• 복식문화연구
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• 제14권2호
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• pp.247-259
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• 2006

This studies on images of black dress was based on reference to literatures and valid investigations. The images toward black clothing are categorized by study participants' perceptions according to sex, age, marital status, education, and residential area. The result was as followed. Terminologies used to describe images of black apparel were collected and studied. They are assorted as dignity, feminine, modern, sexy, abstinence and sorrow. The result based on sex shows that females perceive more on images of feminine, dignity and modern, but perceive less on images of abstinence compare to male participants' response. The result based on age shows that with increase in age, participants perceive more on images of abstinence, sexy and sorrow. The result based on marital status shows that singles perceive more on images of modern, but perceive less on images of abstinence and sexy compare to married participants' response. The result based on education shows that with higher degree of education, participants perceive more on images of dignity , modern and abstinence. The result based on residential area shows that participants from bigger cities such as Seoul and Kyung-Ki Do perceived more on images of dignity and modern.

• 한국표면공학회지
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• 제16권4호
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• pp.160-172
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• 1983

티오요소류, 폴리에테르류, 염료와 같은 유기화합물이 첨가된 황산동 전기도금욕에서 석출된 구리의 광택, 평활력효과를 무첨가욕과 기존 광택제가 첨가된 도금욕에서와 각각 비교하여 이들 유기첨가제가 구리의 석출상태와 음극분극에 미치는 영향을 Hull cell 실험과 현미경관찰, 전기화학적 측정방법에 의해 고찰하였다. 황산동 전기도금욕에서 thiourea, 2-mercapto-2-imidazoline, 1-acetyl-2-thiourea와 같은 유기 황화합물은 비교적 고전류 밀도 범위에서 결정성장이 억제되고 입자가 미세한 구리석출을 일으켜 양호한 광택효과와 평활력을 가져오나, 특히 저전류밀도에서는 해로운 줄무늬가 발생한다는 점에서 많은 개선의 여지가 필요하다. 그러나 이들 유기 황화합물에 1,3-dioxolane polymer와 소량의 염소 이온을 혼합 첨가할 것 같으며 넓은 전류밀도 범위에서 양호한 광택과 평활력이 있는 동석출을 얻을 수 있었다.

• 철학연구
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• 제137권
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• pp.323-356
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• 2016

삶을 의지현상으로 해석하는 쇼펜하우어의 철학은 니체의 철학에 많은 영향을 주었다. 그러나 삶의 가치에 대한 문제에서 니체는 쇼펜하우어를 비판한다. 맹목적인 삶에의 의지가 가져오는 고통 때문에 궁극적으로 삶에의 의지를 전적으로 부정하는 쇼펜하우어의 입장을 니체는 받아들이지 않는다. 니체는 모든 존재를 이끌어가는 것은 삶에 대한 적극적인 긍정을 의미하는 힘에의 의지(Wille zur Macht)이기 때문이다. 물론 쇼펜하우어와 니체의 철학은 이성에 대한 적극적인 신뢰에서 추상적인 개념을 통해서 인간의 삶과 세계를 묘사하려는 전통철학에 대해서 비판적이라는 점에서 긴밀한 철학적 연대를 형성하고 있다. 그러나 삶의 가치에 대한 해석은 이들을 각자의 길로 걷게 만든다. 특히 니체는 도덕의 문제와 관련하여 쇼펜하우어의 입장을 비판한다. 계보학적 사유를 통해서 도덕의 기원과 인간의 도덕감정을 분석하는 니체는 동정심(Mitleid)을 도덕의 토대로 설정하는 쇼펜하우어에 대해서 원한감정(Ressentiment)을 도덕의 출발점으로 설정한다. 니체는 나약한 노예계급이 강자에 대한 원한감정 속에서 강자를 극복하기 위한 방편으로 선과 악의 개념을 만들어냈으며, 여기에서 도덕의 가치는 허구적인 기원을 갖는다고 지적한다. 니체의 이러한 해석은 도덕의 가치를 해체하며, 이러한 형태의 도덕가치는 결코 삶의 의미들을 구축할 수 없다고 지적한다. 특히 이러한 도덕의 이상이 금욕적 이상과 연결될 때 그 위험성을 증가한다는 것이 니체의 지적이다. 니체는 이러한 금욕적 이상의 대표자로 쇼펜하우어의 도덕을 언급하는데, 이러한 금욕적 이상은 도덕의 가치가 어떤 식으로든 삶의 긍정을 의미해야 한다고 보는 니체의 입장에서는 해체되어야 할 것이다. 이 논문에서는 도덕개념을 중심으로 쇼펜하우어철학에 니체의 비판이 지닌 특징들과 문제점들에 대해서 고찰하도록 한다.

• 한국표면공학회:학술대회논문집
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• 한국표면공학회 2016년도 추계학술대회 논문집
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• pp.154-154
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• 2016

다공성 수지상 구리분말은 그 구조적 특성으로 인해 다양한 촉매 분야에 사용되어왔으며, 본 연구에서는 전해도 금욕의 종류에 따라 수지상 구리의 표면적 특성에 대해 연구하였다. 도금욕의 종류($CuSO_4$, $CuCl_2$, $Cu_2P_2O_7$), 인가 전위, 도금시간(1, 5, 10, 30min)에 따른 수지상 형상을 비교하였다. SEM 이미지 분석 결과 황산구리와 염화구리 도금용액에서는 plate-like dendrite 형상이 관찰되었으며, 피로인산구리 도금용액에서는 needle-like dendrite 형상이 관찰되었다. 정전위 실험결과 도금용액별 한계전류밀도에서 음(-)의 방향으로 100mV 낮은 지점의 인가 전위 및 도금시간 10분에서 3가지 용액 모두 가장 미세한 수지상 입자가 관찰되었다. 도금용액별 겉보기 밀도 및 BET 비표면적을 측정해본 결과 미세한 수지상일수록 겉보기밀도는 낮게 비표면적은 크게 측정되었다. 가장 낮은 겉보기 밀도와 가장 높은 BET 비표면적을 가지는 용액은 염화구리 도금용액이었으며 그 값은 $0.951g/cm^3$, $1.8052m^2/g$이었다.

• 한국의상디자인학회지
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• 제9권2호
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• pp.1-13
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• 2007

Black has played a more important role in the history of fashion than other colors. In general, black was regarded as a color of negative images. However, as people have recognized the aesthetic value of black color, they have expressed unique and various images of black through the medium of clothes. This study was based on both theory research and actual survey, where survey sheets were distributed to collect data. For data analysis, SPSS 10.0, a statistics software, was used, and frequency, pecentage, t-test, ANOVA test, and Duncan test were adopted and analyzed. The survey was conducted on 608 men over 20 in Seoul, Gyeonggi Province, Gangwon Province, and other areas for two months from May 20, 2005 to July 25, 2005. The analysis showed the following results. First, Dignity was the mostly cited image of black color among men followed by modernity, sorrow, feminineness, abstinence, and sensuality. Second, Men showed different responses according to their age. In sum, men more strongly recognize abstinence and sensuality in black dress as they become older. Marital status significantly affected men's recognition of black dress in terms of abstinence and sensuality. Abstinence was more strongly recognized by married men than single men. In addition, married men pointed out sensuality of black dress more frequently than single men. In short, married men tended to recognize abstinence and sensuality more easily than single men. Education level clearly affected men's recognition of dignity, modernity, and abstinence in black dress. In sum, as men got higher education, they tended to increasingly recognize dignity and modernity in black dress. In conclusion, this study has proved that black dress has unique aesthetic values and reflects various images according to age, marital status, education level.

• 복식문화연구
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• 제15권1호
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• pp.113-126
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• 2007

Since the ancient times, black has been the most valuable color. Also, it has played a more important role in a history of fashion than other colors. In general, black was regarded as a color of negative images. However, as people have recognized the aesthetic value of black color, they have expressed unique and various images of black through the medium of clothes. This studies on images of black dress for woman was based on reference to literatures and valid investigations. The images toward black clothing are categorized by study participants' perceptions according to age, marital status and education. The result was as followed. Dignity and modernity were the most frequently cited image of black dress among women followed by feminine, sorrow, sensuality, and abstinence. Age significantly affected the recognition of black dress images. Woman showed significant difference in recognizing dignity, modernity, sensuality, and sorrow in black dress according to their age. Woman more strongly recognize dignity and modernity in black dress when they are younger, while increasingly recognizing abstinence and sensuality in black dress as they become older. Marital status significantly affected woman's recognition of black dress. They showed meaningful difference in recognizing dignity, modernity, and abstinence in black color. In sum, single women recognized more easily dignity and modernity in black dress and less easily abstinence than married women. Women also showed the trend with relation to education level. In general, as women got higher education, they also increasingly recognized dignity and modernity in black dress.

• 한국의류학회지
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• 제28권8호
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• pp.1076-1087
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• 2004

The purpose of the study is to give new aesthetic values of black dress one of the important items in contemporary women＇s fashion. Through the work, to give the new aesthetic characteristics that women really needed can be found. This study was processed by fashion books and articles, literal material with fashion photos which were related fashion trend from 1920 to the present. The results are as follows: In early 20th century, the black dress, which had simple form pursuing function like little black dress. In the middle of the 20th century, elegance and minimalism was represented by black dress, expressed erotic images together with see-through fabrics. In the end of the 20th century, body conscious style of black dress expressed sensual images of women. Modem black dress has design characteristics of the form: simple, close, exposure type and of the materials: matte, transparent and dazzling etc. Simple type emphasizes feminine elegance, while close type and exposure type disclose woman body curve to express erotic images. Matte materials made black dress express feminine elegance while transparent materials and dazzling materials made black dress express erotic and sensual beauty. The aesthetic characteristics of black dress were as followings: Sensualism expresses sexual attractiveness of women-close type and exposure type black dress and see-through materials and dazzling materials made black dress. Simplicity of extreme decoration effects are expressed through black dress having temperate and simple form. Femineity expresses traditional femineity to emphasize chaste, modest and elegant women images-the black dress, which is made of simple form, velvet and satin materials. Modernism combines black colour, which is called modem colour, with simplicity and function factors and pursues simple form. Ascetic practice controls mental and physical desire of the individuals, simple form without decoration covering up woman body and box type silhouette of black dress. Therefore, the study on image of the black dress, which have made appearance at modern fashion, is thought to help develop fashion trends and design, through which modern women express themselves and their beauty.

• 한국표면공학회:학술대회논문집
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• 한국표면공학회 2009년도 춘계학술대회 논문집
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• pp.153-153
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• 2009

첨가제를 사용한 피로인산구리 도금욕에서 마그네슘 합금상에 직접 구리도금을 실시하였다. 피로인산구리 도금욕에서 첨가제가 마그네슘 합금 도재에 미치는 영향에 대하여 연구하였다. 연구에 따른 첨가제를 포함하는 피로인산구리 도금욕에서 구리도금층의 적합성을 확인하기 위하여 기존의 마그네슘 모재에 구리를 도금하기 위한 방법인 징케이트 처리 후 시안구리도금욕에서 구리도금하는 방법과 비교 고찰 하였다.

• 한국표면공학회:학술대회논문집
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• 한국표면공학회 2009년도 춘계학술대회 논문집
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• pp.122-122
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• 2009

금속기판과 액체금속의 젖음성은 일반적으로 액적법 (sessile drop)에 의해 고체와 액체간의 접촉각 측정을 통해서 알 수 있다. 이러한 방법에 의한 젖음성 실험결과는 고체와 액체계면에서의 반응이 무시될 수 있는 경우에 적용가는 하지만 연속용용도금공정과 같이 용융된 금속내부로 강판이 인입되는 과정에서 계면반응이 동적으로 진행되는 과정에서의 젖음성을 모사하기에는 이러한 방법의 신뢰성이 떨어지는 문제점이 있다. 따라서 본 연구에서는 실제 용융도금공정과 유사하게 소둔열처리된 저탄소강판이 환원성분위기내에서 Zn 및 Zn-Al 용융도금욕 내부로 연속적으로 인입되는 과정에서의 젖음력 및 접촉각 등의 측정을 통해 실제 도금공정상의 도금성과 젖음성의 연관성을 규명하고자하였다. 연구결과 일반적인 Zn 도금욕의 경우 젖음성이 양호하지만 Al함량이 높은 경우에는 젖음성이 좋지 못한 것으로 나타났다.

• 한국의류학회지
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• 제21권8호
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• pp.1353-1364
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• 1997

The purpose of this study is to present a theoretical framework for analysis and interpretation of medieval look in fashion by investigating its aesthetic values. Accordingly, it would provide a better understanding of the medieval culture with its composite aspects. Modernism sought to make the Middle Ages in its own image.'New Medievalism' has on the whole tried to avoid reading the Middle Ages onto the modern world. Instead it designates a predisposition about the discipline of medieval studies broadly conceived. Consequently, it has changed the viewpoint of medieval culture from the one-sided angle into the diversified one. As recent studies based on New Medievalism have argued, a close look at the medieval culture revealed the dualistic nature of it, with contradictory aspects such as piety and secularity, ideality and formality coexisting. The characteristics of the medieval culture are categorized to asceticism, naturalism, mysticism and secularism. Asceticism, which is responsible for the melancholic and heavy atmosphere of the medieval culture, is related to christianity and despair of life. It is expressed in medieval dress in forms of body-concealing semi-fitted silhouette, coarse texture and dark color. As a reaction to the extreme splendor and exposure of recent fashion, the ascetic medieval look is attracting attention. The monastic look is characterized by body-concealing silhouettes and minimalized usage of colors and details. Naturalism is the feature seeking for purity of the nature and the human itself. It appears in terms of line as a smooth curve flowing along the body contours, or as a revival style of the Greco-Roman drapery in the medieval dress. Naturalism in the medieval look of the late 20th century fashion is expressed as a pure image with the use of sheer and soft fabric to form a smooth curve flowing along the body contours. Mysticism symbolizes the authority of the Christ and the glory of heaven. It is presented in the medieval dress of the body-concealing straight silhouette made of gorgeous fabrics, brilliant colors and decorations by gems and gold. The insecurity caused by the fin-de-siecle mood is creating a strong interest in religion and it is reflected in fashion as a medieval look reviving the solemn and magnificent style of the medieval dress. Secularism is a reflection of the medieval mind of indulging in the beauty of the mundane world. Heraldry and excessive decorations of the medieval dress are forms of this secularism. These styles of gorgeousness are being refined into a new medieval look of the 1990's. The medieval look of the modern fashion is featured in various styles, reflecting the pluralism of the postmodern society.