• The Korean Journal of Archival Studies
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• no.33
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• pp.213-217
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• 2012

• Korean Journal of Plant Resources
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• v.29 no.1
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• pp.62-89
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• 2016

The great part of the traditional knowledge on ethnobotanical plants and their uses is gradually vanishing due to industrialization, therefore ethnobotanical studies that explore and preserve the knowledge are in urgent needed before the knowledge are lost ever. This study was conducted to record and conserve the traditional knowledge of botanical taxa in Korea from 2006 to 2014. According to the survey results, derived from 17,328 sheets of 1,771 residents at 868 places, the ethnobotanical plants in Korea consisted of a total 924 taxa; 130 families, 493 genera, 813 species, 7 subspecies, 92 varieties and 12 form. Of them, herbs were 619 taxa (67.0%) and woody plants were 305 taxa (33.0%). 707 taxa (76.5%) out of 924 taxa grow wild, 44 taxa (4.8%) were cultivated wild species, 145 taxa (15.7%) were introduced for cultivation, and 28 taxa (3.0%) were naturalized plants. The analysis of usage for 924 taxa showed that the edible use was the highest with 58.9%, followed by medicinal with 26.9%, material with 3.7% and ornamental with 2.3%, respectively. The leaf of plant was the most useful part, followed by stem and root. Quantitative analysis of the ethnobotanical plants in Korea was performed by the basic values of FC, NU and UR, and indices of CI, RFC, RI and CV. As a result, The CI place Artemisia princeps in first position, followed by Aster scaber, Kalopanax septemlobus. The RFC place A. scaber in first position, followed by A. princeps, Aralia elata. The RI place A. princeps in first position, followed by Pinus densiflora, Morus alba. The CV place A. princeps in first position, followed by P. densiflora, K. septemlobus.

• Journal of the Korean Home Economics Association
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• v.23 no.1
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• pp.1-9
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• 1985

과테말라의 알타 베라파즈 지역에서 원주민들의 민속의상의 하나인 Huipil 재료로 생산되는 반투명의 백생 무명 수직물은 독특한 직조기법과 구성을 보이고 있다. 이에 대한 부분적인 연구는 O'neale 과 Osborne 등에 의하여 이루어 졌으며, 본고에서는 이들 연구를 기초로 이 지역의 Huipil 재료의 직조과정과 기법에 대하여 고찰하였다. 또한 구체적인 직물구조의 분석은 Iowa 주립대학의 직물소장품중 4점의 이지역 Huipil 재료를 실측하여 이들 각각의 전체적인 구조와 기본적인 직조방법, 그리고 무늬를 형상하는 기법에 대하여 검토하엿다. 본 고찰을 통하여 이 지역에서 생산된 Huipil은 대부분 원시적인 형태의 직조기에 의해 완성되었으며 복잡한 무늬를 짤 경우에도 보조적인 도구는 사용되지 않고 특유의 수직기법에 의해 이루어졌음을 밝혓다. 또한 Huipil의 바탕은 plain weave, gauze, 도는 brocade의 변형으로 구성되었으며 바탕과 무늬의 변화는 실의 굵기의 변화로 더욱 강조되어 독특한 효과를 나타내고 있다.

• Journal of Families and Better Life
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• v.12 no.1
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• pp.83-92
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• 1994

이 연구는 한국 전통사회의 교육별이 오늘날이 교육열과 어떻게 연관되는가를 규명 하고자 하는 역사적 고찰로서 특히 과거제도가 가족 사회에 끼친 영향을 중심으로 분석하였 다 자료는 관련된 역사자료와 생활자료인 1차사료와 2차사료로 대별되는데 그중에서 여성의 간찰과 구비전승된 규방가사 서사민요, 무가 등과 현장조사에 기반한 민속자료가 주요자료 로 분석되었다, 그리하여 내용분석법과 역사민속학적인 방법에 의하여 밝혀진 연구결과는 다음과 같다. 과거제도의 장악을 통하여 확립된 중앙집권의 관료제와 학문숭상의 전통 그리 고 과거급제를 해야 가능해지는 관리로서의 등용을 주요가치로 지향하였던 출세주의 또 가 족의 영광은 집안남성의 과거급제라는 점에서 여성들이 내면화할 수밖에 없었던 가족주의가 적극적인 교육열의 역사적인 뿌리임을 밝혔다 이러한 전통은 교육기회가 평등해진 현대사회 에 여전히 한국인의 의식 깊숙이 내재되어 있다 그러나 학문숭상의 전통중에서 '수행'을 겸 함 학문을 추구한 사람파의 전통은 단절되고 출세를 목표로 하는 '학벌' 위주의 왜곡된 전통 만이 지속되어 과열된 교육열로 표출된다.

• Journal of the Korean Institute of Rural Architecture
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• v.6 no.3
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• pp.63-74
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• 2004

This study is focusing on the Nagan Folk Village, primarily because of its historical and cultural values. The purpose of this study, accordingly, analysis the fact of the dwelling change through spot-survey and case-investigation, and is to find a way to improve for the rational preservation of the traditional dwelling analyzing on the actual condition and the reason for such changes in the Nakan Folk Village. The dwelling change is stemmed from the physical factors, and some modifications of internal composition, exterior formation, building equipment. As a result, The changes of internal composition are included in the reduction of garnering room, the enlargement of bed/service room, the establishment of mechanical room. The changes of exterior formation with structural material are included in the glass door for the internalization of 'TOEMARU', the extra glass door for the brightening of room, the cement plastering for the endurance of wall. The changes of building equipment are included in the establishment of oil-boiler, wash closet, sink for convenient life All houses should be graded on their qualitative value, managed in a cycle. And its own criterion for acceptable deformations should be established.

• SUVANNABHUMI
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• v.2 no.1
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• pp.95-110
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• 2010

Poem plays an important role in Ca trù. Many music researchers say that singing Ca trù is singing poem. Of 46 tunes of Ca trù, there are more than 10 tunes expressed in available poems or styles of poetry; for example: in the tune Tỳ bà, the performer could sing Tỳ bà hành by Bạch Cư Dị being converted into seven-seven-six-eight-word-meter; in the reciting poem tunes, just reciting 5 Thien thai poems by Tào Đường or 3 Thanh Bình tune poems by Lý Bạch; in the reciting poetic essay (phú), reciting Tien Xich Bich and Hau Xich Bich by Tô Đông Pha. Others like bắc phản, cung bắc sometimes used six-eight word meters. Structurally, those are available for familiar types and beyond the scope of particular creativity because they do not originate from Ca trù's activity environment like recitative. Recitative is the main tune of Ca trù and has become an independent poem type. In terms of literature, recitative has a particular form structure and special type content. Unlike other tunes of Ca trù that only stop at some fixed works, recitative has increased to thousands of works in quantity and has been composed for many centuries. For those reasons, we confined ourselves the research to the creation which is the most typical of Ca tru: The recitative.

• Journal of International Area Studies (JIAS)
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• v.12 no.4
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• pp.23-65
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• 2009

This study originates from the examination of both Soviet Russia's and contemporary Russia's tabula rasa that numerous comprehensive national exertions have been trying to overcome, relying on the creation of numerous national emblems, political symbols, and even folkloric materials. With this mind, this work substantiates how the political and cultural symbols have been created in the contemporary socio-political and socio-cultural discourse in Russia. As with the political symbols that most recently been studied by Lee Trepanier, it must be recognized that contemporary social movements and political discourses have failed to "articulate a concrete political vision that reflects a consensus among elites, nor have any gained popular support" as the author confessed already. Concomitant to this general consensus, as Roy Medvedev has put it, we can contend that "today's leaders in Russia have no new ideology, and the mass of the people have no strong new national idea."

• Proceedings of the Korea Society of Design Studies Conference
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• 2002.05b
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• pp.202-203
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• 2002

• Korean Journal of Pharmacognosy
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• v.7 no.1
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• pp.15-24
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• 1976

Animal, mineral and other drugs which have been used as a folk medicine in Korea are investigated and summarized.

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2005.10a
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• pp.79-86
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• 2005