• Title/Summary/Keyword: 생태주의 문화콘텐츠

Search Result 2, Processing Time 0.016 seconds

Perception of Ecological Values in Cultural Contents and Plans for Ecological Cultural Contents (문화콘텐츠의 생태적 가치 인식과 생태주의 문화콘텐츠 구상)

  • Jinhyung Kim;Woongjae Ryoo
    • Global Cultural Contents
    • /
    • no.39
    • /
    • pp.44-65
    • /
    • 2019
  • Ecological nature was independently established in cultural content before the industrial society. Cultural contents started to be distributed as products in the industrial society, and since then there has been the coexistence of ecological and anti-ecological nature. Despite this change, community-based festivals and performances as ecological cultural contents encompassing both the time before and after the industrial society are still transmitted in some agricultural and fishing villages in today's Korea. Based on this aspect, ecological cultural contents can be defined as cultural contents that is practiced in various ways for symbiotic relations between men, man and impersonal being, and further beings surrounding cultural contents as well as man and nature. A basic plan for ecological cultural contents would pursue the three following directions: first, establishing a symbiotic system of cultural contents to create synergic effects among elements; second, building a distribution structure of virtuous cycle for cultural contents by reinforcing the productive abilities of consumers and users; and finally, expanding the base of cultural contents to exercise ecological nature. The perception and development of this ecological cultural contents will propose practical acts to help the human society move forward to an environment-friendly future in today's situations where the Earth's self-purification mechanism has collapsed.

Storytelling Strategy of and Its Potential to Evolve into Transmedia Franchise (<자이언트 펭TV> 스토리텔링 전략과 트랜스미디어 스토리텔링으로의 가능성)

  • Cho, Hee-Young
    • Journal of Korea Entertainment Industry Association
    • /
    • v.14 no.3
    • /
    • pp.211-227
    • /
    • 2020
  • This study intends to analyze the storytelling strategy of EBS's YouTube channel , which has been creating a remarkable cultural phenomenon since April 2019, and to examine the potential for its transition to transmedia franchise. Based on Henry Jenkins'seven principles of transmedia storytelling, shows satisfactory relevance in all but 'multiplicity'out of the 10 capacities consisting of the principles. In particular, was found excellent in terms of core capacities such as 'spreadability', 'immersion', 'worldbuilding', 'continuity', 'drillability' and 'performance'. In addition, critical discourse analysis(CDA) in sociocultural practice dimension of the keywords of the related news articles has discovered that is strongly linked to the following five values: 'social integration', 'resistance against authoritarianism', 'self-dignity and reasonable individualism', 'gender neutrality' and 'ecologism', indicating the reason why the work has been able to resonate so extraordinarily with participants across all generations. By answering the two chosen research questions, this study has proved that has high potential to be successful in evolving into transmedia franchise, while keeping building a new realm of edutainment storytelling by cleverly exploiting EBS's unique identity as a public education broadcaster. is viewed as an exceptional property capable of advancing transmedia storytelling in the local market; thus, productive arguments and contemplation over its evolution in storytelling needs to continue so that it can maintain a long-lasting positive influence.