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경제환경의 변화와 과학기술 정책의 과제

  • Baek, Yeong-Hun
    • The Science & Technology
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    • v.12 no.9 s.124
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    • pp.8-13
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    • 1979
  • 한국과학기술단체총연합회(회장 민관식)는 17~19 일 3일간 대관령 주화세미나장에서 제 1회 연구관현세미나를 개최했다. 이번 세미나에서는 최종완 과기처장관 안세희 과부회장 19개 국공립 연구소장과 과기처 과학기술심의관 37명이 참석, 공공연구소의 합리적인 경영과 능률적인 관리를 위한 주제발표가 있었다. 다음은 주제 발표문 내용이다.

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농촌 어메니티자원을 활용한 마을테마 개발 사례 -군산, 산청 농촌전통테마마을을 대상으로-

  • 김혜민;조순재;나장원;최혜성;이부현
    • Proceedings of the Korean Society of Community Living Science Conference
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    • 2004.05a
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    • pp.178-178
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    • 2004
  • 현재 국민의 여가활동 패턴변화와 주5일 근무제 도입 등으로 전통문화, 자연체험 기회제공의 장으로서 농촌이 재인식되고 있으며, 농촌전통테마마을사업(농촌진흥청) 등 농촌지역 부존자원의 잠재서비스 개발ㆍ연출 및 농촌마을만이 가진 다양한 가치 발굴, 이를 자원으로 활용한 마을 활성화 관련 정책 및 프로그램이 추진되고 있다. 이때 농촌마을 부존자원의 다양한 부가가치 개발을 통해 지역경제 활성화의 수단이자 공동체 활성화 수단으로서의 가치를 새롭게 인식하는 것이 중요하다. (중략)

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IOCP model server performance test linked with Unreal Client (언리얼 클라이언트를 연동한 IOCP모델서버 성능 테스트)

  • Na, Jang-Ho;Kim, Hye-Young;Oh, Sung-Hyun
    • Proceedings of the Korea Information Processing Society Conference
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    • 2020.11a
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    • pp.694-697
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    • 2020
  • 본 논문은 언리얼 엔진에서 제공하는 Dedicated server를 사용하지 않고 자체적으로 제작한 IOCP모델 서버를 구축하고, 이를 언리얼 클라이언트와 MySQL데이터베이스에 연동하여, 완성된 서버의 성능 테스트를 진행한 결과를 보였다.

A Study on the Official Uniform of Najang from the Late - Joseon Dynasty, with Focus on the Relic Collections in Leipzig Grassi Museum, Germany - (조선 말기 나장복에 관한 연구 - 독일 라이프치히그라시민속박물관 소장 유물을 중심으로 -)

  • Park, Yoon-Mee;Lim, So-Yeon
    • Journal of the Korean Society of Costume
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    • v.66 no.1
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    • pp.1-12
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    • 2016
  • Najang was the central Seori, affiliated to the Ministry of War during the Joseon dynasty. The objective of this study is to research the existing authentic Najang costumes from the late-Joseon dynasty by examining factors, such as the composition of the costume, size, and method of creation, and attempt to replicate it. The Leipzig Grassi Museum in Germany possesses an official uniform of Najang from the late-Joseon dynasty, and we visited the museum in May of 2013 to examine it for the study. Written records, or Uigwe, and other pictorial data from the Joseon Dynastry describe the Najang wearing black or navy clothing with white decoration and pointy hats. The most notable characteristic of the Najang uniform is that it has the cotton cords pattern. The hat has a brass ball attached, which was worn with the ball facing the front in the early Joseon Dynasty, and was worn facing the back in the later years. They usually wore black head cloths (Heuk-geon), but would attach feathers on the black hats (Heuk-rip) for special occasions. The Najang uniform preserved in the Leipsiz Grassi Muesim does not exist in Korea. It is made of cotton. The cotton cord pattern of the uniform of Najang was made using single-ply cords and double-ply cords. The hat worn by Najang is in a form of a cone that becomes narrower towards the top or is in a form with wide and open end. It was made of oiled paper covered with hemp, and two circular metal disks were attatched at the rear.

A Study on the Costumes of the Characters of Higyongru Banghwoedo (<희경루방회도(喜慶樓榜會圖)> 속 인물들의 복식 고찰)

  • Bae, Jin-Hee;Lee, Eun-Joo
    • Korean Journal of Heritage: History & Science
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    • v.51 no.4
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    • pp.44-65
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    • 2018
  • This study examined the costumes of the characters in the painting titled Hig yongru Banghwoedo, which was designated as National Treasure No. 1879 in September 2015, and is currently kept in the Dongguk University Museum. The painting depicts a social gathering of Joseon aristocrats held at the higyongru, or watch tower, of the Gwangjumok, a government office, in 1567. It is characterized by the delicate illustration of the government officials, the main characters of the gathering, and the hyangri, ajeon, najang, chorye, akgong, and yeogi, the lower-class employees of the office. In order to investigate the costumes they wore, diverse materials including literature, costume artifacts, and paintings were used as reference sources. The scope of the study was limited to the characters' headdress and gown, and the accessories attached to the former. The study of men's clothing revealed that officials wore a samo and a red dalryeong as basic attire. In addition, it is presumed that they wore a belt indicating their official rank in the hierarchy, and a pair of black shoes. Retired officials wore a heuklip wrapped in horsehair or silk fabric with a red jing-nyeong and a doah. The hyangri wore a heukjukbanglip on their head, as well as a white jing-nyeong and a belted doah. In the Goryeo period, the banglip was a type of official headdress worn by members of the aristocratic elite ranked immediately below the king, but in Joseon it was demoted as the official headgear of the hyangri class, which was confirmed through Higyongru Banghwoedo. The ajeon wore a heuklip on their head, and a white jing-nyeong and a doah at the waist. As a rule, the najang wore a chogun on the head, and a banbieui on cheolrik and chungmokdai, but the najang in Higyongru Banghwoedo are depicted wearing a chogun and a cheolrik without a banbieui. Also, the chorye wore a heuklip wrapped in hemp cloth with a red cheolrik, whereas the akgong wore a somoja and a red cheolrik. Female entertainers, both adults and children, are depicted in the painting as either serving the aristocrats, dancing, or playing a musical instrument, wearing their hair in a voluminous, round, high bun, and dressed in a red daiyo, a hwangjangsam with a straight or reclined collar, and a belt. Notably, the donggi, i.e. young gisaeng, are shown wearing their hair in two short braids, and ddressed in a red gown with a y-shaped collar, or po.