• Title, Summary, Keyword: 디자인 특성

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A Study on the Research of Special Quality of Italian Furniture Industry (이태리 가구 산업의 특성에 관한 연구)

  • 박영희
    • Archives of design research
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    • no.18
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    • pp.99-110
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    • 1996
  • For the purpose of sped fying the character of Italian furniture industry, it's very important to analyse environmental aspects, in other word s, infrastructure of the furniture industry. These conditions that regional si tuation and circumstances, small and medium size of company depending upon the fami Iy oriented craftsman ship, roles of producers who are very keen on technical innovation and improvement, distribu tion structure and production status etc, are important factors to understand environmental characters of the furniture industry. Moreover, existence of various design languges according to design activities by architects un der that industrial structure is also regarded as the characters of that furniture industry. Through understanding the characters of Italian furniture industry and the drivig force of the growth, I would I ike to propose a role model for our domestic furniture industry.

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A Study on the Specific Expression in the Design of Andrea Branzi (안드레아 브란찌의 디자인 표현 특성에 관한 연구)

  • 한영호;이은화
    • Korean Institute of Interior Design Journal
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    • v.13 no.3
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    • pp.3-10
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    • 2004
  • Modern society is indefinable and constantly changes like nature changes. It uses design to create new experiments and trend within social environment and culture. In the history of interior architecture and postmodernism, the Italian design movement of Archizoom, Studio Alchimia and Memphis are very important, and Andrea Branzi was the central figure of this design movement. His experimental and defiant works throughout this design movement produced design with combination, indefiniteness, sustentation, and reiteration. Designers must recreate themselves continually and need to have constant experimental spirit and attempts. From this point of view, the study on Andrea Branzi who led Italian design revolution with various experiments and attempts is valuable, and it will help to find the direction of design in this modern social and cultural environment.

A study on the experimental fabrication and analysis of power IGBT (Power IGBT의 개발에 관한 연구)

  • 성만영;김영식;박정훈;박성희
    • Electrical & Electronic Materials
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    • v.6 no.3
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    • pp.261-268
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    • 1993
  • LIGBT의 전압-전류 특성을 디자인 파라미터와 공정 파라미터를 포함한 SPICE Simulation으로 확인하였다. 중요한 파라미터는 p-body와 n$^{-}$층 그리고 p$^{+}$ 애노드로 구성된 pnp bipolar transistor의 수평전류이득이었다. 이 전류 이득은 Ebers-Moll등식으로 얻었다. LIGBT의 On 저항은 채절 저항(R$_{E}$ )과 인가된 게이트 전압에 종속되는 유효 벌크 저항(R2)으로 구성되며 On 저항의 해석과 모델링은 디바이스의 디자인 조건을 최적화하기 위해서 기하학적 구조와 도핑 프로파일에 따른 물리적 특성으로부터 전개하여 특성해석을 위한 모델링을 실시하여 제시하였다.

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A Study on the Relation of Visual Information Character and Design Alternatives (시각적 정보의 특성이 디자인대안에 미치는 영향에 관한 연구)

  • 오해춘
    • Archives of design research
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    • v.15 no.2
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    • pp.81-90
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    • 2002
  • Designer creates new design alternatives using acquisition of visual information in design process. Which is more effectiveness to acquire in directive visual information or in-directive visual information\ulcorner In this research we would like to find out that the relation of character in visual information and design alternatives. So to A subjects, we give them to see directive visual information to make visual mental imagery, to B subjects, we give them to see in-directive visual information to make it. In this experiment they must crate telephone design. C subjects must evaluate this design alternatives by questions composing scale in distinction and elegant. After a experimentation, It is true that we make hypothesis that distinct two subjects in distinction and elegant. Though elegant is opposite with hypothesis. So to make elegant design. it is import to concentrate cognitive ability. Accordingly it proves that in-directive visual information is effective for new type design stage in design process and directive visual information is effective for new style design stage in design process.

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A Study on the Characteristics of Information Design in Multimedia Design (멀티미디어디자인에서 정보디자인 특성에 관한 연구)

  • 류시천
    • Archives of design research
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    • v.17 no.1
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    • pp.63-76
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    • 2004
  • Although information design principles had originated from the graphic design field including publishing design in 1970s, information design have taken one of the most important positions in multimedia design fields as the present since Richard Saul Wurmn started his researches on information design and its practical application on internet environments. However, relatively little researches have been performed for building identity of information design in multimedia design fields so far and moreover in some cases, information design is likely to be narrowly viewed as 'the representation of a piece of information and its visualization' which was defined in traditional graphic design field. This research circumstance leads the study to investigate characteristics of information design in current multimedia design with contingent perspective which is compared to the traditional information design. The study results suggest 5 characteristics of information design including 'suggesting context & finding out information hierarchy', 'access of integrated consideration & share of information control', 'using of multi-dimensional media & content first', 'stabilization of information quality & combinational understanding of meaning', 'bilateral information representation & user's knowledge expansion'. Future researches, based on the results of the study, are expected to be expanded to a degree with argument for inter-dependent and/or exclusive characteristics of adjacent fields of information design such as interface design, interaction design and experience design.

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A STUDY ON THE DEVELOPMENT OF DESIGN TO THE EXTRACT OF TRADITIONAL SHAPE ELEMENT (전통적 조형의 창출을 통한 디자인 개발에 관한 연구)

  • 이상락;홍정표
    • Proceedings of the Korean Society for Emotion and Sensibility Conference
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    • pp.81-87
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    • 1999
  • 본 연구의 목적은 전통적 조형요소의 이해를 통하여 한국적 조형의 특성을 파악하고 효율적으로 디자인에 적용시킴으로써 차별화 된 제품개발을 하는데 있어 조형언어의 창출을 모색하는데 있다. 이를 위하여 전통도구들의 물적 특성을 통하여 우리의 환경과 삶의 태도에서 베어난 우리 고유의 도구에 대한 사고와 조형방법등에 대한 특질과 가치를 발견하고, 이를 바탕으로 우리만의 차별화된 디자인의 가능성과 방향성을 찾아보고자 하였다. 연구범위는 조선시대 일반서민들의 생활에서 사용되었던 도구를 그 대상으로 하였으며 전통제품들의 예시를 통하여 한국적인 조형성의 특징을 파악하였는데 이는 비교적 자료수집 등 연구가 용이하기 때문이다. 연구방법은 국내에서 출간된 관련서적과 사진 자료 및 그 동안 연구되어 왔던 각종 연구보고서, 각 대학의 디자인 관련학과에서 진행되어 온 컨셉츄얼 디자인(본 연구에서 설정된 조형적 적용방법과 같은 내용으로 디자인작업을 수행해온)을 토대로 하였다.

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