• 복식
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• 제65권8호
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• pp.125-135
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• 2015

This study is a theoretical research based on previous domestic and international researches. The case study proceeded by collecting images from periodicals such as International Men's magazine GQ, First of all website(www.style.com) and Vogue website(www.vogue.com) were viewed. The images were selected had shapes, colors, and motives with Japanese aesthetic traits from Comme des Garçons' men's Collections of 2011 F/W to 2016 S/S. The purpose of this study is to find out the possible sources of forms and expressive methods of future fashion through Japanese traditional aesthetics of Rai Kawakubo's fashion world. Designers are expected to continue on using traditional aesthetic beauties of other countries as sources of modern fashion.

• 패션비즈니스
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• 제17권4호
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• pp.40-57
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• 2013

In examining the relationship between fashion and art which are intimately interrelated, the body is a suitable subject in that it is the common object of representation. This study investigates and compares the images of the body in Francis Bacon's paintings from 1940s to 1970s and the formative aspect and aesthetic value of the abstract body images in Rei Kawakubo's designs since 1980s. The figures in Bacon's paintings are confusingly and atypically deformed as well as distorted, which are the combinations of the anatomies without references, not so much represented objects as experienced sense. Kawakubo's designs attempt to deform the body, moreover, she transforms the body; represent abstract forms without association with any other figures that exist, emphasizing sculptural or architectural shapes of garment. She suggests extensive visual language of dress by challenging the norms of beauty. The body in Bacon and Kawakubo's works is dispersive as well as complex in that the body images are deconstructed, fragmented, and exaggerated. Respectively, they articulate the perception of the body in postmodernism era by destroying the myth of subject; furthermore establish the aesthetics that transcend conventional ideals by reevaluating as well as refusing the standards of beauty.

• 디자인학연구
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• 제13권2호
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• pp.111-121
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• 2000

탈구현상은 허구, 추상, 부재, 변형의 의미를 부각시키며 틀에 박힌 고정관념을 없애고 새로운 미의식을 추구하는 것이다. 이러한 현상은 1990년 이후 현대 패션에서 다양하게 전개되는데 마틴 마지엘라나 앤 드뮬리미스터, 레이 카와쿠보 등의 작품에서 잘 찾아 볼 수 있다. 이들의 작품은 변형과 왜곡, 부조화의 조화, 그리고 양면가치가 공존하는 미적인 특성을 지니고 있는데 이것은 미의 다양한 해석을 가능하게 하며 주관적인 미의식의 근거를 마련한다.