과)

  • Chong, Min-Yeong;Chong, Yeo-Jeong
    • Proceedings of the Korea Contents Association Conference
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    • 2009.05a
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    • pp.1111-1117
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    • 2009
  • Emergency room nurses whom exposed to more confused environment, violence, and medical disputes feel anxiety, due to increasing of demands and needs of emergency room services. Emergency room nurse anxiety needs to intervention in order to relieve emergency room nurses from anxiety, because it is an important factor that decreases job skill and satisfaction. In this paper, we examine whether to improve the effect of music intervention on emergency room nurse anxiety through appreciation of music. We used vocal music and a SAI(State Anxiety Inventory) tool for measuring the effect of music on emergency room nurse anxiety and physiological responses. Experimental results showed that vocal music intervention reduces emergency room nurse anxiety and physiological responses.

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An analysis on the mask play music composition - focuscing on the Bonsandaenori mask play - (가면극 음악구성의 원리 - 본산대놀이계통 가면극을 중심으로 -)

  • Im, Hyejung
    • (The) Research of the performance art and culture
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    • no.33
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    • pp.97-128
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    • 2016
  • According to the findings of the study, the music composition of the mask play is deeply related to the main characteristics of the scene. The first scene of the play starts with the Byeoksa dance. This particular dance part represents the evil spirit expel ritual. The instrumental accompaniment like and are played for the dance. The last part of the play starts with the Halmi and Yeonggam scene. This scene is played in both the instrumental and vocal music. For the instrumental part , for the vocal part and songs are played. and songs are played on the part of the Halmi's funeral ceremony scene. The instrumental and are played in various scenes for the accompaniment of the dance part. The musical structure of the mask play is flexible. This kind of flexibility of scene structure mainly concerned with the way of musical composition. The main structure of the mask play can be classified into two main styles according to the allocation of the vocal music. In first style, the vocal music is evenly dispersed. In second style, the vocal parts are concentrated in the rear section. As I mentioned earlier, no logical association is found in the matter of the scene arrangement. A scene arrangement has a deep connection with the arrangement of the music in each scene. In conclusion, the mixed arrangement of the scene in mask play is mainly concerned with the matter of the music arrangement in order to maintain the tension of the drama.

설비와 음악의 앙상블, 그리고 마이웨이

  • 대한설비건설협회
    • 월간 기계설비
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    • no.12 s.221
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    • pp.24-27
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    • 2008
  • 정승일 회장을 아는 사람들은 그를 '르네상스맨'이라고 부른다. 설비건설업계 뿐만 아니라 음악을 비롯한 다양한분야에서 다재다능한 재능을 보여주었기 때문이다. 정승일 명예회장은 대한설비건설협회 제5대 회장이자, 금탑산업훈장 수훈의 주인공이며, 국립합창단 이사장, 매년 연말이면 열리는 솔리스트앙상블 대표이기도 한다. 또 11월14일에는 한국산업경영시스템학회가 수상하는 제 1회 '산업공학을 빛낸 경영인'상을 수상했다. 이런 그가 (재)세일음악문화재단을 설립하고 지난 11월 1일 호암아트홀에서 설립 기념음악회를 개최했다. 성악가를 꿈꾸었던 소년의 못다이룬 꿈이 이루어지는 순간이었다. 정승일 명예회장이 살아왔던 삶과 열정을 조명해 본다.

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발성치료

  • 남도현
    • Proceedings of the KSLP Conference
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    • 2003.11a
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    • pp.215-218
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    • 2003
  • 발성치료는 약400여년간 내려오고 있는 성악발성법 (벨칸토 발성)을 이용하여 음성을 교정하고 치료하는 방법으로 과학적이고 의학적으로 인정된 방법을 통하여 음성을 교육하고 교정하는 약물적이고 비 수술적인 치료 방법이다. 음성크리닉검사 1) 공기역학검사(Phonatory function analyzer test) 2) 최대발성지속시간(Maximum phonation time) 3) 컴퓨터 음성검사(Dotor speech. MDVP) 4) 듣기평가 5) 내시경검사(Stroboscopy) 6) 전기성문파형검사(EGG) 7) 호흡근력검사. (MIP. MEP. 등)및 호흡검사(FVC. FEVI. PF. 등) 8) 음성전문의사의 확진 후 발성치료권유 (중략)

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