• Review of Culture and Economy
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• v.17 no.2
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• pp.161-184
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• 2014

The dramatic rise of experience space using cultural heritage in modern architecture has been generally acknowledged in recent literature. The present study aims to investigate effective ways to enhance competitiveness in local experience space, with an emphasis on the use of cultural heritage in modern architecture. Using the case of the Sam-Rae Arts Village in Wanju-gun, Jeollabuk, this study analyzes the characteristics of the 4Es in experience economy theory. In order to arrive at findings that represent the variety of perspectives found in this context, qualitative interviews were conducted with three groups: public officials, maintenance staff in the experience center, and field experts. The results of this study revealed that the Visual Media Art Museum and Book Wooks were used for entertainment, the Corpentry Shop for education, the Book Museum for escapism, and the Design Museum Culture $Caf{\acute{e}}$ The O's for aestheticism. Additionally, depending on the commercial potential of the respective experience space, the Corpentry Shop, Book Wooks, and the Culture $Caf{\acute{e}}$ The O's were used for profit purposes while the Design Museum and the Visual Media Art Museum for non-profit. Based on the findings of the present study, effective ways to enhance competitiveness in the local experience space are suggested. First, the public nature of cultural enjoyment may be realized in a field that bears non-profit characteristics. In exhibiting works, the experience space could suggest the extra demonstration. Second, in the for-profit experience hall, the securing of tourists may help to maximize profit. In so doing, a variety of experience programs and activity spaces could be provided internally, while advertisement marketing through mobile and SNS could be reinforced externally.

• Journal of Families and Better Life
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• v.20 no.4
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• pp.61-73
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• 2002

The aim of this study is to understand the modernization process of interior spaces in the Korean housing, focused not only on the architectural aspects, but also on the sociological, anthropological and feministic aspects of housing. The development of korean housing from the period of traditional agricultural society and Japanese domination through the period of industrial development to the period of modem industrial society have been reviewed not from the Point of westernization but from the point of Korean own needs for modernity. It also tried to find the determinants of the relationship between social behavior patterns and space organization through historical change of housing plans. As a result, it was found the various western impacts to the continuation or change of Korean housing culture in the modernization process. Consequently this study comes to the concrete results as follows; 1) sociological aspect: The early layout of floorplans, that promoted the communication and contact between the user were changed. The layout of spaces in the modern housing tends to be not interdependence each other and be very isolated from the outdoor spaces. Those Phenomena reflect the trends to the Individualization, equivalence and privatization in the life of family. 2) feministic aspects: Differently from the early kitchen, modern ones locates in the internal space in the housing and the dinning area is appeared. And also the standing work at the kitchen war usually spreaded. Such changes are due to the emancipation of the women and downfall of the subordinate relationship between the genders. 3) anthropological aspects: The lifestyle, in which the user was mostly sitting on the floor, was constantly disappeared by using of furnitures that determines the function of each spaces in the housing. Those change demonstrate the change of behavior Patterns, thus, the needs of differentiation of function as well as the feministic needs. In other word, the coexistence of both fields of work and relax is required. 4) tectonic aspects: In the indoor space of modern housing the rooms are closed each other. Thus, concentrated circulation system act to separate these spaces. It is concrete spatial element that mostly shows the synthetic character of modem housing.

• 동북아역사논총
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• no.59
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• pp.150-186
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• 2018

This paper explains what Japanese progressive liberalism was in postwar Japan by clarifying Maruyama Masao's "Cold War Liberalism," focusing especially on his realism and nationalism searching for "democracy" and "peace" in the context of the early Cold War Japan. Maruyama's Cold War liberalism can be grasped from two perspectives: how the Cold War defined his liberalism and how Maruyama interpreted the Cold War as a liberalist in postwar Japan. The liberal interpretation of the Cold War captures the spatial manifestations of liberalism in the Cold War while Cold War liberalism was to grasp the temporal succession of modern Japan. Maruyama revealed his liberal thinking by combining it to his idea of nationalism and realism. He was concerned about the reshaping of the fascist atmosphere provoked by anti-communism emerging from 186 | 동북아역사논총 59호the Cold War confrontation structure. He sought "neutrality" and "peace" to overcome the so-called "two worlds" of the Cold War. And he stressed the importance of "fair judgment" and "autonomous association" to restrain the fascistic atmosphere in postwar Japan. For Maruyama, subjectivity aimed at the concept of "nation" rather than "citizen," and nationalism was a condition for "democracy" and "peace" in postwar Japan. Maruyama's critical liberalism worked through nationalism and realism.

• Cartoon and Animation Studies
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• s.30
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• pp.139-168
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• 2013

This article aims to explain the significance and value of cartoons in the 1910s which were largely passed unnoticed in the preceding cartoon studies by scrutinizing cartoons published in Maeilsinbo in the 1910s. Until now, Korean cartoons in the 1910s has been neglected just because it were published in Maeilsinbo. However, this writing analyzed cartoons in this period on the base of the fact that the cartoons in the 1910s printed in Maeilsinbo diversified the horizon of the Korean cartoon. Cartoons in Maeilsinbo functioned as a bridge connecting cartoons published in Daehanminbo in 1909 reputed as a root of Korean cartoon and 1920s, the time when satirical cartoons and comics started being printed in newspapers. The characteristics of Maeilsinbo as a bulletin of government general and periodical characteristics that the agent of popular culture begun to move reside as multi layers in the cartoons in the 1910s. In this article, the process and the development of how cartoons published in Maeilsinbo. As pleasure became important in everyday life in Korea, cartoons were able to earn a portion in the newspaper. In the beginning, modern cartoon style seemed vague, but as time goes by, its own style gradually settled. Cartoons in this period were not fixed in specific section but various kinds of cartoons were developed during the time since works of Korean as well as Japanese cartoonists and illustrators were published. Among them, representative cartoons in Maeilsinbo were analyzed in this article under three categories: first, cartoons represented 'Choseon-ness' through scenes of daily life and customs concurrently contained a view of anti-civilization/enlightenment; second, cartoons represented the accumulation of wealth as valid from the view point of public interest; last, cartoons divided Koreans who suffered from hardships of life in Kyungsung and Japanese in Jingogae in order to divide space. In conclusion, Maeilsinbo disciplined the colonized, Koreans, and exposed the discourse of the colonial power via cartoon.

• Journal of Cadastre & Land InformatiX
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• v.44 no.1
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• pp.61-78
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• 2014

The Cadastral Resurvey Project received 'Ineligible' determination by the first Pre-feasibility study in 2010. This is a result of the AHP analysis based on the policy and the economy validity. Especially, economic validity test uses mainly the Benefit-Cost Analysis. B-C Analysis has enclosed the limit to estimate the benefit which have the external effect. This study concentrated on the limit of the estimation the benefit on the Pre-feasibility study.

• Journal of the Korean Geographical Society
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• v.42 no.2 s.119
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• pp.218-242
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• 2007

This paper is to consider the developmental process of Korean geography on the context of socio-spatial transformations of Korea, and then to suggest briefly its alternative visions. The development of knowledge including geography seems to be made under imperatives of social functions and structure in a given period, and knowledge in turn gives power for a further development of society. Modem geography in Korea has progressed on the context of capitalist development of Korean society which can be divided into two phases, that is, the period of developmentalism and that of neoliberalism. Korean geography has been developed under influence of ideologies of developmentalism and neoliberalism, and in turn has made some contributions to socio-spatial policies. Korean geography in the future, it can be suggested, should go beyond both developmentalism and neoliberalism, and put socio-spatial welfare, civil society or community, and environmental justice into its central issues.

• Korean Journal of Heritage: History & Science
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• v.46 no.1
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• pp.32-75
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• 2013

도성은 왕권이 존재하는 것뿐만 아니라 왕권을 지지하는 지배계층이 모여 거주하는 곳이다. 그리고 중앙집권적 통일지배를 실현하기 위한 정치 의례의 장으로서 전근대 동아시아 세계에 공통적으로 건설되었다. 그 기원은 중국에서 유래하며, 일본은 율령제(律令制)를 바탕으로 하는 천황제 고대국가가 실현되는 7세기 말 '藤原京(후지와라쿄)'에서 처음으로 지상에 출현한다. 7세기 말부터 거의 1세기 간 복도제(複都制)가 채택되었기에 '등원경(藤原京)' 이후 도성은 여러 곳에 건설되었고, 때로는 천도되었다. 그러나 8세기 말 '長岡京(나가오카쿄)'에서는 복도제(複都制)를 지양했고, '平安京(헤이안쿄)'에 도읍을 정한 이후, 중세 근세를 거쳐 근대에 이르기까지 헤이안쿄-교토에는 1100년에 걸쳐 왕권이 지속적으로 존재하여 지금의 '京都市'(교토시)에 이르게 된다. '등원경(藤原京)'가 고대 일본 최초의 도성이었다면, '평안경(平安京)'는 마지막 도성임과 동시에 중세 도시로 변모해 가는 전환점에 위치하고 있다. '등원경(藤原京)'이래 남북축선에 대한 선대칭 구조를 의식해 도성이 축조 되었고, '평안경(平安京)'에서는 이러한 구조가 가장 강하게 표현되었지만, 9세기 초 천황과 관인들의 의식 정무의 동선이나 좌석 배치에 있어서 동서방향이 채용되게 되었고, 이에 더해 9세기 말에는 천황의 거소가 도성의 축선에서 벗어나게 된다. 또한 10세기 중반 경 '平安宮(헤이안큐)'에서는 '內裏(다이리)'를 중심으로 한 잦은 화재가 발생해 천황은 궁외로 거소를 옮기게 되었다. 이후 천황이 궁 바깥에 거주하는 것이 일반화 되었고, '평안궁(平安宮)'는 의식을 행하는 장소로서 한정적으로 유지 수리가 될 뿐이었으나 결국에는 그것마저 어려워져 폐쇄에 이르게 된다. 한편 귀족의 저택도 7세기 이래의 남북축선에 대해서 동서의 선대칭 구조로 부터, '寢殿造(신덴즈쿠리)'라고 불리는 건물배치도 공간구성도 비대칭인 건물양식이 주류를 이루어 갔다. 이상과 같이 일본의 고대 도성의 특징을 잘 가지고 있었던 최후의 도성 '평안경(平安京)'는 남북을 축선으로 하는 선대칭 구조가 가장 뚜렷하게 나타났으나, 9세기 '평안궁(平安宮)'의 변화를 시작으로 11~12세기에 크게 변모해갔다. 이처럼 고대국가의 도성이 가지고 있었던 남북을 축으로 하는 구조를 버리고 동서방향으로 동선을 취한 움직임은 고대국가의 이념을 탈피하여 다음 시대로 전환하는 중요한 한 걸음이었다고 생각된다.

• Archives of design research
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• v.16 no.2
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• pp.323-334
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• 2003

This study is focused on subjective images that are produced before visualization in the digital information environment and on characteristics of objective, dynamic image expression that specifies the subjective images. In this study, the visual world that works in the action of "see"is expanded into vision of eyes, vision of brain, and vision of camera. Also we have redefined the definitions of image and its materialized image, yeongsang. It is defined that image contains a strong meaning of consciousness and mind, and that yeongsang involves vision in which constantly changing information of light is created and reproduced by physical processes. We made it clear that image expression in the 21 st century is becoming more generalized, simplified, and concentrated, by the digital technology, from existing specific non-real images to "informationalized" non-real images. This means that there exists an intrinsic difference in the expressional form of the modern analog environment and that of the recent digital environment in the area of yeongsang communication. Along with development of technology, image information raises plastic reality through indirect experience in the virtual space by expanding the sensual faculty of human. However, there also is a tendency for humans to rely more on technology instead of utilizing their creative faculty. Image expression by“the digital information environment” in the 21st century will pursue two sides; one is to shift from external expression of the human body in the cyber space to internal expression, and the other is to internalize the image world and make it connected worldwide. Further research is necessary in these fields.ary in these fields.

• Journal of Cadastre & Land InformatiX
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• v.44 no.1
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• pp.37-59
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• 2014

China has been tried to make our former territory named "Guryubuel" as their territory and history using the "Northeast Expanding Project" and other territory expanding projects. This study aimed to make a correspond measure to the cause, purpose and statues on the Northeast Expanding Project of China, to help restoration of Korean territory. For this purpose, it was reviewed the detail about Territory Projects of China. This study included not only the "Northeast Expanding Project" but also the Dandae Project, Tamwon Project and the theory of 'Yoha Civilization' to reveal the project's cause, purpose and detail to analysis the issues and to make a countermeasure. China has been distorted our cture and history on purpose for the territory expanding project. Hence, this study has distinction from the previous approach on the China's territory projects since it has been focused on dilemma of cultural and historical distortion by some Chinese. This study pointed out the distortion of the history and culture of China, as well as Korean mistakes to interpret the China's claim into our own way. It is emphasized that progressive response of Korean government is very important to protect our territory against the Chinese territory expanding projects.

• The Magazine of the Society of Air-Conditioning and Refrigerating Engineers of Korea
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• v.39 no.9
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• pp.41-51
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• 2010

건물의 배수 및 통기시스템에서 나타나는 현상중에 확실한 내용이 아직 밝혀지지 않은 부분이 몇 가지 남아 있다. 이것은 19세기 말엽의 근대 위생공학의 시작 단계에서부터 잘 알려진 사실이다. 건물의 배수 및 통기시스템 운용에 대한 내용은 일반 공학과 특정 유체역학의 범위 내에서 가장 잘 이해할 수 있다. 건물의 배수 및 통기시스템의 운영에 종사했던 초기의 기술진들은 이러한 점을 잘 알고 있었으며 유체역학에 적합하게 응용한 많은 사례를 확인할 수 있었다. 제2차 세계대전이 끝나고 이에 대한 많은 연구가 진행되어 왔으며 특히 유럽에서 시작된 전후 재건 붐을 통해 배수 및 통기시스템의 설계에 좀 더 효율적인 접근이 진척되게 되었다. 이러한 배수시스템의 중심에는 배수관 내부의 오염된 공기가 배수구 또는 위생기구를 통하여 주거 공간으로 유입되는 것을 방지하는 트랩(Water Trap)이 있다. 배수트랩의 주요 기능인 봉수는 일반적으로 깊이가 40 mm에서 50 mm 정도로 위생기구의 종류에 따라 봉수의 깊이는 다소 차이가 있다. 배수관내 공기의 흐름이 중요한 것처럼 트랩의 봉수 메커니즘이 중요하기 때문에 이 메커니즘을 소홀히 여긴다면 안전한 배수시스템의 운영을 기대하기는 어렵다. 배수관 내의 공기의 흐름은 배수에 의해 유입되거나 또는 배출된다. 배수관에서 내부 압력의 불규칙한 변화로 인하여 야기되는 불안정한 배수의 흐름은 트랩의 봉수를 파괴하고 나아가 주거공간으로 오염된 공기가 새어 나갈 수 있는 통로를 제공하게 된다. 관내압력의 천이는 이로 인한 문제가 발생할 가능성이 있는 위치에 그 압력을 완화할 수 있는 장치를 설계단계에 반영하여 적용함으로써 제어할 수 있다. 건물 내부에 상당한 길이의 통기배관을 설치하는 것은 배관의 마찰손실로 인하여 천이 현상을 효과적으로 제어할 수 있는 확실한 방법이 되지는 못한다. 그렇지만 통기밸브를 설치하는 것과 같이 배수관 내로 공기를 공급해주는 유입구를 건물 내부에 분산 설치하는 것이 효율적인 통기방식이 될 수 있고, 정압 천이로 인한 위험을 줄여줄 수 있다. 통기밸브는 정압 발생의 원인이 되지 않으며 단지 정압에 반응하여 더욱 기밀하게 닫히며, 약화된 압력파를 반사할 뿐이다. 고층 건물에서 배수입상관과 평행하게 설치된 통기입상관(Parallel Vent Pipe)의 경우 극히 일부분의 정압 천이 현상을 완화할 수 있다. (통기 배관의 직경이 배수 입상배관과 동일한 경우 대략 1/3 정도임), 그러므로 정압의 천이로 인한 압력 파동은 배수 시스템의 나머지 부분을 통해 전파되어 배수 트랩에 영향을 미치게 된다. 정압의 천이가 예상되는 위치에 정압천이 완화 장치(Positive Air Pressure Transient Alleviation Device)를 사용하면 배관 내부압력의 급격한 상승을 방지하여 연결된 트랩의 봉수를 보호할 수 있다. 이렇게 되면 순간적으로 발생하는 배관내 압력의 급등 현상을 90% 정도까지 완화 시킬 수 있다. 경험적으로 배수시스템에서 배관이 완전하게 막혀 과도한 정압이 발생하는 경우는 거의 없다. 이러한 경우에는 가장 낮은 위치에 있는 배수 트랩의 봉수가 깨지면서 자연스럽게 배수시스템의 압력이 해소되게 된다. 이러한 사례는 통기 방식과 상관없이 발생할 수 있다. 실제와 유사한 시뮬레이션을 통하여 통기 밸브(Air Admittance Valves)는 전면 통기 시스템 (Fully Vented System)에서 최소한 트랩의 봉수 보호용으로 적합한 것이 확인 되었다. 어떤 경우 에는 고층 건물에 더욱 적합하다는 것을 확인할 수 있었다. 부압 해소용으로 통기밸브를 이용하고 정압완화용으로 정압 완화장치(PAPAs: Positive Air Pressure Transient Attenuators)를 사용하는 전면적 능동 제어시스템(Fully Engineered Designed Active Control System)이 사용자에게 육안으로는 확인하지 못하는 기능을 보장하면서 배수 시스템의 안전과 효율성에 대한 효과적인 방법을 제공하고 있다.