• Title/Summary/Keyword: 부조리

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Studies of the Non-Realistic Acting in Absurd Drama 'Fando et Lis' (부조리극 환도와 리스에 나타난 비사실주의 연기에 관한 연구)

  • Park, Kun-Soo
    • The Journal of the Korea Contents Association
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    • v.14 no.4
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    • pp.78-85
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    • 2014

  • Europeans experienced the horror and cruelty of war through the first and second World Wars. They began to raise fundamental questions and doubt about the preexisting World Order of God and humans leading to the birth of Existentialism. The Theater of the Absurd is one of the genres in theater resulting from the existentialist theories. The Theater of the Absurd has a format opposed to the traditional Realist Theater and emphasize the absurdity of human and society's existence. In particular, Fernando Arrabal who is a French Absurdist playwright, expressed the absurd human conditions using his unique forms and contents and his work 'Fando et Lis' depicts the absurdity of the adult world through the eyes of a child. Many unrealistic elements typical and inherent in the Absurdist plays are present in his work. Especially, the actors were required to apply not only the realistic acting approach but also to study and analyze characteristics of all Absurdist plays and internalize them based on the creative foundation of recreation. Then, they were asked to examine the characters' personality, emotions, and actions and think hard about creating an unrealistic action of voice and movements. This creative process by actors is a must in developing the reliable and trustworthy Absurdist acting.

  • https://doi.org/10.5392/JKCA.2014.14.04.078 인용 PDF KSCI

건설정책 - 불공정 하도급 제로화 추진 -서울시, 하도급 부조리 근절위한 신고센터 개소-

  • 대한설비건설협회
    • 월간 기계설비
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    • s.249
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    • pp.76-79
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    • 2011

  • 서울시가 지난 3월 7일 건설공사와 관련한 저가하도급 대금미지급 임금체불 등 고질적인 하도급 부조리로 인한 피해를 속 시원하게 해결해 주는 "서울특별시 하도급부조리 신고센터"를 개소하고 본격적인 운영에 들어갔다. 서울시 감사관실 산하에 설치된 신고센터는 하도급 관련 신고 접수 및 처리를 일관성 있게 관리해 운영효과를 극대화할 예정이며, 앞으로 25개 자치구 공사 공단 감사부서에도 부조리 신고센터를 확대 설치할 계획이다.

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A Study on the Satirical Content Plot of an Absurd Play - Focused on Lee Keun-sam's Play - (부조리극의 풍자적 콘텐츠 플롯 연구 - 이근삼 희곡 <원고지>를 중심으로 -)

  • Son, Dae-Hwan
    • Journal of Korea Entertainment Industry Association
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    • v.13 no.5
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    • pp.73-82
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    • 2019

  • The satirical content of the absurd play, centered on Lee Keun-sam's play, represents the family image of a modern capitalist society where only duty is emphasized while the characters are lost in love with the family. They show humans becoming subordinate to economic logic as traditional relationships and family relationships change into material ones due to the rapid development of the economy. The narrator expresses the roles of the performer and the narrator together. It also presents the plot as a characteristic element of epic and absurd dramas, and directs actors as directors. It also foretells the events that will take place in the future, presents the inner consciousness of the characters in the play, and reduces and expands events and times. In terms of conflict, in order to fulfill the financial responsibility of their children, the professor translates them like a machine and the wife distributes the money they earn as they demand. The middle-aged professor and his wife are not willing to make a difference in the real world, so specific conflicts are not revealed. Therefore, no concrete conflict appears within this work. The plot of consisted of 22 epicentre compartments, consisting of a time frame from evening to the next morning. And no special events happen and show only one family's daily life. In addition, materials that show simple repetition of daily life such as newspapers, rice, birthdays, etc. are effectively showing the character of absurdity through repeated structure. The linguistic features of the absurd play focus on expressing anxiety, despair, fantasy and the sense of loss that the object's purpose has disappeared. The stage system avoids detailed portrayals of naturalist plays and creates a thoroughly simplified image that the theme of the play demands, which shows that the stage unit is also an important element that characterizes the absurdity of reflexes.

  • https://doi.org/10.21184/jkeia.2019.7.13.5.73 인용

콘텐츠연재 / 디지털콘텐츠의 다양한 흐름이 거대한 물결로

  • Im, Eun-Mo
    • Digital Contents
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    • no.9 s.88
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    • pp.78-83
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    • 2000

  • 어느 민족이나 어느 나라이든 경영에 몰두하는 기업체에 종사하는 사람들은 교과서를 신뢰하지 않는다. 특히 경영학 개론서마다 그려놓은 장미빛 청사진은 호의를 베풀면 호의로 답하는 세계로 정리해 놓고 있다. 더나가서 경영으로 성공한 인사들은 남보다 더 부지런히 생각하고 일하며 사람을 관리하는 기술에 탁월한 이들에게 후한 점수를 주는 모습으로 그려져 있는 경우마저 없지 않다. 이런 이론적 기술때문에 기업체 경영자들은 실전 경영학 현장에서 혼란과 부조리가 일어나면 당황하기 마련이고 또 좌절을 경험하기도 한다. 이러한 부조리와 괴리는 경영학 교과서 상황과 아주 다른 실제 상황으로 전개 되는 경우가 흔하기 때문에도 이를 무시하거나 도외시하는 경우가 비일비재한다.

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