• Title/Summary/Keyword: 샤이닝

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, the Formal Aesthetics of Film Music and the Horror (<샤이닝>, 영화음악의 형식적 미학과 공포)

  • Park, Byung-Kyu
    • The Journal of the Korea Contents Association
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    • v.20 no.10
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    • pp.76-88
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    • 2020
  • Since the pre-existing music itself used in has no direct relation to the film, it raises the question of whether it was properly utilized as film music. The purpose of this paper is to clarify that 's 20th century modern music effectively fulfills the role of film music through iconicity with images. This study approached the similarity between the character of fear and the form of music through Hanslick's formal aesthetics to discuss the use of 20th century modern music in the horror film. The formal characteristics of music are observed in the movement of notes, which are similar to the fearful state of mind mentioned by Heidegger. In the analysis, the stagnant movement and the continuity of notes, the special playing method of the musical instrument, the unspecified trembling of the clustered notes, the melody of the weak intensity in the high-pitched range, the smash of percussions, and the progression of the notes that deviate from the center confirms the aptitude of 20th century modern music in the horror film. The fact that this study did not simply rely on the emotions represented in the 20th century modern music, but thoroughly caught the movements of the notes, has great significance in the research of film .

Analysis for the Internal Meaning of the Ancient Shining Costumes (고대 샤이닝(Shining) 복식의 내적의미 분석 -장신구를 중심으로-)

  • Kim, Jung-Ae;Lee, Hyo-Jin
    • Journal of the Korean Society of Costume
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    • v.56 no.3 s.102
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    • pp.12-27
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    • 2006
  • The purpose of this study was to analyze the mental, social and aesthetic facets contained in ancient shining costumes and to find out the internal meaning of ancient shining costumes that they wished to express. This study was based on the theoretical data regarding the materials, types, and characteristics of the shining costumes. Egypt, Rome, Greece and several Mesopotamian countries have been included as a scope of research. The literature examination skill was applied for the research. The internal meaning of ancient shining costumes could be understood as an instrument of expression regarding religion, social status and beauty.