• Journal of the Economic Geographical Society of Korea
• /
• v.17 no.3
• /
• pp.517-537
• /
• 2014

In this study, traditional markets were classified into two categories-urban or rural. This paper presents a case study of the Tongin market in Seoul and the Bongwha market in North Gyeongsang Province. Based on a survey of the customers and local residents in these markets, the peoples who have intention to show visitors around their traditional markets take more pride as local residents than peoples who do not have intention to show visitors around their traditional markets. This study includes surveys in 24 categories dealing with how local residents recognize the traditional market as regards local community, local culture and local economy. Consequently, the customers of the Tongin market and the Bongwha market had very strong expectations that their traditional markets would be popular with visitors. These surveys show that when these traditional markets were reported in the press and media, the satisfaction level of local residents was very high. Most of the respondents said that the more the local traditional market develops, the more the region develops. And, most of the respondents said that all local residents have to cooperate to develop a traditional market. To promote traditional markets that can revitalize communities, marketplaces need to be regarded as places that contain human life. In addition, there needs to a cultural and humane perspective brought to the fore. To conclude, the most effective way to solve the problem of traditional markets is to make them even more traditional.

• The Journal of the Korea Contents Association
• /
• v.18 no.2
• /
• pp.280-289
• /
• 2018

Traditional market is a place filled with traditional culture and sentiments of the local population, so this is not just a commodity trading places that has been at the centre of our life, including culture and the local economy and the people of the community. However, many consumers still ongoing by the facilities that aging is deprived to the department stores and hyper-marts. Also, low awareness of the displayer, including the internal facilities, is very reality is bad development compared to the appearance, in particular product names, price tags and one mark of origin, such as signs, despite Upon entering the market first leaps to the eye are not improved the situation as it is necessary for the improvement of typography for traditional market. Therefore, examine the fonts used in the traditional markets, proceed to further analysis in the future by building a dedicated font made of only the traditional market it has a distinctive identity and unity of the market typography to present the guidelines of the market font.

• The Journal of the Convergence on Culture Technology
• /
• v.8 no.1
• /
• pp.261-269
• /
• 2022

The advent of the pandemic era due to COVID-19 is causing new changes in all areas of individuals, organizations, society and the country. The art market also faced a crisis due to restrictions on individual movement between regions and countries and social distancing, and even the contents of the work, the way the work is traded, and the propensity and characteristics of the buyer are changing. These demands for change in the art market are accelerating new opportunities for change by converting digital, expanding the online art market, expanding virtual space using VR(Virtual Reality) and AR(Augmented Reality) technology, and expanding the trading area of digital works NFT based on blockchain technology. In this study, the flow of change in the art market brought about by the Pandemic era is analyzed from the perspective of digital transformation. The contents of digital acceptance of the art market are identified through a summary of various types of digital transformation in the art market and a survey of perceptions following the introduction of digital transformation and NFT. Discuss major legal, economic, social, and transactional issues and countermeasures following the introduction of NFT based on blockchain technology in the art market.

• The Journal of the Convergence on Culture Technology
• /
• v.9 no.2
• /
• pp.319-325
• /
• 2023

This study investigates the impact of over-investment on the market value of cash holdings. In addition, this paper examines whether the effect of over-investment on the value of cash holdings differs depending on firms' ownership structure. The results show that increase in over-investment reduces the market value of cash holdings. This suggests that investors perceive that over-investment deteriorates future business performance and generates excessive burdens on future cash flows. As a result, they provide negative evaluation on the market value of cash holdings. In addition, the negative impact of over-investment on the market value of cash holdings is more significant for owner manager firms where managers hold a high level of equity. Such empirical results imply that owner manager firms are more likely to use their cash holdings for private interest, therefore, over-investment reduces the cash value to a greater extent. This study provides empirical evidence that the effect of over-investment on the market value of cash holdings varies depending on the characteristics of firms' ownership structure.

• 프린팅코리아
• /
• v.11 no.3
• /
• pp.74-75
• /
• 2012

현존하는 세계 최고 금속활자본인 직지심체요절이 탄생한 충북 청주에 인쇄를 테마로 한 전통문화예술거리가 조성된다. 청주시(한범덕 시장)는 고인쇄박물관 일원을 특색 있는 전통문화예술 거리로 조성하기 위해 직지문화특구 마스터플랜을 재검토해 실현가능한 사업을 단기 중기 장기계획으로 진행할 예정이다. 청주시는 2014년까지 금속활자 주조 전시관, 근현대 인쇄전시관, 녹색 쉼터 등을 조성한다.

• 베이커리
• /
• no.9 s.338
• /
• pp.68-71
• /
• 1996

유럽에서 아시아에 이르는 광활한 국토를 갖고 있는 러시아는 몇 년 전까지만 하더라도 우리에겐 미지의 땅이었다. 인류 최대의 실험작인 사회주의가 일단 실패로 종결되면서 러시아는 우리에게 모습을 드러냈고, 억눌렀던 호기심은 제철을 만난 듯 발동이 걸려 한때 러시아 진출이 붐을 이루기도 했다. 호기심중의 하나가 러시아 빵 문화가 아닐까 한다. 이에 지난 3년간 수차례 러시아를 방문, 러시아 빵 문화를 돌아본 우디라인(구 코티즌 컨설팅)의 김계식 사장의 도움으로 그 호기심을 채워 본다. <편집자 주>

• 프린팅코리아
• /
• v.10 no.9
• /
• pp.76-77
• /
• 2011

내수시장의 한계로 인해 많은 인쇄사에서 인쇄물 수출의 필요성을 절감하고 있다. 그러나 막상 인쇄물 수출을 하고 싶지만 무엇을 어떻게 해야 할지 모르는 경우가 대부분이다. 특히 인쇄업체들의 경우 중소형 업체들이 많아 상대적으로 정보를 얻는 것도 쉽지가 않다. 이러한 어려움을 해소하기 위해 대한인쇄문화협회에서는 2011년 4월 인쇄수출지원센터를 개설했다. 인쇄수출지원센터의 의의와 기능에 대해 알아본다.

• The Korean Publising Journal, Monthly
• /
• s.256
• /
• pp.16-16
• /
• 1999

• 주택과사람들
• /
• no.40 s.57
• /
• pp.190-216
• /
• 1995

• The Korean Publising Journal, Monthly
• /
• s.314
• /
• pp.43-43
• /
• 2001