• Journal of the Korean Society of Food Culture
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• v.4 no.3
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• pp.287-292
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• 1989

우리나라는 예전부터 쌀 생산의 명승지였으며 국민은 벼농사를 주요생업으로 삼아 왔기 때문에 자연히 쌀을 원료로 한 술이 나오게 된 것은 당연한 이치이다. 탁주는 일반인이 아는 바와 같이 쌀과 누룩으로 제조한 것이 전통 민속주라 할 수 있겠다. 일제시대에 들어와 1920년경에 일본에서 종국을 들여와 청주제조 및 조미료 제조에 약간씩 이용되었고 해방을 전 후하여 탁 약주에 널리 보급되기 시작하였다. 근대의 탁 약주 출고 및 원료의 변천을 보면 1. 1960년대부터 매년 출고량이 신장되어 왔으며 1973년도 출고량 1,613,147kl가 출고되어 전주류 구성비율은 78.6% 이상에 이르게 되었으나, 2. 1974년부터 1975년(2년간) 사이에 원료변화가 4차례나 바뀌어짐에 따라 1974년도에 소맥 50%, 대맥(보리쌀)50%를 사용하면서부터 출고량이 감소되기 시작하였다. 3. 1988년말 현재에 이르러 출고량은 761,284kl로 53%가 감소되었고 주류 구성비율은 30%내로 이르게 되었다. 우리나라 국민은 누구나 민속주 하면 탁주를 연상한다. 그러나 정부의 식량난 정책에 따라 탁 약주 제조원료 변화는 갖은 수난을 거쳐 오늘에 이르게 되었으나 이제는 경제가 발전되어 국민의 의 식 주도 많이 변화되어지고 있는 바 지난날과 같은 원료변화는 다시는 없어야겠다. 끝으로 탁 약주 제조자의 바램이라면 제조원료를 자유롭게 선택하여 상품을 다양화하고 소비자의 선택에 따라 전통 민속주의 맛을 음미할 수 있는 때가 오기를 바란다.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.33 no.4
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• pp.112-128
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• 2015

To consider an identity about traditional folk village, this study analyzes color characteristic of traditional folk village by targeting Cuandixia folk village in China. For method of study, color is analyzed by KSCA(Korea Standard Color Analysis) program and images of color are drawn by I.R.I. Based on these, four results are came out. First, color distribution of Cuandixia is appeared in YR, R, Y, GY order. Furthermore, there are no affiliation of BG, and B but a lot of affiliation of YR. Second, the whole is made up of color that is applied to mist gray/low chroma in the value and chroma stakes. Especially, high chroma is extracted by only commercial old house, the rest is made up of middle and low chroma color. Third, dark color is the most by KS Color System and dark reddish gray and medium gray are occupied most part. Fourth, the whole atmosphere of village is static and hard, and the image is researched as gentle. Through the research, It applies extracted color palette for plan and preservation of traditional folk village. As using the color that is reflected in national and local distinct characteristic, preserving the color reflected in history and culture of the village, and applying color planning considered harmony with surrounding environment, it is expected that it can help to direct the color involved traditional and cultural meaning.

• Journal of the Korea Fashion and Costume Design Association
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• v.8 no.3
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• pp.59-71
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• 2006

This study contemplates Croatian traditional costumes with focus on its geographical characteristics and acculturation with neighbor countries as a member of old Yugoslavian Union. Therefore, it contains the information from field works based on Croatian language, native costumes and folk materials wildly. Men usually wear wide linen pants ($ga\'{c}$), shirt ($ko\v{s}ulje,\;rnbina)$, vest (lajbek), hat and jacket ($kro\v{z}et$). Also they sometimes wear scarves or aprons. Women put on blouse, long skirt, apron, headgear with various decoration and scarf ($pe\v{c}a$), shawl (tibetui robe) or necklace together. Croatian folk dresses fall into three different styles by provinces, such as Pannonia, Dinar and Adria, according to the basic environmental and racial characteristics of each province. People of Pannonia plain generally wear white linen clothing and often use flounce and lace, which are influenced by Serbia and Hungary. In the Dinar mountain province, aprons with tassel, knitted vests made of leather and fur are very popular. The clothing of Dinar province has much commonness with those of Bosnia - Herzegovina and Montenegro which have metal buttons and belts. And the clothing of Adria coast is influenced by Italy a lot. There are many splendid silk clothes in its folk dress code. As mentioned above, there are a lot of foreign influences in Croatian history. Although there were severe cultural invasions in many times through its history, Croatians didn't just surrender to these cultural influences. People in Croatia comply with these new coming culture and reconcile these into their own tradition and dress code in their own way.

• Journal of the Korean Home Economics Association
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• v.23 no.1
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• pp.1-9
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• 1985

과테말라의 알타 베라파즈 지역에서 원주민들의 민속의상의 하나인 Huipil 재료로 생산되는 반투명의 백생 무명 수직물은 독특한 직조기법과 구성을 보이고 있다. 이에 대한 부분적인 연구는 O'neale 과 Osborne 등에 의하여 이루어 졌으며, 본고에서는 이들 연구를 기초로 이 지역의 Huipil 재료의 직조과정과 기법에 대하여 고찰하였다. 또한 구체적인 직물구조의 분석은 Iowa 주립대학의 직물소장품중 4점의 이지역 Huipil 재료를 실측하여 이들 각각의 전체적인 구조와 기본적인 직조방법, 그리고 무늬를 형상하는 기법에 대하여 검토하엿다. 본 고찰을 통하여 이 지역에서 생산된 Huipil은 대부분 원시적인 형태의 직조기에 의해 완성되었으며 복잡한 무늬를 짤 경우에도 보조적인 도구는 사용되지 않고 특유의 수직기법에 의해 이루어졌음을 밝혓다. 또한 Huipil의 바탕은 plain weave, gauze, 도는 brocade의 변형으로 구성되었으며 바탕과 무늬의 변화는 실의 굵기의 변화로 더욱 강조되어 독특한 효과를 나타내고 있다.

• Journal of Korean Historical Folklife
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• no.45
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• pp.127-160
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• 2014

조선은 의례를 국가통치수단으로 적극 활용한 국가였으며, 이는 "세종실록" "오례" 와 "국조오례의"로 대표된다. 그런데, "세종실록" "오례" 와 "국조오례의"에서 국왕 상장례 절차는 모두 수록하고 있는 반면 세자의 상장례에 대해서는 언급하지 않고 있다. 때문에, 조선의 세자 상장례는 조선 최초의 세자 상장례인 의경세자 상장례를 참고하여 진행되었다. 의경세자 상장례의 기본 절차는 국왕 상장례를 따르고 있었으나, 같은 국상이라 하더라도 세자는 왕위계승자의 신분이었기 때문에 국왕과 차별을 두어야 했다. 따라서 세자 상장례는 국왕 상장례에서 한 등급 낮추어 진행되었다. 의경세자의 상장례는 비록 국상 차원에서 이루어졌지만 그 절차 속에 일반 종친 혹은 대부 상장례의 요소들이 확인된다. 이것은 세자의 지위가 사망을 통해 변하고 있음을 시사하는 것으로 국왕과 세자의 차별을 부각시켜왔던 세조대의 고민이 반영된 것으로 보인다.

• Korean Journal of Plant Resources
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• v.28 no.1
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• pp.79-92
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• 2015

This study was conducted during two separate periods, from April to December 2008 and from April to November 2013, to identify the folk plants growing in Jeollanam-do which are used daily. A total of 1,200 questionnaires were distributed to 120 residents living in 14 counties and cities. From the results of the survey, 172 taxa of folk plants (77 families, 153 genera, 154 species, 2 subspecies, 14 varieties, and 2 forma) were identified. By regions, the city of Suncheon yielded 82 taxa, followed by 67 taxa from Gurye county, 65 taxa from Hampyeong county, 64 taxa from Jangseong county, 62 taxa from city of Naju, and 61 taxa from Jangheung county. Uses of the identified folk plants were: as edibles (117 taxa), for medicinal purposes (66 taxa), tea (15 taxa), for starch (6 taxa) for vegetable fat and oil (3 taxa), for nectar (2 taxa), for sap (2 taxa), for spice (2 taxa), for aroma (1 taxa), for fiber (1 taxa), and others (14 taxa). Thus, edible and medicinal uses of the plants appeared higher than other uses. The consistency of the local names of plants with the standard botanical nomenclature was 23.2% (40 taxa), while the proportion of local plant names analogous to the standard names was 18.6% (32 taxa). The consistency of the local plant names with the same plants in different cities and counties was 28.5% (49 taxa) and the proportion of local plant names analogous to each other in this category was 25.6% (44 taxa). Therefore, 54% of the folk plants growing in Jeollanam-do are known by location specific names. The usage types of the local folk plants were mostly collected through verbal communications.

• Korean Journal of Plant Resources
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• v.29 no.1
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• pp.62-89
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• 2016

The great part of the traditional knowledge on ethnobotanical plants and their uses is gradually vanishing due to industrialization, therefore ethnobotanical studies that explore and preserve the knowledge are in urgent needed before the knowledge are lost ever. This study was conducted to record and conserve the traditional knowledge of botanical taxa in Korea from 2006 to 2014. According to the survey results, derived from 17,328 sheets of 1,771 residents at 868 places, the ethnobotanical plants in Korea consisted of a total 924 taxa; 130 families, 493 genera, 813 species, 7 subspecies, 92 varieties and 12 form. Of them, herbs were 619 taxa (67.0%) and woody plants were 305 taxa (33.0%). 707 taxa (76.5%) out of 924 taxa grow wild, 44 taxa (4.8%) were cultivated wild species, 145 taxa (15.7%) were introduced for cultivation, and 28 taxa (3.0%) were naturalized plants. The analysis of usage for 924 taxa showed that the edible use was the highest with 58.9%, followed by medicinal with 26.9%, material with 3.7% and ornamental with 2.3%, respectively. The leaf of plant was the most useful part, followed by stem and root. Quantitative analysis of the ethnobotanical plants in Korea was performed by the basic values of FC, NU and UR, and indices of CI, RFC, RI and CV. As a result, The CI place Artemisia princeps in first position, followed by Aster scaber, Kalopanax septemlobus. The RFC place A. scaber in first position, followed by A. princeps, Aralia elata. The RI place A. princeps in first position, followed by Pinus densiflora, Morus alba. The CV place A. princeps in first position, followed by P. densiflora, K. septemlobus.

• The Hankook-Saengyark Bo
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• no.241
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• pp.2-2
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• 2000

강진, 한약재 첨가한 민속주 청세주 개발 - 한의학 박물관 건립 추진(대구시, 2004년 완공계획) - 국립공원 가야산 야생화 식물원조성 종합전시관 온실등 갖춰 - 열차관광 특수 약초호황 (순수국산약초 가공제품 인기) - 담배인삼공사 탄산음료 스포멕스 출시 - 상품성 낮은 더덕 튀김용 판매 인기

• Korean Journal of Pharmacognosy
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• v.6 no.2
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• pp.75-92
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• 1975

It is to report that the folk medicines which have been used very often in all the local areas of Korea were investigated in order to verify its origin by describing scientific names as well as Chinese names.

• Journal of Korean Library and Information Science Society
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• v.43 no.3
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• pp.101-120
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• 2012

This study investigated general problems concerning the clothing and textiles field in the KDC 5th edition based comparative analysis academic characteristics and classification system, and suggested on some ideas for the improvements of them. Results of the study is summarized as follows. First, the classification system of the clothing and textiles field is generally divided by costume, dyeing engineering, leather & fur processing, textiles and textile industries, manufacturing clothes, management of clothing, and textile arts. Second, I proposed improvements based on analyzing problems of KDC 5th to the clothing and textiles field from the collection database at the National Library of Korea. Third, basically improvements of KDC system was based on the knowledge of the clothing and textiles field. I tried to maintain as the KDC existing classification system was to retain as much as possible, and to move between items was minimal.