• Title/Summary/Keyword: 라틴아메리카 문화

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Cultural Diversity and Repression in Communities: A Study on China and Latin America (공동체에서의 문화 다양성과 억압 -중국과 라틴아메리카를 중심으로-)

  • Kim Dug-sam
    • Journal of the Daesoon Academy of Sciences
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    • v.44
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    • pp.177-212
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    • 2023
  • In this study, discussions of the suppression of cultural diversity in communities was conducted. First, based on the studies conducted so far and recent changes, the oppression that exists between the Chinese government and ethnic minorities was considered. The visible suppression mentioned was the expansion of Han Chinese Mandarin language education, sanctions on minority languages, and the expansion of higher education at the exclusion of minority identities. In terms of 'invisible' oppression, urbanization, urban development with modernization at the forefront, and the use of officials from minority ethnic groups educated by the central government were items that were discussed. Next, the case of Latin America was examined. In particular, attention was paid to the theory of resistance against Europeans and European culture. Based off of the worries and experiences of Latin American intellectuals who have underwent oppression as individuals from culturally diverse backgrounds, a mature theory was formulated that could be used to defend Chinese minorities in the future. There is a specificity to the problem of Chinese minority communities. However, from a large perspective, experience and self-critical exploration in Latin America serve as an opportunity to expand the specificity of Chinese minority communities. Their situation resembles previous situations in Latin America when native cultures were being culturally eroded by Europe. Thus, as Latin American scholars argue, a shift in perception is necessary. In addition to this, in the text, it is likewise necessary to reflect on diversity, freedom, and mutualistic respect. There are proposals advocating for the realization of Heyibutong (和而不同 harmony but not through sameness) based on the situation in China. In the process of this consideration, much thought was given about what the observed communities are like and what a hypothetically desirable community would be like. This extends not only to Chinese minority communities and native residents of Latin America, but also to Asians in the United States and foreigners in Korea. Through this, it is hoped that desirable communities characterized by cultural diversity can be skillfully pursued.

프린팅월드-라팅아메리카 잉크시장

  • Jo, Gap-Jun
    • 프린팅코리아
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    • s.27
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    • pp.126-130
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    • 2004
  • 4억달러 규모로 추산되는 라틴아메리카 잉크시장은 지난 몇 년간 침체에 빠져 있었다. 그러나 최근에는 잉크시장 고객들과 소비 산업 분야들이 점진적으로 활성화되는 미국의 경기 회복 분위기를 따르기 위해 각 국은 안간힘을 쓰고 있었다. 이 지역 이익구조는 브라질과 같은 대형 시장에서의 판매실적에 많이 좌우되었으며 멕시코와 같은 달러화 강세 지역에서의 판매실적은 외국환 감소에 따라 고전을 면치 못하는 측면도 보였다.

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Latin American Native Indian's Feminism in Claudia Llosa's The Milk of Sorrow (La teta asustada) (클라우디아 요사의 <슬픈 모유>에서 나타나는 라틴아메리카 원주민 페미니즘 연구)

  • Choi, Eun-kyung
    • Cross-Cultural Studies
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    • v.43
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    • pp.115-138
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    • 2016
  • The Milk of Sorrow (La teta asustada) (2009) is a Peruvian-Spanish film by a young, female Peruvian director, Claudia Llosa (1976 - ). By applying the theories that feminist and subaltern scholar Gayatri Chakravorty Spivak presents in "Feminism and Critical Theory", the present work questions the ironic term, "Feminism in the Third World" by considering the Latin American context. Would the term refer to the feminism of Native Indian women or white creole women? The present work raises this question via Llosa's The Milk of Sorrow, in which a white creole woman, Aída, takes advantage of a quechua woman, Fausta. Through analysis of this film, this work demonstrates that in the Latin American context, even in a single country, there should be various types of feminism, since what Native Indian women fight against is different from what white creole women fight against. Thus, it insists that feminism in the Third World should develop in a deconstructionist manner, in which each woman has the ability to interpret her own social and political stance. Furthermore, it can be said that cultural appropriation is taking place in the "real" world as well as on the screen: a white creole director, Llosa, is taking advantage of a hot-button issue in our postmodern era, the violation of the human rights of minorities, especially those of Latin American Native Indian women, since Llosa became a success and won many prizes in international film festivals for her work.

The Violence of Neoliberalism Represented in the Works of Eduardo Galeano (에두아르도 갈레아노의 작품에 나타난 신자유주의의 폭력성)

  • Yoo, Wang-Moo
    • Cross-Cultural Studies
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    • v.41
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    • pp.199-227
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    • 2015
  • In the twenty-first century, one of the most controversial issues concerns neoliberal policies and its results. In particular, since the mid-1980s, the United States and international financial institutions have imposed their programs on Latin American countries. The result is a deepening social inequality in Latin America that puts an emphasis on financial stability instead of social security. Consequently, social inequality is worsened and an imbalance in income distribution took place. Because of the flexibility of labor, the middle class is destroyed. For the poor person deprived of the opportunity to rise, violence is a common occurrence in daily life. Thus, in this context, Eduardo Galeano raises the necessity of a critique concerning the values that neoliberalism regards as important. Furthermore, Galeano is also wary of the "militarization of neoliberalism." This is because the neoliberal multinationals motivate a war without borders under the guise of peace. Neo-liberal policies also contribute to environmental pollution. However, environmental vandalism, which happens in partnership with large and international organizations, is not readily apparent to the public because those perpetrators wore a "green mask." Hence, Galeano assiduously endeavors to undercover the false consciousness hiding behind the green mask. Thus, in brief summary, Galeano represents in his works a depiction about Latin America where violence often happens in daily life.

The Concessive Conjunctive Phrase todavía que in Some Areas of Latin America (라틴아메리카 일부 지역에서 사용되는 양보 접속사구 todavía que의 특성)

  • Kwak, Jae-Yong
    • Cross-Cultural Studies
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    • v.46
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    • pp.143-171
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    • 2017
  • In this paper, we present a morphosyntactic and semantic study of the concessive conjunctive phrase [todavía que] in the Andean and River Plate areas of Latin America. Real Academia $Espa{\tilde{n}}ola$(2009) describes that the adverb todavía occurs in a variety of focus-sensitive environments and specially, in the Andean and River Plate areas, the phrase [todavía que] participates in the concessive constructions and triggers an additive interpretation. It is well known that the Quechuan suffix '-raq' and the Aymaran suffix '-raki' have the meaning of todavía which is characterized as a additive particle. Due to the absence of the paratactic relationship between the mentioned Spanish adverb and those indigenous suffixes, the adverb todavía in [todavía que] is used as a additive focalizer. We assume that these morphosyntactic and semantic properties are derived from the language contact of Quechua-Spanish and Aymara Spanish. Based on this assumption, we will further assume that the etymological peculiarity of todavía as a universal quantifier is closely related to the reading of [todavía que] as a Scalar Additive Concessive Conjunctive Phrase.

La época de la independencia de América latina y los roles de las mujeres (라틴아메리카 독립 시기와 여성의 역할)

  • LEE, Seong hun
    • Cross-Cultural Studies
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    • v.34
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    • pp.285-306
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    • 2014
  • La historia sobre la ${\acute{e}}poca$ de la independencia y la $formac{\acute{o}}n$ de las naciones latinoamericanas enfatiza sobre todo los roles de los hombres y $espor\acute{a}dicamente$ de las mujeres. Se han considerado directrices las acciones de algunos criollos de esa epoca como $Sim{\acute{o}}n$ Bolivar y San Martín. La historiografía masculina-$c{\acute{e}}ntrica$ $est{\acute{a}}$ ignorando y marginando las luchas y los sacrificios de las mujeres que participaron en la independencia y la $formac{\acute{o}}n$ de las naciones. Por tanto, es preciso realizar una crítica a los procesos que han mantenido la tendencia machista, uno de ellos es porque no se han desatendido concepciones y cosmovisiones sobre el $g{\acute{e}}nero$. En fin, esta tendencia es porque no se ha superado la herencia colonial de manera crítica. En este contexto, este artículo intenta investigar los cambios sobre los puntos de vista y la manera de ver a las mujeres y sus actividades durante la ${\acute{e}}poca$ de la independencia. Puesto que las mujeres han sido consideradas como objetos que ocupan un espacio secundario en $comparaci{\acute{o}}n$ a los roles de los criollos. Este estudio pretende configurar nuevos puntos de vista para reestructurar nuestro enfoque tradicional sobre la independencia y las formaciones de las naciones latinoamericanas para poner en evidencia los roles de las mujeres en la historia.

확대 서평-로넌 지음 "세계과학문명사 I.II"를 읽고

  • Song, Sang-Yong
    • The Korean Publising Journal, Monthly
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    • s.232
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    • pp.29-29
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    • 1998
  • 이 책은 우선 고대과학을 중동.라틴 아메리카.그리스.중국.인도로 나눈 다음 고대부터 20세기까지의 과학을 개관하고 있다. 서술방식은 과학자의 전기 또는 분야 중심으로 되어 있다. 그러나 많은 자료를 나열했을 뿐 해석은 별로 없고 일관된 흐름을 잡지 못했다.

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A Study on the Effect of the Portrayal of Body Image of Women in Advertisement in Korea and Latin America (한국과 라틴 아메리카에서의 여성의 신체 이미지 묘사가 광고 효과에 미치는 영향에 관한 연구)

  • Gongora Astete, Francisca Paz;Kim, Boyeun
    • Journal of Digital Convergence
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    • v.16 no.7
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    • pp.369-379
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    • 2018
  • The current study started from the constant internal fight women usually have due to the portrayal of women in advertisement in different socio-cultural backgrounds, a comparison between Latin America and South Korea was held to find the different approaches. And also test the effects of an overwhelming movement that is looking to change history and change the perception of images of constructed beauty and unattainable physical standards called The Body Positivity Movement, using the examples of prominent brands like Dove and Victoria's Secret's advertisements and the AIDA model as the instrument. Male and female in their 30's from South Korea and Latin America have been interviewed to show the differences of opinions.