• Title/Summary/Keyword: 공판분류

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A Study on the Establishment Plan of Integrated Construction Information Classification (통합건설정보분류체계의 구축방안에 관한 연구)

  • Lee Kyo Sun;Park Hwan Pyo;Oh Uno;Park Sang Hun
    • Korean Journal of Construction Engineering and Management
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    • v.3 no.2 s.10
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    • pp.99-106
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    • 2002
  • It was few to the integrated information classification system In domestic construction. Furthermore, it became considerable obstacles to hamper the increase of national competitiveness as well the hoarding of information and overlapped investment. The standardization of information classification is also necessary prior to the Computer-Integrated Construction, CALS(Continuous Acquisition & Life-cycle Support/Electronic Commerce) in construction, EVMS(Earned Value Management System) and the various projects which manipulate construction information. Therefore, this report suggests the development direction and application proposal of Integrated Construction Information Classification.

Synopsis of the Stargazer Fish, Family Uranoscopidae (Perciformes) from Korea (한국산 통구멍과(농어목) 어류의 분류)

  • 이충렬;주동수
    • The Korean Journal of Zoology
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    • v.38 no.3
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    • pp.364-374
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    • 1995
  • The taxonomic revision of the family Uranoscopidae from Korea was made on the basis of the speciemens collected in the coasts of the Korea from 1986 to 1994. The key to the species and genera for classification of the famiiy Uranoscopidae was provided with synonym and their distributions. The stagazer fishes from Korea are composed of 6 species in 3 genera: Uranoscopus Japonicus, U. bicinctus, U. chinensis, U. tosae, Gnathagnus eolngatus and Ichthyscopus lebeck sannio. The Korean stagazer fishes were widely distributed in the West and South Sea of Korea, but only Ichthyscopus lebeck sannio distributed in the around sea of Cheju Island.

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Characteristics of Bridal Palanquin Covers and Changes in Style from the late 19th Century to the early 20th Century (19세기 말~20세기 초 신부 가마덮개의 특성과 양식 변천)

  • PARK Yoonmee;OH Joonsuk
    • Korean Journal of Heritage: History & Science
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    • v.56 no.2
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    • pp.80-98
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    • 2023
  • In the late Joseon Dynasty, when the bride would ride a palanquin when she went to live with her in-laws, it was a custom to cover the palanquin with tiger skin to ward off misfortunes that may come her way. The higher classes used tiger skin or leopard skin for this purpose, but the common people had to substitute this expensive item with a tiger pattern painted on a blanket. Such blankets were called hotanja, hogu, hoguyok and the like. The term "hotanja" is a pure Korean word. It is not known when the cover for the bridal palanquin was first used, but it was popular from the end of the 19th century and then gradually disappeared. This is due to the introduction of new Western style weddings that eliminated the need for a bridal palanquin. The tiger print blanket was used not only to cover the bride's palanquin but also to cover a table or floor during the wedding ceremony. This study ran a material analysis on nine pieces of tiger print blankets. All of the blanket artifacts examined in this study had an outer cover and a lining made of fabric that used cotton thread for the warp and wool thread for the weft. Two kinds of wool were found in the weft thread in the outer covers: fat-tailed sheep hair from China and goat hair for carpets from the Hebei province, China. Records show that "blankets with painted tiger patterns" were imported from Russia, and the imported blankets were from Russia and China. The outer cover can be categorized into six types, and the lining into three types depending on the weave and direction of the thread twist. The hem facing can be divided into four types. The lining and outer cover use the full width of the fabric, which was woven in wide widths of 135 cm or wider. The tiger pattern on the blanket was made by stenciling. The stencil design of the body and tail of the tiger were placed on a red blanket to be painted in white, and then the background color of the tiger, which is yellow, would be painted over the white, and then black stripes would be added. The pattern of the tiger varies, which shows that the blankets were made by various craftspeople. The pattern of the tiger print blanket is usually of a tiger lying down, but there were tiger print blankets with a tiger standing up. The pattern of the tiger grew smaller over time, and flower patterns were added in the background. Decorative elements were gradually added to the tiger print blanket patterns, but its function as a palanquin cover became lost. By taking the features of tiger print blankets into consideration, it can be assumed that there are imported pieces among the remaining pieces, and were produced in various places because it was popular at that time.