• Korean Journal of Cognitive Science
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• v.22 no.2
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• pp.79-101
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• 2011

This paper analyzes the central tenet of 'embodied cognition' approaches to the mind which emphasize the essential roles that the body and the environment play in cognitive processes. Those approaches can be best understood through the comparison with the neo-Cartesian conception of the mind, which views the mental and cognitive processes as the same with, or as being realized by the brain processes. However, we can also observe potential tensions among the 'embodied cognition' approaches. This paper highlights a tension between Shapiro's view of embodied cognition and Clark's view of extended cognition by reconsidering them against Block's dilemma of functionalism. Shapiro's view may be regarded as a chauvinistic form of functionalism, whereas Clark's view is a very liberal form of functionalism.

• 베이커리
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• no.1 s.378
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• pp.41-56
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• 2000

• 베이커리
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• no.5 s.346
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• pp.146-154
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• 1997

• KSLA Bulletin
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• s.11
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• pp.89-97
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• 2020

• Proceedings of the Korea Contents Association Conference
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• 2017.05a
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• pp.441-442
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• 2017

본 연구는 릴리즈 댄스(Release Dance)에 내재되어 있는 선사상을 밝혀내고자하는데 그 목적이 있다. 이를 위해 릴리즈 댄스의 대표적인 안무가인 트리샤 브라운의 사례를 문헌연구하였다. 먼저 브라운이 훈련했던 것으로 알려진 알렉산더 테크닉(Alexander Technique)은 편안함, 감각각성, 무형식의 특징을 통해 선사상을 내재하고 있음을 알 수 있었다. 브라운의 무용에서는 부드러운 움직임, 공간인지, 무질서함의 특징으로 전이되어 나타났다. 브라운 외에도 많은 안무가들이 하나의 신체훈련으로 소매틱스(Somatics)를 접하고 이를 움직임에 반영해왔다. 관련된 사례연구들을 수행하여 릴리즈 댄스자체에 대한 학술적 정의가 필요한 시점이다.

• 프린팅코리아
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• v.14 no.8
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• pp.124-127
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• 2015

일본의 인쇄업계는 적정한 이윤을 확보하기 위해 낭비를 없애는 등 수익을 확보하기 위해 많은 노력을 기울이고 있다. 수익개선을 위해 교에이샤는 현장개선과 인재육성을 동시에 진행해 지금의 확고한 경영체제를 구축할 수 있었다.

• 베이커리
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• no.5 s.370
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• pp.111-135
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• 1999

• Proceedings of the Korean Society of Precision Engineering Conference
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• 2010.11a
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• pp.63-64
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• 2010

• Journal of Korean Society for Quality Management
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• v.45 no.2
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• pp.227-246
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• 2017

Purpose: This study proposes a Shiny-Sigma Methods that combines the advantages of Six Sigma method and Shainin method in order to solve field defect. Each technique has advantages and disadvantages. Methods: This study proposed Shiny-Sigma by combining Six Sigma has the logical advantage of the problem solving road map and Shiny has the merits of finding the root problem from the defective phenomenon. The Six Sigma method has the disadvantage that it is difficult to solve if the number of data is small, but the Shiny method has the advantage of finding the root cause with a small number of data. Results: As a result of applying Shiny-Sigma method to the field, it has advantages of solving the problem easily and quickly than the existing Six Sigma method. It does not require a lot of statistical knowledge, which helps field workers to use it. Based on these successes L Co. company has obtained the effect of improving the production quality by applying the Shiny-Sigma method. Conclusion: The Shiny-Sigma method proved to be suitable for the production site as a result of field application. It is suitable for field workers with low statistical knowledge and is suitable for field where data is difficult to obtain. This method is not a method to solve all the problems because there are problems that can be solved according to the field problems. We hope that this method will spread to many industrial sites and this method will have a great effect on the improvement of field production quality.

• Journal of the Korea Fashion and Costume Design Association
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• v.10 no.1
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• pp.25-44
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• 2008

Geisha's gorgeous kimonos and grotesque make-up was the object of envy to Japanese women. There is a line in the movie like "Kimonos to the Geisha is the same as colors to the painter." Likewise, splendid patterns and colorful kimonos were an indispensible method or symbol for showing their artistic accomplishments. The purpose of this study is to investigate concept and origin of Geisha and their dress and decoration, analyze the dress of the people which appear in the movie, , arrange the expression of Geisha's dress as a movie costume, compare the difference of the dress by the career of Geisha and look back the disappearing aesthetic sense of Geisha. First, since Geisha appeared for the first time in Kyoto in 1751, it has become the world-wide representative of Japanese woman's images so that its existence oneself has become the tradition. Second, Geisha created fashion of various clothes, adornments, and hair styles as a creator of the popularity. Third, the strict regulation without exception is applied in Geisha's clothing, make-up, and motion tuned Samisen, Japanese traditional strings, and there is some difference in their hair style and dress by age of Maiko. Fourth, it is famous for unique make-up that Geisha makes up their faces, necks, and shoulders white, newly paints eyes, nose, lip line like drawing a picture in a pure white paper. Geishas put a little make-up as they have a higher position. Fifth, a heroin, Chiyo, shows clothing as a maid, an apprentice Geisha-Maiko- and a formal Geisha according to time flow. The length of kimono, textures, and hair decorations are longer, more splendid, and are more various as time goes. On the other hand, her make-up is lighter.