• 자원환경지질
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• 제41권4호
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• pp.465-468
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• 2008

경상분지 남부의 함안-의령 일대에서 확인되는 서북서 방향의 선상구조를 중심으로 반원상의 지형구조가 이 선상구조를 중심으로 남측지괴와 북측지괴에 각각 발달하고 있다. 이틀을 우향으로 약 750m 이동하면 하나의 환상구조로 복원된다. 따라서 이 서북서 방향의 선상구조는 환상구조가 생겨난 이후 좌향의 전단운동을 겪은 단층으로 해석된다. 그리고 북북서 방향으로 달리는 산릉이 이 단층에 전하면서 반시계방향으로 끌림습곡을 보이는 양상 또한 좌향의 이동을 지시한다.

• 건축역사연구
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• 제29권6호
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• pp.57-65
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• 2020

This study covered the Mulmae, architectural drawing recorded on Yeonggeon-uigwes and Sanleung-uigwes during the late Joseon Dynasty. In uigwes, the term 'Mulmae' was used as a mixture until the 17th century, but from the 18th century, the term 'Mulmae(勿乙每, 勿每, 水每)' was unified into 'Mulmae(水每)'. The paper of the Mulmae was made to be used during the construction period by using a thick oil paper called Yudun. Four Yudun were connected, and its size was 197.4×141cm, which was rather large. The Yingzaofashi(營造法式) of Song Dynasty describes how to draw a longitudinal section on a scale of 1/10. The scale of 1/10 was the maximum when comparing the size of the Mulmae with the buildings in uigwes. A sectional drawing of Gongpo in Geunjeongjeon was drawn on a scale of 1/10. There is a testimony that a senior carpenter drew a cross-section on a scale of 1/10. Therefore, it was determined that the scale of the longitudinal section drawn on the Mulmae paper was 1/10. The term 'the Mulmae' was used equally by carpenter active in Japanese colonial era. The scope of the painting was clarified from pillar to rafter. Uigwes records that the Mulmae was made for wood processing. Through this, it can be understood that the Mulmae painted the entire structure as a longitudinal section.

• 건축역사연구
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• 제7권3호
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• pp.9-26
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• 1998

Architectural Drawing has been settled down the very effective means of exchanging their architectural ideas and data on the construction process. However, it was not easy to conserve the original drawings, which aims had been accomplished, at the same time, building was built. The same phenomena were occurred in our traditional architectural construction project, especially before pre-modern age. And do not understand soundly building documentation accepted by craftsmen in the period of earliest Chosun dynasty and how to present their idea and information of architectural as means of sketches and drawings. So, this paper aimed to clarify the drawing occurrence and the development steps of their rendering, representation methodology in the construction process in Sannungdogam-Uuigue, which were the construction documents of government based on the royal family's tomb and building projects in the late Chosun Dynasty. There are three development stages of architectural space representation, pre-drawing stage, drawing occurring stage and drawing settlement stage, They had been adapted unique drawing presentation method which were drawn by artisan, so called Doseol(圖說)and Painter Hwawon(畵員) The results are 1. In the Pre-drawing stage, they had been used the systematic explanation method of character 2. Do not have the evidence of adapting drawing before 17th centry, it was originated in early 17's century started with Onga(甕家). Onga's Drawing was drawn very elementary skill, and became development, settlement and standardization of their drawing representation around 19th century 3. The drawing presented by client's recognition view of space and building, integrated data within a sheet of drawing with practical and hierarchy and using graphic and description.

• 건축역사연구
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• 제18권6호
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• pp.23-46
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• 2009

The history to have used lime in building construction was much long without distinction of the East or the West. The ancient nations of korean peninsula had used lime as construction material. The witness was discovered in the kings' tombs of fifth century. In the Joseon dynasty(15~19c), what applied several developed lime compounds to the kings' tombs have been recorded in 'Sanleong-Uigwe(山陵儀軌)' & 'Yeonggeon-Uigwe(營建儀軌)' of those days documents. Therefore, this paper is to examine the whole procedures from the product and provision of lime to its application through those days documents. Following conclusions have been reached through the study. Three lime compounds to be developed for the kings' tombs was extendedly applied to residential government buildings step by step within the current of time. These compounds to be used in the kings' tombs of the Joseon dynasty had been correlated to those of the ancient nations, which were nations of korean peninsula in narrow range, chinese and orient nations in broad range. These compounds have possibilities of development as the environmental-friendly building material. And these compounds should provide a standard specification for conservation & restoration of the traditional and cultural properties. I could confirm that the whole procedures had not been developed within limited space-time of the specified nation & period, but within interactions of the nations & periods. In the periods which disturb its interaction, the expansion of productivity in building construction was interfered.

• 건축역사연구
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• 제19권3호
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• pp.89-106
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• 2010

Since the 1970's, UNESCO and ICOMOS have adopted or emphasized on the principles of historic preservation. One of them is what to require a repair should not be repaired beyond the limits of the features and techniques which had been adopted in those days of establishment. On the premise, this paper is to examine the materials and technique of wall plaster work in the government building constructions in the Joseon dynasty. The result of this examination shall come up with a basic conformity in the case of repairing the building established in the late of Joseon dynasty. This paper is carried out for the proper repair and restoration of architectural cultural properties. Construction reports and other documents in those days are examined for the study. Following conclusions have been reached through the study. The materials and technique which applied to wall plaster work in those days were quite different from the present. The technique that was used to wall plaster of government buildings in those days was not a lime wall plaster, but sand coat one. The kinds of material for setting of the sand coat wall plaster had been revised with the change of the times or constructions. The main kinds of material were composed of sand, white clay, paper fiber, and cereal starch. However, the present materials were composed of sand, white clay. Therefore, the present materials and technique which applied to wall plaster work for the repair and restoration of architectural cultural properties have to be revised and corrected.

• 암석학회지
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• 제20권3호
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• pp.151-159
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• 2011

제주시 봉개동의 고냉이술 일대의 지질은 오래된 것으로부터 영평동현무암, 신안동현무암, 봉개동현무암 및 분석층으로 구성된다. 영평동현무암과 신안동현무암은 고냉이술 오름의 남쪽 중산간 지역에 위치하고, 고냉이술 오름과 그 북부 저지대 일원에는 봉개동현무암이 분포한다. 봉개동현무암은 아아 용암으로 주로 구성되며, 용암 켜 사이에 두터운 클링커를 협재하고 있다. 고냉이술 오름은 화산지형학적으로 하나의 독립된 소화산으로 만들어져 있으며, 고냉이술 오름의 산정부에는 낮은 외륜산릉으로 둘러싸여 있는 넓은 분화구를 가지고, 그 내부에는 분지형 함물지인 여러 개의 피트 분화구(pit carter)를 가지는 용암순상화산이다. 고냉이술 오름의 저면 고도는 295 m에서 300 m (평균 297.5 m)이며, 최고봉의 고도는 304.5 m, 저면의 지름은 평균 597.5 m, 비고는 7.9 m로 사면경사각은 $1.5^{\circ}$이다.

• 건축역사연구
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• 제18권3호
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• pp.61-78
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• 2009

Although the royal tomb keeper's house in the late Joseon period did not undergo dramatic changes, overall, the keeper's house of Yeong Mausoleum, the tomb of King Hyojong, and other royal tombs afterward showed the classification of its rooms according to their purpose and the expansion of its size. During King Yeongjo's reign, the tomb keeper's house tended to consist of Jaesil, Anhyangcheong, Jeonsacheong and Haenggak. The size and arragement pattern of the tomb keeper's house of Yeong Mausoleum were partially maintained in royal mausoleums constructed afterward. Especially Anhyangcheong was first established on the tomb keeper's house of Yeong Mausoleum and its architectural form was maintained until that of Ye Mausoleum, the tomb of King Cheoljong. The tomb keeper's house of Yeong mausoleum in Yeoju was constructed in 1659 and then moved in 1673 and 1674. In order to bury King Hyojong's wife with King Hyojong, the site of Yeong Mausoleum was moved twice with using almost all materials used for the initial tomb. In addition, as norms related to rites performed at royal tombs were created in the early 20th century, the tomb keeper's house of Yeong Mausoleum was selected as an exemplary tomb keeper's house representing the royal tomb keeper's house of the Joseon era, and it mostly coincides with its remaining arrangement pattern. Through records distributed in relatively similar periods, it is considered that most of the features fo royal tomb keeper's house in the Joseon period have been inherited until today and that Yeong Mausoleum has a very higher architectural status as an especially valuable tomb keeper's house among royal tomb keepr's houses in the Joseon era.

• 대한건축학회논문집:계획계
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• 제36권5호
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• pp.105-116
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• 2020

In this study, the royal protocols of the Joseon Dynasty, known as uigwes, were reviewed to clarify the materials and structure of Korean traditional walls. For this, the Yeonggeon-and Sanreng-uigwes were thoroughly reviewed, and then the names, materials, and construction methods of the traditional walls were systematically organized. In addition, mix proportions of plastering materials used in the walls were estimated based on the records in the uigwes; these were compared with the ratios specified in the current specifications. As a result of the comprehensive review, it was found that the mix proportions of the plastering materials varied depending on importance of buildings, type of walls, and the raw materials. Based on this, it was concluded that the characteristics of each uigwe should be considered when studying the mix proportion of materials for the traditional walls. It was also found that there were differences between the traditional and modern specifications for the wall constructions. That is, historical records and the specifications currently used were different in terms of constituent materials, construction methods and mix proportions. As a cause of the difference, the disconnection of the traditional methods and the introduction of foreign plastering techniques during the rapid social change in the 20th century were suggested.

• 건축역사연구
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• 제18권4호
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• pp.7-23
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• 2009

The "Jeongjagak(丁字閣, T shaped building)" was important building from Goryeo Dynasty to Joseon Dynasty. For long period, the scale and form of the building had been changing bit by bit. The change of building results from the function. As the Jeongjagak accepted the functions of the Yeongakjeon(靈幄殿), there appeared changes of plane. The main function of Yeongakjeon was suppling space for the dead king's coffin. The Yeongakjeon was not built in the first year of King Sukjong(1674). At that time, the Jeongjagak was responsible for the function of the Yeongakjeon as an alternative. Starting from this, the Jeongjagak was used as space for the dead king's coffin. Because the coffin should place on from south to north, it demanded long inner space in south-north direction. Therefore the effort to make enough length in south-north direction was begun from the first year of King Sukjong(1674). In order to solve the problem, the Toigu(退構) was made from the reign of King Sukjong to the 28th year King Youngjo(1852). The Toigu was temporary inner space which was made in one compartment at the Baewichung(拜位廳, the part of the Jeongjagak). But the length of the Jeongjagak's south-north direction was reduced to 61.8m(20尺6寸) at the 33th year of King Youngjo(1857) when the "Gukjosangryebopyon(國朝喪禮補編)" was completed. Also it extended to 84m(28尺) during the reign of King Jeongjo(1774~1800). Following these process of extension and reduction, the length was standardized as 72m(24尺) at the reign of King Sunjo(1800~1834). These facts explains that the main cause of plane change at the Jeongjagak was acceptance of functions that was used as space for the dead king's coffin. Also, the important points of change at the Jeongjagak were the first year of King Sukjong, the 33th year of King Youngjo and the first year of King Sunjo. When it was the first year of King Sukjong and the 33th year of King Youngjo, there were two national funerals. Because of concern about the increasing labor and tax of the nation, the scale of the Jeongjagak was changed to decreasing size. Due to the improvement of drawings and annotation on a Eugwe(儀軌) at the first year of King Sunjo, the size of Jeongjagak was standardized.

• 한국산림과학회지
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• 제79권2호
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• pp.162-172
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• 1990

가산일대(架山一帶)에 대해 삼림환경형분류(森林環境型分類)(Habitat Type 분류(分類))를 적용(適用)한 결과(結果) 다음과 같이 요약(要約)할 수 있었다. 1. 소나무/철쭉 삼림환경형(森林環境型)(PIDE/RHSC H.T.) : 산릉선부(山陵線部)와 사면상부(斜面上部)에 분포(分布)하는 지형적(地形的) 극성상(極盛相)이다. 하층(下層)에 철쭉꽃이 잘 나타난다. 2. 서어나무/실새풀 삼림환경형(森林環境型)(CALA/CAAR H.T.) : 계곡(溪谷)을 낀 사면하부(斜面下部)에 분포(分布)하며 사면상부(斜面上部)와 능선부(陵線部)의 소나무림과 접하고 있다. 하층(下層)에 실새풀이 잘 나타난다. 3. 신갈나무/산거울 삼림환경형(森林環境型)(QUMO/CAHU H.T.) : 산성외부(山城外部)의 사면(斜面)에 분포(分布)하며 해발(海拔) 600-790m에 이른다. 하층(下層)에 산거울이 잘 나타난다. 4. 신갈나무/실새풀 삼림환경형(森林環境型)(QUMO/CAAR H.T.) : 산성내부(山城內部)의 평정봉(平頂峰)에 분포(分布)하며 해발(海拔) 700-870m에 이른다. 하층(下層)에 실새풀이 많다. 5. 물푸레나무/물봉선 산림환경형(森林環境型)(FRRH/IMTE H.T.) : 계곡부(溪谷部)에 분포(分布)하며 하층(下層)에 물 물봉선이 잘 나타난다. 6. 층층나무/백당나무 삼림환경형(森林環境型)(COCO/VISA H.T.) : 계곡부(溪谷部)와 계곡(溪谷) 근원지(根源地)에 분포(分布)하며 해발(海拔) 780-830m에 이른다. 하층(下層)에 백당나무가 잘 나타난다.