• 제목/요약/키워드: 마르게리뜨

검색결과 1건 처리시간 0.012초

오페라 "파우스트" 무대 의상의 현대적 디자인 개발 I - 남녀 주인공들의 의상을 중심으로 - (The Modernization of Stage Costume of Opera "Faust" - Focused on A Hero & Heroine's Costume -)

  • 변지현;이수연;조진숙
    • 복식문화연구
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    • 제14권4호
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    • pp.581-595
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    • 2006
  • Modernization movement has affected classical operas. Today, classical operas are often re-interpreted from the modern perspective and played differently only with the storyline maintained. This study examines modernization of opera costumes. For this study, the author worked as one of costume design staff for "Faust," which was played in Sungnam Art Center from November 24, 2005 to November 27, 2005 in commemoration of the opening of the center. The following outcomes are drawn from this study. Two types of costumes were designed for Faust. An old black shirt, grey checkered trousers, and a white gown were designed to express the old Faust, a respected scholar in his 50s, who was erudite and competent. Red checker of the shirt represented passion and blue checker of the shirt symbolized youth. The cotton trousers were beige, the most favorite color among male college students. For Mephistopheles, a white suit, black shirt, and white neck tie were designed to express the Devil, who changed his face instantly. A white suit symbolized that Mephistopheles looked like an angel, while a black shirt suggested that Mephistopheles, in reality, was the Devil. A white one-piece dress and light jade green cardigan were designed for Margarete, who was innocent and virtuous. The white dress represented innocence and purity of Margarete and the light jade green cardigan symbolized a maiden pure.

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