• Title/Summary/Keyword: 민족문화

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Representation of Ethnic Culture Identity in Minority Animation (소수민족 애니메이션에 재현된 민족문화 정체성 -<채운남(彩云南), 2009>을 중심으로)

  • Gu, Xue-ping;Lee, Hyun-Seok
    • Proceedings of the Korea Contents Association Conference
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    • 2019.05a
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    • pp.51-52
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    • 2019
  • 문화 기호는 민족 문화를 이해하고 특성을 분석하는 효과적인 방법이다. 중국에서 민족 문화 정체성에 대한 분석은 중화 민족 화합을 위한 중요한 자료로 활용된다. 이에, 본 논문은 <채운남(彩云南), 2009> 애니메이션 속 문화 기호 정체성의 표현에 대한 분석을 통해 민족문화 정체성을 고찰하고자 한다. 이를 통해, 다양한 민족 간 유대감과 소속감을 유도할 수 있는 기초 학술자료가 되리나 기대한다.

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백러시아민족과 우크라이나민족 루바하의 조형성

  • 최수빈
    • Proceedings of the Korea Society of Costume Conference
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    • 2004.05a
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    • pp.29-29
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    • 2004
  • 복식은 물질문화의 기본적인 요소로써 종교와 문화, 자연환경 및 민족 고유의 특징을 담고있다. 백러시아민족과 우크라이나민족은 러시아민족과 더불어 동슬라브민족에 속한다. 동슬라브민족은 따뜻한 흑해 연안에서 혹독한 기후의 북 러시아와 시베리아지방까지 널리 분포되어 살아왔다. (중략)

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고구려 관모에 관한 고찰

  • 김영숙
    • Journal of the Korean Home Economics Association
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    • v.5 no.1
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    • pp.756-765
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    • 1966
  • 기원전 37년 부여족의 일족인 고주몽이 건국한 고고려는 약 700년간 만주와 북만주를 무대로 하여 활약한 강대한 나라이며 한민족사상 가장 중요한 위치에 있었다. 부여족은 4000년이전에 중국의 동북부에서 만주에 이동한 문화민족이며 한나라에 의하면 그네들은 언제나 자기민족의 고도로 발달된 문화수준을 자랑하였고 주위의 타민족을 남만 북적 서융 동이라고 칭하여 야만인 취급을 하였음에도 불구하고 부여족만은 문화수준이 높은 민족이라고 하여 동등의 대우를 아끼지 않았다. 맥(貊)족에 대하여서는 춘추전국시대의 장자를 위시하여 소위 한서 남사 북사 제서 수서 구당서 당서등 고문헌의 어느 것에나 문화를 가진 민족으로써 소분되어 있었다. 과연 부여족은 만주지방에 산재되어 있는 수많은 민족중의 선각자이며 특히 고구려는 만주 및 한반도에 거주하고 있는 모든나라의 중심이 되었다.

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Art of National cultural in Chinese Animation (중국애니메이션에 나타난 민족문화예술성 연구)

  • Kim, Jin-Young;Kim, Jae-Woong
    • Cartoon and Animation Studies
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    • s.17
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    • pp.83-95
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    • 2009
  • As an exploratory research on China's animation, this study aims to enhance an understanding of the trends and characteristics of China's animation through examining its history and to forecast its future development trajectory. From its founding to recent period, China tried to maintain Communist political system through imbuing national identity to its people through management and supervision of media products under direct government's leadership in combination with ideological education. Such policy was also implemented in animation, major audience of which is children. With regard to the introduction of the policy and its influence, five historical phases could be identified as follows. During the first phase, from the founding of the Republic until the Cultural Revolution, national culture was introduced to China's animation. The second phase, which corresponds with the Cultural Revolution period, marks the decline of national culture. National culture was reemphasized during the third phase that follows the Cultural Revolution, which led to the nomination of the 'China school,' followed by the fourth phase, during which China's animation suffered the second decline due to the spread of TVs and foreign animation imports. Reintroduction of national culture on China's animation in the context of rapid industrialization process before and after 2000 characterizes the recent phase. It can be expected that although there could be some change in methods and forms, China's animation, which introduced national culture from its inception and maintained remarkable resilience following the period of decline, will continuously stress the its own national cultural identity.

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Research on Culture Symbol Element about China Mongolian Culture Symbol Recognition and Establishment of National Identity (중국 몽고족 문화상징에 대한 인식과 민족 정체성 확립을 위한 문화상징요소 연구)

  • Hong, Xin;Guo, Yan
    • The Journal of the Korea Contents Association
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    • v.17 no.2
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    • pp.612-622
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    • 2017
  • This paper is about on the most representative ethnic of China Mongolian as the research object, through the questionnaire survey to establish the understanding of national cultural symbol and the system of national identity, and lay a theoretical foundation for the application of Mongolian communication and design in the future. In order to achieve the objectivity of the data, so a questionnaire survey was conducted on 300 populations of Mongolian and other nationalities. The result is that the majority of the Mongolians believe that as the Mongolian people have a sense of pride, and the Mongolian nationality is a representative of china. Mongolian is a kind of aesthetic, creative, reliable, aggressive and like the decoration of the nation. The cultural symbols for design elements are cyan, Gen Gi Khan graphics, agate, and peaceful meaning and so on. The cultural symbols are used for celebration, as well as clothing accessories. The symbol of culture has played a positive role in the establishment of Inner Mongolia identity and the propaganda of the nation. The construction of Mongolian cultural symbol system plays an important role in the establishment of Mongolian national identity. To combine the meaning of nation and the mission of culture with national cultural resources. It is not only to help the development of minority culture, but also to promote the sense of pride of ethnic minorities.

Marketing to Asian Americans: The Impact of Acculturation and Interpersonal Influence on Ethnocentric Consumer Preferences (문화변용과 대인영향력이 민족중심적 소비자 선호도에 미치는 영향에 관한 연구 - 아시아계 미국인을 중심으로 -)

  • Taylor, Charles R.;Babin, Barry J.;Kim, Kyung-Hoon
    • Journal of Global Scholars of Marketing Science
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    • v.15 no.3
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    • pp.187-210
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    • 2005
  • The acculturation of ethnic minorities is an increasingly important issue. This paper explores the role of two factors which may be related to Asian Americans' development of preferences for ethnic or non-ethnic shopping: level of acculturation and susceptibility to interpersonal influence. Several prior studies have found that strength of ethnic identification (a measure of level of acculturation) accounts for differences in consumption patterns among immigrant groups. The results of this study suggest that ethnic identification is not a unidimensional construct. Instead, two construct, ethnic identification and consumer socialization are found to be relatedto the level of influence exerted by culturally consistent in-group than "American." A strong positive relationship is found between ethnic identifi.cation and ethnocentric purchasing preferences. In contrast, no significant direct relationship between level of.consumer socialization and ethnocentric preferences is found. Implications for marketers are discussed.

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Chinese Undergraduates' Perception of the Integration of Chinese Minority Culture in EFL Classes (중국 대학생들의 EFL 수업에서 중국 소수민족 문화 통합에 대한 인식)

  • Li, Guihua
    • Journal of Digital Convergence
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    • v.19 no.12
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    • pp.157-164
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    • 2021
  • This study was conducted to investigate students' perception of the integration of Chinese ethnic minority culture into the college EFL teaching which was carried out in the fall and spring semesters with different presentation topics. One and the same questionnaire was distributed to 61 participants, involving Han Chinese and Chinese ethnic minority students, at a university in ethnic minority area in China at the end of each semester, and SPSS 20.0 was used for t-test to analyze the data. The research results showed that Chinese undergraduates have got more significant improvements in cultural cognition, emotions, attitudes, and multi-cultural values in the spring semester than those in the fall semester. All participants benefit a lot from multi-cultural activities without significant differences between Han Chinese and ethnic minority students in both semesters. It is suggested that ethnic minority culture be integrated into the college EFL teaching, along with English culture and Chinese mainstream culture, which be administered as a practical teaching mode to develop students' intercultural competence.

표지 인터뷰-고희 맞아 세권의 저서 펴낸 이우성 민족문화추진회장

  • Kim, Ji-Won
    • The Korean Publising Journal, Monthly
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    • s.173
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    • pp.2-3
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    • 1995
  • 한평생을 '민족의 고전'과 더불어 살아온 벽사 이우성 민족문화추진회장이 고희를 맞아 그간에 써온 각고정려의 글들을 세권의 저서로 묶어 펴냈다. 그가 일생의 지향점으로 삼은 '실사구시' 정신이 스며 있는 글들을 모은 "실시학사산고", 우리 고전의 해제를 사진가 함께 엮은 "한국 고전의 발견", 최치원의 사산비명을 풀이한 "신라사산비명"이 그것이다.

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