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Lee, Myeong Seong;Yi, Jeong Eun;Pyo, Su Hee;Song, Chi Young;Lee, Chan Hee
- Journal of Conservation Science
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- v.17 s.17
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- pp.5-18
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- 2005
Rock materials of the Stone Lantern in the Gwanchoksa temple was composed of dark grey granodiorite. This Stone Lantern is partly structural distortion as S-shape, especially, rocks of the upper supports and under the roof materials were highly deterioration due to the surface exfoliation, and strong secondary contaminations owing to the discoloration by oxidation of inserted iron plates between the rock properties, and white grey to dark black contaminants along the rain path way. Rock surface of the Stone Lantern occurred as partly green patches because of coated by algae, lichen and moss. This biological problems are need for cleaning and treatments. The Stone Lantern have to be considered to conservation method that can reduce weathering factors with long-term monitoring about environmental change for structural stability, surface degradation and mechanical weathering. Materials of the Stone Lantern and basement rocks of the area are consisted of same petrogenetic granodiotite based on occurrences, petrological and geochemical characteristics.
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Yi, Yong-hee;Kim, Kyoung-su;Kim, Yeon-mi
- Conservation Science in Museum
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- v.3
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- pp.37-42
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- 2001
The Stone Lamp from Hyeon Hwa Temple is an important piece of buddhist art from the Koryo Dynasty (initiated by King Hyun-Joung). It provides an insight into stone-art techniques employed during the Koryo Dynasty, and serves as an authentic example of work from that period, which had both a refined style and artistic integrity. However, the stone lamp was dismantled and has been stored at the National Museum of Korea since 1986. This was because it was severely damaged, as a result of exposure to an outdoors environment. This article discusses the conservation of the stone lamp, which was carried out by conservators at the National Museum of Korea. It was prepared for a new display of the lamp to the public. The conservation process can be briefly described as follows: Cleaning (this includes the removal of previous repairs that were made), the re-attachment of the object's original fragments, and the gap-filling of missing parts. After its conservation, the object is in a much better condition and ready to be displayed once more. What is more important, in terms of the long term preservation of the stone lamp, is that the condition of the stone lamp needs to be continuously monitored, and appropriate conservation actions should be taken as necessary.
https://doi.org/10.22790/conservation.2001.3.0037 인용 PDF