• Proceedings of the KAIS Fall Conference
• /
• 2009.05a
• /
• pp.65-67
• /
• 2009

본 논문에서는 최근 업데이트 된 신규 사이트들의 RIA 패러다임에 대해 고찰해 보고 향 후 이러한 패러다임이 계속 될 것을 예측해 보았다. RIA로 인해 HTML 방식의 웹 사이트 디자인 구조의 한계를 극복하고 다양한 아이덴티티를 가진 웹 사이트들이 등장했지만 그로 인해 사용자들의 신규 학습에 의한 인지 과부하와 과도한 네비게이션의 변화로 인한 방향 상실감을 예측할 수 있었으며 향 후 이러한 문제들을 개선하기 위해서는 규칙적인 네비게이션 시스템과 명확한 레이블링이 필요하다는 것을 제언하였다.

• Journal of The Korean Digital Architecture Interior Association
• /
• v.10 no.1
• /
• pp.5-14
• /
• 2010

The change in the social paradigm has been directly reflected in design. Throughout the conversion of design paradigm based on ecological paradigm, ecological design and green design make it possible to sustain society and improve the quality of human life. Also, the conversion of design paradigm mean that it changed from Male-identified and Male-dominated design to feminism design, which emphasizes femininity. Because the characteristic of ecological design and feminism design can be understood in the same context. Feminism design is not the kind of design that embodies the stereotype of social gender but the design that reflects the femininity which can be conferred as emotional, intuitional, mutual, sharing, organic and natural. If the result of design recognizes the diversities and differences of the users -based on the female users' experiences and knowledge- and if the need and the requirement of the design are useful enough, through the unity with human environment and harmonious participation, Eco-design and Feminism design will use their abilities to sustain the society and to enhance the quality of human life.

• Journal of the HCI Society of Korea
• /
• v.12 no.4
• /
• pp.17-25
• /
• 2017

From the vehicle-human interaction perspective, this study investigated the effect of experiential marketing paradigm which considers user experience as main value. We conducted an experiment to compare traditional marketing and experience marketing messages with the smart cruise control and the smart trunk in the context of driving and non-driving context. As a result of the analysis, experience marketing message had higher overall satisfaction than traditional message exposure. Usefulness, usability, and emotion were partially influenced by experience marketing message. The contribution of this study is that the experiential marketing paradigm was applied to automobile UX and practically demonstrated the value of experience design of smart automobile system.

• Journal of the Korea Fashion and Costume Design Association
• /
• v.13 no.3
• /
• pp.55-67
• /
• 2011

The purpose of this study is exploring the expressional characteristics of organic fashion design different from the past by analyzing the expressional characteristics of organic fashion design dependent on the digital paradigm and simultaneously suggesting the theoretical data required to understand the changing trend of organic design in relation to the paradigm of the age. The results of the research is as follows; The expressional characteristics of organic fashion design according to the digital age appeared to have same aspects. Pluralism respecting multi-culture, hybrid of multi-meaning image, circulation that can consistently circulated, non-hierarchical post-structure, de-boundary through dissolution of genres, digital nomad considering mobility, human centered through significant sensitivity, de-materialization of assimilation between reality and non-reality, conceptualization given the concept of designer, technology combining with digital technology. This study found that organic fashion design in the digital age has the same conceptual context as periodical paradigm freely circulating consistently by organically combining each individual. This can be understood as the trend of design implied in conceptual context that organic fashion design requires periodical paradigm.

• Korean Institute of Interior Design Journal
• /
• v.21 no.3
• /
• pp.76-86
• /
• 2012

21st century has different characters from 20th century which was an era of machine and rationality based on the industrial revolution. With the advent of the digital revolution, it became an era of pluralism, culture, and emotion. The digital technology made it possible to connect the whole world together in real time and brought about the entirely new notion of time and space. It also dramatically altered the world view. Now we have a different set of social and cultural values from the past. This paper researched the influences of these social and cultural changes on public designs. The leading trends of public designs were analyzed and the successful cases were studied. The main research methodologies were the document review and the instrumental case study. The major social & cultural paradigms of a present era were classified as 'pluralism', 'digital & information revolution', 'human-centered value (against machine-centered value of 20th century)', and 'organic world view'. Each of the classified paradigms was analyzed more to find out the influences on the various trends of public designs. 'Pluralism' has influence on 'experiential public design', 'community art', and 'public design of local values'. 'Digital & information revolution' has influence on 'content-centered public design', 'smart public design', 'immaterial public design', and 'performance in public design'. 'Human-centered value' has influence on 'universal design approach in public design', and 'emotional public design'. 'Organic world view' has influence on 'sustainable public design', and 'ecological public design'.

• Archives of design research
• /
• v.20
• /
• pp.135-144
• /
• 1997

Italian industrial design influences strong impression worldwidely by their identity of free style, unique and artistic character, and get a very important status in aspect of the history of design and economy. Also, italy has many common feature with Korea in the geographic back- ground, character of history, culture, and nationality that is well-oriented by emotion, and it seems to be formed a valuable study. This study is based on the book 'Italian Design Through Generations' by kazuko Sato and tried to examine the character of Italian design by searching history, exam- ples, representative designers and enterprises of Italy, and to draw some lesson from it for establishiment identity of Korean design by reflecting to the origin character of Korea. Also, this study aims to inspect change of the civilization paradigm which is entering new aspect, and to suggest an ablity of our origin character and direction of the development.

• Korean Architects
• /
• no.11 s.283
• /
• pp.52-61
• /
• 1992

• Proceedings of the Korea Society of Design Studies Conference
• /
• 2002.05b
• /
• pp.128-129
• /
• 2002

• Proceedings of the Korea Society of Design Studies Conference
• /
• 2001.05a
• /
• pp.90-91
• /
• 2001

• Proceedings of the Korea Society of Design Studies Conference
• /
• 2005.05a
• /
• pp.246-247
• /
• 2005