• Proceedings of the KAIS Fall Conference
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• 2012.05a
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• pp.193-196
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• 2012

조용필은 가수로서 대한민국 가요계의 살아있는 역사, 전설, 가왕, 국민가수 등의 여러 호칭으로 불리며 한국의 대중음악을 크게 발전시킨 인물로 평가 되고 있다. 그의 음악적 능력은 가수로서 뿐만이 아니라 1980년대에 우리 대중음악사에서 가장 뛰어난 작곡가이자 편곡가이기도 했다. 그로 인해 우리 대중음악의 음악적인 스펙트럼을 확장시키고 이후 우리 대중음악의 편곡에 지대한 영향을 미친 인물이다. 본 논문은 조용필의 음악적인 색채가 본격적으로 구축된 것으로 평가받는 3집과 4집의 음악에 나타난 그의 편곡 테크닉을 중심으로 분석해 보고, 아울러 우리 대중음악에 끼친 영향에 대해 알아보는 논문이다.

• Asia-Pacific Journal of Business Venturing and Entrepreneurship
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• v.10 no.1
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• pp.23-31
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• 2015

The purpose of this study is to find the factors of the box office record in Korean popular music. For this purpose, 1.239 musics were selected in the Gaon digital weekly album chart from second week July 2013 to first week July 2014. The result can be summarized as follows: First, entertainment of music company, distribution of music company, singer, OST(Original Sound Track), television show, SNS and high ranking in the first week of its release are the factors of the box office record in Korean popular music. Second, entertainment of a large number of music production company is more effective than the others, but there is no difference in the case of distribution music company. Third, musics of singers who have large number of music ranked Gaon digital chart and appearance of television show program are effective in the box office record in Korean popular music. Fourth, SNS are great factors to promote Korean popular music. Fifth, it is important to rank high position in the first week of its release.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.18 no.2
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• pp.383-389
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• 2017

This study assesses the necessity of popular music instructor training, and promotes the establishment of popular music educational institutions and certification related to applied music education. Popular music has profound influence in popular culture, and is gradually diversifying. However, successful singers predominantly remain mostly boy/girl performance groups lacking musical skills. This study posits the cause of this problem is the absence of popular music instructor training systems, and suggests solutions. Currently, Korea's popular music lacks a public education system that teaches students effectively. Also, popular music is acknowledged as field-oriented, and isn't recognized for its academic value. Lastly, the lack of professional instructor training system in higher educational institutions creates challenges in fostering effective teachers. Solutions to these problems include establishing dedicated educational institutions and establishing certification programs. Implementing these solutions will provide significant positive effects in developing globalization for the currently stagnant K-pop industry. In addition, these solutions would contribute to the stabilization of the popular music industry, enhancing the image, and developing the popular music industry in general. In conclusion, this study promotes the popular music industry development by influencing and promoting awareness of music professionals, not just applied music students.

• Korean Journal of Culture and Social Issue
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• v.26 no.3
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• pp.221-257
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• 2020

This study examined whether popular music lyrics, the new research topic, reflect changes in Koreans' cultural orientation and whether individuals' cultural orientation is related to the genre of popular music that they prefer. In Study 1, we content analyzed popular music lyrics from 1980 to 2018 to see if Koreans' cultural orientations changed over time. The analysis showed that as the release dates approached the 2010s, the lyrics expressed the ideal attitudes of individualist cultures more frequently than those of collectivist cultures; this suggests that Koreans have gradually become more individualistic over time. In Study 2, we examined the relationships between individuals' cultural orientations, preferences for various genres of popular music, and functions of music. The analysis showed that people with more collectivistic attitudes tended to prefer mid- and low-arousal music, such as Ballads and Rap/Hiphop, while those with less collectivistic attitudes preferred high-arousal music, such as Rock/Metal. This result is partly consistent with the hypothesis that collectivistic people would prefer lower to higher arousal music. In addition, our analysis showed the strongest positive relationship between collectivism and the social function of music; this result can be interpreted as indicating that collectivistic people use music to maintain good interpersonal relationships. This paper concludes by discussing the implications of these findings, the limitations of this study, and directions for further research.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.19 no.12
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• pp.212-217
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• 2018

Shin Hae-Chul's music opened a new horizon in the Korean pop music market where only popular music is produced and the music of a similar genre or pattern is mainstream, which has dissolved the complaints of the public who longed for new music. He experimented with his musical potential every time he released his work, which received favorable reviews in that he raised the level of Korean pop music. To solve the unstable factors in today's pop music, it is important to appeal to the public by capturing quality work through continued studies and creative activities. In that context, the attitude of "Next" is led by the late Shin Hae-Chul, and his qualities as an artist greatly contributed to the development of Korean pop music. This indicates that if musicians strive to develop themselves, and strengthen their creative ability to make bold and new attempts, Korean pop music will lead to another fashionable "K-pop" and will open up a new horizon.

• Proceedings of the KAIS Fall Conference
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• 2011.05b
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• pp.622-625
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• 2011

1960년대 한국의 대중음악은 미국을 중심으로 한 서구음악의 유입과 음악 감상실의 유행, 방송국 개국 등의 많은 환경적 변화를 통하여 크게 발전하였다. 1960년대 초반에는 서양식 유행가와 일본식 유행가라는 2가지 장르의 가요가 인기를 끌었고, 1960년대 후반에는 로큰롤, 록, 소울, 포크에 이르기까지 다양한 장르의 음악이 고르게 성장했다. 본 연구는 1960년대 음악적 사회적 환경의 변화와 당시 유행했던 곡들을 중심으로 다양한 가요장르의발전에 대해 살펴보는 연구이다.

• Proceedings of the KAIS Fall Conference
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• 2010.11b
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• pp.521-522
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• 2010

2000년대에 들어와서 대한민국의 대중음악은 소위 '퓨전(fusion)', '월드뮤직(world music)', '크로스오버(cross over)' 등등의 이름으로 여러 가지의 악기와 장르를 혼합하여 만들어지는 작품이 무수히 많이 쏟아져 나오고 있다. 그중에서도 특히 두드러지게 많이 눈이 띠는 작품은 역시 한국의 국악과 서양의 대중음악과의 혼합 이다. 서로의 음악이 혼합하여 너무 잘 어우러 질수 있다는 발견이라기 보단, 자칫 소재의 빈곤으로 그 음악이 그 음악이라는 현대 대중음악의 한계에서 탈출과, 우리만의 독창성을 표현하고자 하는데서 그 원인을 찾을 수 있겠다. 본 논문은 그러한 맥락에서 탄생한 퓨전 록 밴드 "고스트윈드(GOSTWIND)"의 첫 번째 앨범 <10,000 Years Ago> 의 대표곡 "Fire Bird(불새)"를 연구, 분석하여 한국최초의 국악과 록음악의 혼합을 고찰해본다.

• Journal of the Korea Society for Simulation
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• v.26 no.4
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• pp.23-34
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• 2017

During Khmer Rouge Regime, Cambodian pop music was completely forgotten since 90% of artists were killed. After recovering from war since 1979, the music started to grow again in 1990. However, Cambodian popular music dynamic and flows are observably directed by the multifaceted socioeconomic, political and creative forces. The major problems are the plagiarism and piracy which have been prevailing for years in the industry. Recently, the consciousness of the need to preserve Khmer original songs from both fans and artist have been increased and become a new trend for Cambodia young population. Still, the music quality is in the limit state. To increase the mind-set, the feedbacks and inspiration are needed. The study suggested a music ranking website using sentiment analysis which data were collected from Production Companies Facebook Pages' posts and comments. The study proposed an algorithm which translates from Khmer to English, doing sentiment analysis and generate the ranking. The result showed 80% accuracy of translation and sentiment analysis on the proposed system. The songs that rank high in the system are the songs which are original and fit the occasion in Cambodia. With the proposed ranking algorithm, it would help to increase the competitive advantage of the musical productions as well as to encourage the producers to compose the new songs which fit the particular activities and event.

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.95-96
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• 2014

대중음악에서의 가사는 인간의 감정을 전달하는 하나의 감성 표현으로 음악 요소와 서로 밀접한 관련이 있다. 인간이 느끼는 감정 상태에 따라 음악을 선택하는 기준이 달라지며, 이러한 선택은 음악의 선호도와 유행에 민감한 영향을 미친다. 본 연구는 신나는 이라는 감성을 중심으로 가사와 템포, 조성, 화성진행, 전조 등의 음악 요소를 분석하고 감정에 따른 가사와 음악요소의 비교분석을 통하여 음악과 인간의 감성과의 상관관계를 연구하고자 한다.

• The Journal of the Korea Contents Association
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• v.8 no.6
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• pp.140-150
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• 2008

This study examines the economic ripple effect of Korean wave(Hallyu). Specifically, this study tries to investigate how the satisfaction of Korean popular music among Chinese college students affects the purchase intention for Korean culture products such as Korea tour, the Korean language, and Korean martial art(Taekwondo). These products are not directly related to the Korean popular music. Results show that the overall satisfaction of Korean popular music leads to the preference for Korean popular music, which in turn improves the liking of Korean wave(Hallyu), the liking of Korea, and the purchase intention for Korean culture products. It is also found that the liking of Korean wave(Hallyu) affects the purchase intention for Korean culture products, which is mediated by the liking of Korea. However, the positive relationship between the liking of Korea and the purchase intention for Korean culture products is shown marginally significant.