• 제목, 요약, 키워드: 복식조형

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현대 키치패션에 표현된 조형적 특징 (A Study on the Formative Characteristics Appeared in Modem Kitsch Fashion)

  • 이민경;한명숙
    • 복식문화연구
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    • v.11 no.4
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    • pp.578-590
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    • 2003
  • The purpose of this study was to analyze the formative characteristics appeared in modem Kitsch fashion which has been shown through the empirical data photogrphes from the 2000's to 2003 and the formative characteristics of Kitsch were divided into the material, ornament, color, pattern to understand the modem Kitsch fashion. The findings of this study could be summarized as follows: First, the modem Kitsch fashion in the material was used cheap, counterfeit materials like vinyl, artificial leather, immitation fur, beads and non-artistic materials like metal, plastic, paper and voluptuous material like seethrough to express eroticism and superficiality as the characteristic of Kitsch. Second, Kitsch fashion in the ornament was shown over-decoration by using the various accessories like bracelet, metal belt, gloves, etc to express as childish and coarse mixtures as the characteristic of Kitsch. Third, the modem Kitsch fashion was using splendid and bright, primary colors to express the image of complicated accumulation. Fourth, the modern Kitsch fashion mainly in the pattern was using ethnic, folklore and pop art pattern or print used hippies and pop art fashion to express the primitive purity as bounding of civilized society.

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스카프의 조형미를 응용한 의상디자인 연구 (A Study on Apparel Designs using Formative Aesthetics of Scarf)

  • 정희경;김정혜
    • 복식
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    • v.52 no.5
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    • pp.47-60
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    • 2002
  • With such basic conceptions in mind. this study was aimed at reviewing the unique formative aesthetics of scarves for creation of modern apparel design. To this end, the drapeability of the rhythmically wrinkled fabric of scarf as well as its tying and enclosing representation were introduced into the apparel details and silhouette to create an apparel design flattering the moderns unique sense of aesthetics and emotion. In the same vein. threads were superimposed on the planar fabric to express a sense of volume and thereby, pursue a unique decorative effect of rich texture. Specifically. the objectives of this study are to highlight the practical use of scarf warming and its decorative formative aesthetics and thereby, apply it to apparel designs and develop an art fabric using the machine embroidery technique. and ultimately, suggest the possibility of unique but highly value-added apparel designs.

복식산업발전을 위한 패션 전문 교육에 관한 연구

  • 도규희;최경순;이정옥;조차
    • 복식
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    • v.23
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    • pp.225-248
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    • 1994
  • The purpose of this study is to find an effective curriculum of the future in the fashion design and the clothing construction area by comparing the curricula of the fashion -related departments in domestic college. The research finding are as follows : 1. Clear objectives of fashion education need to be defined based upon the characteristics of the field. 2. Following education methods are suggested for the fashion design area. 1) Basic core courses need to be offered to support the fashion design courses. 2) More design -practice courses need to be included to educate creative designers and the curriculum need to reflect also the needs of the Apparel Industry practioners. 3) Major concentration systems need to be introduced. 4) Intership which is a kind of the Academy and Industry cooperation needs to be introduced. 3. Following education methods are suggested for the clothing construction area. 1) Major concentration systems need to be introduced. 2) Workshops which are similar to the actual production systems of the clothing Apparel Industry, are required. 3) Internship is required. 4) Course required for both the fashion design area and the clothing construction area need to be offered effectively. The suggestion made in the research can be applied with some modifications or adjustments considering the situation of each college. Since each college has different characteristics in terms of the tradition , faculty ,size, facility etc., it is difficult to make a general statement regarding professional fashion education , however, professional fashion education should be reformed in order to achieve individuality of each college.

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전통 복식 조형미의 현대적 수용에 관한 연구 (A Study on the Modem Accomodation of Formative Beauty of Traditional Dress Styles)

  • 김인경
    • 복식문화연구
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    • v.15 no.4
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    • pp.713-725
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    • 2007
  • This treatise is designed to discover the principle of timeless continuity of Korean design from the perspective of modem accomodation of formative beauty of tractional dress style with the focus on measurement analysis of dress from visual perspective. For this purpose in this research the following subjects are studied with concentration: the 1st phase debate on the dress style appearing in the Kokuryo murals and genre painting during the later period of Chosun Dynasty regarding the formative beauty of dress style. 2nd phase debate on the points of changes and transformations during given age and given principle of Korean designs being maintained across the span of time in the context of madern accomodation of such traditional dress. From historical perspective characteristics of each given age and principles of visual formative principles appear in various ways variety attributable to mutually interactive principles according to historical background and culture. For this reason it can be said that they are determined by different paradigm or forms from characteristics of Korean style design in the present and future and those for traditional forms of dress in the past.

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현대패션에서의 과장형 복식의 조형적 특성과 상징적 의미에 관한 연구 (A Study of Formative Characteristics and Symbolic Meanings of the Exaggeration Type in Modern Fashion)

  • 김호정;김순자
    • 복식문화연구
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    • v.13 no.6
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    • pp.883-895
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    • 2005
  • Exaggeration is to express an object or a situation in an excessive way. As the desire for aesthetic expression grows greater today, we tended to focus on the exaggerative expression as a means to acquire other's attention and praise. Also people more actively express their own intention or opinion in an exaggerated manner. The purpose of this study is to identify the social and cultural functions of modern fashion via exaggerative expression, one of the formative characteristics, and its meaning. To do so, the exaggerative features of modern fashion have been analyzed, and the social and cultural meaning of those have been examined through the background of the times and aesthetic sense. The formative form in the exaggerative expression shown in the modern fashion was classified into a body priority type emphasizing woman's body contour, a body disregarded type shown oversized silhouette regardless of body contour and a body distorted type expressing free and diverse form in various shapes of asymmetry and imbalance. The symbolic meanings of those include the changing of the body consciousness and the notions of feminity, and the desire fur formative and playable expression. The exaggeration of the costume in history meant aesthetic value of the woman's body in the society led by men. However, the exaggerative expression shown in the modern fashion is a method to express more actively, as compared with the costume in the past.

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고려후기 수월관음도 복식에 표현된 선의 유형과 조형특성 (The Types and Formative Characteristics of Seon Represented of Costume in Water-moon Avalokitesvara of the late Koryo Dynasty)

  • 옥명선;박옥련
    • 복식
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    • v.56 no.1
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    • pp.70-80
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    • 2006
  • The purpose of this study is to investigate types and formative characteristics of 'Seon' represented of costume in Water-moon Avalokitesvara of the late Koryo Dynasty. The results were as follows; 'Seon' has two main types, Standard and Decoration types. In the former type, Seon has not any decoration. While, in the latter, Seon is added with decorations. Here, Seon of decoration type can be reclassified into two types, same color and pattern and different color and pattern. Seon most appeared in the Water-moon Avalokitesvara had the type of Decoration, especially different color and pattern. Patterns used for Seon were complex in its composition type and filling in its arrangement style. Seon was mainly used to Guneui(裙衣) and Samkaksika(僧脚崎). For the color combination of Seon, the combination of similar colors was most often used and that of same color was somewhat frequently done. Regarding costumes aesthetic characteristics in accordance with the type of Seon, those costumes appeared natural and elegant when their Seon was Standard in type, natural and brilliant when same color and pattern in type and artificial and brilliant when different color and pattern.

해체주의 패션에 보여진 외형적 양식의 특성에 관한 연구 (A Study on the External Form Characteristic Depicted on the Deconstructional Fashion)

  • 김혜정
    • 디자인학연구
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    • v.13 no.3
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    • pp.271-280
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    • 2000
  • 복식은 조형적 구성의 측면에서 그시대의 예술양식을 수용, 표출한다. 최근에 이르러서는 복식과 예술분야가 통합적 조형양식으로 존재하면서 동시대적 사상이나 이슈를 반영할 뿐 아니라 여타 문화현상들과 상호의존적 또는 상호수정보완적 관계를 유지하고 있다. 따라서 일련의 전위적인 디자이너들에 의해 시도되고 있는 아방가르드적 현상으로서 해체주의적 현상을 밝힘은 그동안 논의되왔던 조형양식적 측면과 미학적 측면에서의 복식을 재조명하는 그 의의가 있다. 해체주의 패션은 모더니즘적 양식을 반박하여 형식이나 구성에 있어 전위가 몰형식과 비구조화의 형태를 띄고 있으며 그것은 외형적 구조로서만이 아니라 인식론이나 내재론적 측면에서도 이성적 주체관, 현전의 형이상학, 이분법적 사고의 붕괴 둥을 의미하는 것으로 현대패션이라는 커다란 흐름을 고유함으로써 상호보완적인 역할을 수행하고 있다. 즉 양식의 이종교배, 과거양식의 인식, 복합성과 모호성, 다양한 매체의 이용 등과 같은 패션 트랜드 속에서 재해석되고 변경, 수용되어 존재하고 있다고 할 수 있다.

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현대 패션에 나타난 홀치기염 디자인 연구

  • 최경희
    • 복식문화학회:학술대회논문집
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    • pp.97-98
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    • 2003
  • 현대 의상에서의 소재가 차지하는 비중이 날로 커지고 있는 가운데, 과거 공예적 성격을 띠고 있던 염직의 개념이 디자이너들의 자유로운 창작욕구를 표현하는 새로운 장르로 대두되면서 지금까지 사용된 재료와 표현방식에 국한되지 않으며 혁신적 재료의 사용과 개발을 통해 새로운 표현기법이 끊임없이 추구되고 있다. 인류의 역사와 함께 발전되어온 전통적인 기법인 홀치기염은 단지 실용성에서 벗어나 새롭고 다양한 조형예술로서 그 가치를 추구하는 작가의 끊임없는 노력으로 새로운 재료와 기법이 개발되고 그 표현 양식도 다양해지고 있다. (중략)

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오리가미 원리에 기반한 평면에서의 의복 조형 디자인 연구 - 고대 복식 원형에 대한 분석을 중심으로 - (A Study on the Flat Method of Formative Design for Clothing Based on the Principles of Origami - Focusing on Analysis of the Original Forms of the Ancient Clothing -)

  • 임소연;이주현
    • 한국의상디자인학회지
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    • v.14 no.1
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    • pp.1-11
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    • 2012
  • The Original forms of the ancient clothing have been evolved in various designs and showed each unique formativeness based on the basic principles of origami. The purpose of this study was to analyze the basic clothing formativeness in the original forms of the ancient clothing based on the principles of origami. The methods of this study were to identify significant relevant ancient clothing figures with each unique formativeness based on the principles of origami and analyze the formativeness characters and values through comprehensive literature reviews on topic-related books and theses on a foundation of triangulation of observer. The results were as follows: The significant ancient clothing figures with principles of origami were identified as kalasiris, chiton, chlamys, toga, dalmatica, paludamentium, and lorum. The formative principles applied in the ancient clothing figures were identified as exaggerated measurements, folding and unfolding, bending, and angle. And the formative characters and values were identified as potential drape realization, potential silhouette realization, potential three-dimensional design optimality, and potential three-dimensional formativeness realization. The result of this study may be used for a newer approach for the fundamental digging of clothing formativeness in advance.

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제 2차 대전후 조형예술과 Christia Dior 의 복식 디자인에 나타난 미적 특성에 관한 연구 (A Study on the Aesthetic Characteristics of Plastic Art And Christian Dior Fashion after World War II.)

  • 김정은;정흥숙
    • 복식
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    • v.50 no.2
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    • pp.59-80
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    • 2000
  • In February 1947, Christian Dior startled the world with his spring collection. He transformed the unflattering square shouldered outline of women's wartime fashion overnight. It was not only fashion that made a pivotal point for opulence and elegance, The style of architecture, furniture, glass, and silverware also made a radical change. The new style emerged after war called " organic modernism'. This study is to define the visual characteristics of fashion, architecture, furniture and craft after World War II and examine the social factors and aesthetics that generated a new style. The common asthetic characteristics are freedom, abstraction of symbolic from, asymmetry, and exaggeration of form. The social factors, values and aesthetics are economic reconstruction and renaissance of design , technical development and new materials, fredom and optimistic view after the holocaust of war, and organic aesthetics and humanism.

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