• 주류산업
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• v.28 no.4
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• pp.36-47
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• 2008

8월 21일 부터 24일 까지 4일간 대한주류공업협회 주최, 국세청 후원으로 서울 삼성동 코엑스 3층 컨벤션홀에서 개최된 '2008 대한민국 주류박람회'(KOREA ALCOHOL & LIQUOR EXPO 2008)가 성황리에 막을 내렸다. '술과 문화의 페스티벌' 이라는 주제로 열린 금번 박람회는 소주, 맥주, 위스키, 약주, 과실주, 전통주 등 국내 주류업체 84개사와 독일, 중국, 러시아, 아르헨티나, 일본, 도미니카공화국, 스리랑카 7개국이 참가하여 다양한 주류제품 전시 및 시음, 이벤트 활동을 통해 적극적인 마케팅 활동을 전개하였다. 행사기간 동안 일반인, 언론인, 국내외 바이어, 주류관련 종사자등 3만여 명의 많은 관람객이 박람회장을 방문하여 전국 각지에서 생산되는 다양한 종류의 술의 맛과 향을 체험하고 아울러 다채로운 이벤트 행사를 통해 흥겨운 시간을 가졌으며, 주류의 역사.종류.제조과정, 건전음주체험 등 술에 대한 다양한 정보를 얻는 기회가 되었다. 또한 건전음주문화 조성, 주류제조기술 및 주류산업 활성화 주제의 세미나와 한국양조과학회 정기학술대회가 열려 주류산업 종사자, 연구원, 학생 및 주류에 관심을 가지고 있는 일반인들에게 정보 및 의견 교환의장을 제공하였다.

• Russian Language and Literature
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• no.64
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• pp.123-156
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• 2019

Корейско-российский обмен классической музыкой, начавшийся в 1988 году, стал событием, при котором корейская музыка претерпела существенные изменения. С тех пор количество выступлений иностранных трупп возросло более чем вдвое, а с 2000-х годов свыше десяти и иностранных организаций ежегодно встречаются с корейскими зрителями. Активность российских организаций очень заметна, так как около половины из обшего числа организаций приходится на российские группы. Кроме того, даже учитывая влияние качественного развития корейской классической музыки, российские организации представили свои произведения, которые до этого времени не были достаточно освещены внути страны, что дало возможность испытать больше разнообразных музыкальных красок в корейских музыкальных кругах, в котором доминировала европейская музыка. Таким образом, в данной статье рассматриваются история и ход развития обмена классической музыкой между Кореей и Россией, а также исследуются возникающие при этом проблемы. Данный анализ необходим для изучения различных вопросов, которые должны быть рассмотрены с целью осуществления налаженного культурно-художественного обмена между двумя странами в будущем, а также для того, чтобы наши музыкальные круги открыли эпоху "К-Классика" в более подлинном смысле.

• The Journal of the Convergence on Culture Technology
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• v.8 no.4
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• pp.115-120
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• 2022

The Rsussian Armed Forces(RAF) invaded Ukraine on Feburary 24. However, the Armed Forces of Ukraine(AFU) unexpectedly blocked the Russian wave attack made the war between Ukraine and Russia lengthened. Major think-tanks and military experts in the world assessed that the AFU overwhelmed the RAF at the initial stage of the war because of decentralized combats based on mission command. Especially, the decentralized small units of the AFU damaged the RAF and slowed down its Iniative. The 4^th industrial revolution makes the Korean Peninsula the multi-domain battlefield in the future; accordingly, the Decentralized combat won't be a choice, but a necessity in the future. Therefore, the AFU's offensive decentralized combats in this war Suggests many things to the Republic of Korea Army.

• Cartoon and Animation Studies
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• s.15
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• pp.29-47
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• 2009

The changes in the field of high tech media promote the development of animation films, which was considered once as a decaying industry. A large success of Disney animation films in 1980's and the possibilities of animation as an economically profitable mass products allowed this art form to play a leading role in mass culture. But, the cultural and philosophical aspects of animation works are not studied enough up to this time, despite its importance. This article is focused on the study of animation as a serious cultural and philosophical text. The object of research is the Russian animation in the period of 1960-1980 years. In this time, new trends are noticed in the history of Russian animation : aesthetical experiments in style and subjects became possible since the society freed from totalitarian atmosphere after the political destalinization by Khrushchev. In addition to, it was the time when the system of state subsidies still functioned, that animation was not the object of cultural industry yet, as it happened in the period of Perestroika. In this condition, lots of short animation films, which were remarkable not only in the context of Soviet art culture, but also in the history of world animation films, were produced. This article proposes to analyze the characteristics of realities and fantasy, portrayed in the films of this period, and examine the role and status of animation films in the social-cultural context.

• International Area Studies Review
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• v.12 no.3
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• pp.111-133
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• 2008

This study tries to analyze what the most significant factors are in Russia, where the Korean investing enterprises have to overcome and adapt to various difficulties, especially in terms of local circumstance politically. This main purpose of the research is to test empirically some relations between the managing strategy of Korean enterprises and the circumstance factors of politics in Russia while this is conducted in two stages. First, the research model is designed by reviewing relevant theories, previous studies, and the current investment conditions in local Russia. Second, the survey of Korean enterprises engaged in investment activities in there is done by collecting questionnaires from them with this survey. And the statistic method of structural equation modeling is used to testing some hypotheses. Explaining the analyzing tools, SPSS 12.0 for windows is being used for Correlation, Reliability, Validity and Multi regression and Finally the Path analysis is implemented by AMOS 7.0 for windows.

• Journal of Korea Entertainment Industry Association
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• v.15 no.3
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• pp.203-210
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• 2021

Yuri Vasilyev - actor, director and drama teacher. Russian meritorious artist, winner of the stage "Medal of Friendship" awarded by Russian President Vladimir Putin; academician of the Petrovsky Academy of Sciences and Arts in Russia, professor of the Russian National Academy of Performing Arts, and professor of the Bavarian Academy of Drama in Munich, Germany. The physiological sense stimulation method based on the improvement of voice, language and motor function of drama actors. On the basis of a systematic understanding of performing arts, Yuri Vasiliev created a unique training method of speech expression and skills. From the complicated art training, we find out the most critical skills for focused training, which we call basic skills training. Throughout the whole training process, Professor Yuri made a clear request for the actor's lines: "action! This is the basis of actors' creation. So action is the key! Action and voice are closely linked. Actor's voice is human voice, human life, human feeling, human experience and disaster. It is also the foundation of creation that actors acquire their own voice. What we are engaged in is pronunciation, breathing, tone and intonation, speed and rhythm, expressiveness, sincerity, stage voice and movement, gesture, all of which are used to train the voice of actors according to the standard of drama. In short, Professor Yuri's training course is not only the training of stage performance and skills, but also contains a rich view of drama and performance. I think, in addition to learning from the means and methods of training, it is more important for us to understand the starting point and training objectives of Professor Yuri's use of these exercises.

• The Journal of the Convergence on Culture Technology
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• v.8 no.6
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• pp.537-542
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• 2022

The "cognitive warfare," which has emerged as a result of the Ukrainian-Russian war, has already existed in the previous war and is now emerging as a major aspect of the war, its meaning and influence are increasing. Recognizing the emergence and importance of cognitive warfare and understanding the meaning and characteristics of cognitive warfare must be accompanied by victory in the modern war. After Russia's alleged involvement in the U.S. presidential election in 2016 drew attention, the Israeli-Palestinian conflict in 2021 confirmed its upward influence. In particular, 'cognitive warfare' using SNS played a major role in leading the war to its advantage and maintaining the initiative by selecting clear purposes and targets such as the international community, the people, and Hamas. This new pattern of war is gradually emerging as the world is hyper connected with the advent of the Fourth Industrial Revolution. It is expected that it will play a leading role in the future battle if it clearly recognizes the main contents of the new war, "Injijeon," and has the ability and ability to actively operate it.

• Proceedings of the Plant Resources Society of Korea Conference
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• 2012.05a
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• pp.11-11
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• 2012

차나무(Camellia sinensis (L.) O.Kuntze)는 열대, 아열대, 온대지역에서 자라는 교목 또는 관목의 영년생 상록수이다. 차는 초기 약효에 의하여 이용하기 시작하였으나 현대에 이르러 그 독특한 풍미로 인하여 전 세계 인구의 절반 이상이 음용하는 중요한 기호음료이다. 강우량이 많고 따듯한 곳에서 생육이 왕성한 차나무는 현재 한국, 중국, 일본, 동남아시아의 온난지역, 남아메리카, 아프리카 및 러시아 등지에 이르는 넓은 지역에 분포하고 있다. 2,000년의 역사를 가지는 한국의 차산업은 주로 경남과 전남, 전북, 제주 등지에서 재배 생산되고 있다. 1970년대 이후 생활수준의 향상과 함께 점차적으로 수요가 늘어나면서 생산량은 1970년 55톤에서 1993년 617톤, 2010년 3,586톤으로 약 65배 이상 증가하였다. 차산업은 찻잎을 원료로 한 생활용품 등 다양한 가공품의 생산과 문화산업, 관광산업까지 포함하는 고부가가치 작목으로 매년 재배 면적이 크게 증가하였다. 최근에는 재배면적의 급속한 증가와 수입확대, 소비환경의 변화로 산지 재고가 증가하는 등 녹차 재배 농가의 어려움이 가중되고 있어 향후 수급 불균형이 우려되고 있다. 세계의 차 무역량은 연간 약 160만 톤, 재배면적은 약 256만 ha, 생산량은 약 320만 톤에 달한다. 아직까지는 수입 녹차에 대한 높은 관세율(514%)의 보호 아래 있지만, 중국이나 일본 등에 비해 가격, 품질, 상품개발 면에서 뒤떨어져 있는 실정이다. 또한 현재 외국에서 수입되고 있는 다양한 차들이 소비자의 기호에 영향을 미치고 있으며 특히 가격 경쟁력이 떨어지는 상황이다. 향후 차시장의 전면적인 개방에 대비하기 위해서는 경쟁력 있는 수출전략과 함께 국내 산업을 안정적으로 성장시키기 위한 전력을 모색해야한다. 주요 차생산국의 다원은 15도 이내의 경사지에 생성되어 있으나 30도 내외의 경사지도 다원 조성에 무리가 없다. 우리나라는 약 200만ha의 경사지를 포함하고 있어 차재배지 확대에 무한한 잠재력을 가지고 있다.

• Journal of Korea Entertainment Industry Association
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• v.13 no.2
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• pp.27-36
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• 2019

Today, the Korean wave headed by K-pop is newly named as 'New Korean Wave' in that it has been extended to United States, Europe and Russia. K-POP, the main player of the new Korean wave, has been successful in SNS marketing channels. Furthermore, the content of K-pop has attracted the attention of the global audience. The media and public attention on the Korean Wave is meaningful because it is not merely a cultural export. It also makes Korean people feel national pride, seeing the mental influence of its culture on other regions. Moreover, the development of the cultural industry in our society, which is different from industrial or material development, is a proof that Korean society is at the center of globalization. Until the 20th century, Korean culture had been rather receptive than dominant. In other words, it was focused more on acceptance of other cultures than active creation or outflow of its own. Now, however, K-POP is not anymore copying Western culture. It is creating its own unique characters, which makes K-pop very competitive. Korean culture has been formed for a long time in Korea's unique historical background. Korean popular culture also has to establish a solid foothold in world markets through its distinctive and traditional feature. The positive consumer response to Korean pop culture will create the added value of Korean contents and their derivatives, which will heighten Korea's national image also. In other words, if traditional art and K-POP are converged and equipped with our own unique and highly artistic culture, they will take the lead in the global cultural art market. In this study, we will recognize the possibility, growth and development of K-pop culture and analyze the cases of combining K-pop and Korean traditional art. First, we have to blend traditional art and other various genres to create diverse contents, and we have to actively utilize media channels. Second, we must improve people's awareness of the copyrights of traditional art. Also, we have to mitigate the copyrights of creative dance to expand the disclosure of contents which can be utilized. Third, we have to learn about traditional arts from younger age. Fourth, we will expand traditional arts to the whole of Korean cultural policies, which can enhance the nation's cultural value and create economic benefits. These four are expected to be effective ways to preserve the identity of traditional art and at the same time, globalize Korean culture.

• The Journal of the Convergence on Culture Technology
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• v.9 no.6
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• pp.789-793
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• 2023

Evalution of counter drone systems is conducted in order to designate plausible countermeasues against possible drone threats, assess the level of safety of national major facilities and derive complementary measures for detected weakness. Recently drone threats by North Korea have heavily impacted ROK(Republic of Korea) people and it has been stronly stressed to build efficient counter drone system for make the society protected and secured against drone threats. The researchers has conducted field investigations for some of national major facilites. There is, however, no standardized evaluation checklist, so we have proposed an evaluation checklist for counter drone systems though thinking process of RMA(Revolution in Military Affairs). This paper is to introduce the evaluation checklist for properly diagnosing each counter drone system.