• 중국학논총
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• no.43
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• pp.33-54
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• 2014

本文所探討的主題是關於晩明與朝鮮後期小品文的'病'之美學, 病是一个從晚明與朝鲜后期的小品文出現的特殊素材, 是一個表現眞情眞趣韻致的方法論. 晚明與朝鲜后期的小品文作家提唱童心表現眞趣, 也通過病表現眞情. 病是眞性的表露. 有病, 才有個性. 才有鋒芒, 有與世俗不同之處, 不受世俗所汚影響, 沒有世故之態的人格. 病之所以爲明季世人與18世紀朝鮮後期所稱訟以爲美, 乃在於其怪與奇. 病的主要原因是癖狂懶痴傲.. 本稿分析以癖爲主. 下列小品文的'癖之美學的特徵. 其一. 癖是一種特殊幷几近变态的行为. 但在晚明文人與朝鲜小品文人的眼里, 病可是真情至性的表現. 其二. 晩明與朝鮮文人以爲生活是有寄託的, 有寄託才能安心度日. 其三. 晩明與朝鮮小品作家通過癖, 不但能使生活和心情獲得寄託, 也可以轉移心思, 移情養性. 其四, 癖是可以有治兵養心. 通過以上的共通審美意識, 講道結論, 晩明與朝鮮後期小品文有密切的关系. 再說朝鮮後期小品文受到晩明小品文的影響.

• The Journal of the Convergence on Culture Technology
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• v.5 no.1
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• pp.113-118
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• 2019

Choi Buk(1712-1786) is the master of three poems, caligraphy, paintings of the Middle Class Painter. There is a resisting cynicism against discrimination, a madly free and unbridled madness that is not bound by itself, and a master sense due to pride in his artistic talents. Madness and stubborn as an image of a unique painting through unworldly and clasical scholar oriented Muninhwa. His muninhwa has many poetic picture paintings where poetry and painting are one, and the technique of painting depicting objects is based on the power of the muscles and is a madness brush which is not bound anywhere. And it expresses the level of art in a higher level through the unconventional composition of the unconventional composition, the simplicity of the line, and the unique operation of margins and colors. His Muninhwa appeared naturally in the works of art, which is a pride of enterprising people and a belief that aesthetic pursuit of a change of the unchanging ones.

• (The)Study of the Eastern Classic
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• no.37
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• pp.411-439
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• 2009

Fu-Shan(傅山, 1607~1684) was a progressive actualist between the late Ming(明) dynasty and the early Qing(淸) dynasty. He regards the intellectuals at that time as scarecrows leaned on the empty and exaggerative moral philosophy which the neo-confucian of Song(宋) dynasty established. He thinks that the neo-confucian discussion cause harmful side effects, disregarding the utility side and the variety of the actual world. His thought becomes known all in political thought and literature. He asserts that the neo-confucian ideas provides the logical frame which regulates the actual world and creates a kind of absolute moral ideology. Therefore he insists that the Saint in the true sense of the word consequently is the social reformer and revolutionist who exposes the irrational elements of society. He insists that literature also must be able to express vividness of the actual world. He thinks that genuine literature must have creative contents and find one's own free wild way. He asserts that old literary style from the mimicry is the act which goes against human natural. He thinks that the writing must be able to express the actual world.