• Journal of the Korean Institute of Landscape Architecture
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• v.46 no.6
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• pp.17-25
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• 2018

This study was conducted to calculate the optimum height of trees, estimating a model for the prediction of tree growth for the landscape improvement of the Gyeonghoeru area. For the verification of measures for management, this study conducted a photographic survey of the Gyeonghoeru area and used the Pressler's formula to examine the growth rate of the pine forest of Mansesan. The results of the study are as follows. First, as a result of a field survey and landscape analysis, trees in the Gyeonghoeru area are large ones with more than a diameter at breast height of 30cm, except for weeping cherry trees and persimmon trees, and especially, it is necessary to manage them or replace with small trees through the landscape of Mansesan, which screens the landscape and pruning the trees in the terraced flower garden in the north. Second, as a result of a measurement of the growth rate of trees, for 10 years on average, they grew up by 14% in source diameter and 5% in tree height 5% in south of Mansesan and by 7% in source diameter and 2.4% in tree height in the north of Mansesan. Furthermore, when a simulation was prepared based on the measured growth rate of trees, it was found out that 20 years later, on the landscape on the second floor of Gyeonghoeru, the pine forest of Mansesan would cut off the skyline of Mt. Inwang-san. Third, this study analyzed a landscape improvement simulation and proposed a plan for tree management to take a view of the landscape of the Gyeonghoeru area. This study has a significance that it drew an efficient planting maintenance policy, considering the landscape characteristics of the Gyeonghoeru area.

• Korean Journal of Heritage: History & Science
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• v.31
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• pp.313-323
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• 1998

• Journal of architectural history
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• v.14 no.3 s.43
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• pp.39-52
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• 2005

This study relates to the architectural planning principle of Gyeonghoeru pavilion, one of the major buildings in Gyeongbokgung palace. The study is concentrated on The Book of Gyeonghoeru Pavilion written by Jeong Haksun in 1865 during the reconstruction of Gyeonghoeru pavilion. The architectural planning principle of Gyeonghoeru pavilion disclosed in The Book of Gyeonghoeru Pavilion appears to be 'the method of expanding with six by six system'. 'The method of expanding with six by six system' means a way of continuously extending the number related to 6 by addition, subtraction, multiplication and division, and reflecting to architecture, having number 6 as the basic number. Number 6 means a large amount of water in East Asian philosophy, Applying 'the method of expanding with six by six system' to the architecture of Gyeonghoeru includes an intention to prevent fire in a way of a type of incantation because Korean traditional wooden buildings are we to fire. Since Gyeonghoeru is surrounded by a pond and was constructed based on the number 6 having a strength of water, it was believed that it could be safe from fire. This study compares the contents disclosed in The Book of Gyeonghoeru Pavilion with the construction of Gyeonghoeru to find out how the number 6 was applied to the overall construction of Gyeonghoeru. From the fact that the total number of km of Gyeonghoeru is 36 ($6{\times}6$), the number of pillars is 42 ($6{\times}7$), and the number of windows and doors is multiples of 6, it has been found out that the number 6 is deeply related to the overall construction of Gyeonghoeru. In addition to the fact that the construction of Gyeonghoeru can be explained by 'the method of expanding with six by six system', The Book of Gyeonghoeru Pavilion also discloses parts where Diagram of Hotu, Later Heaven Arrangement and Arrangement of 64 Hexagrams are applied. Therefrom, it has been found out that Gyeonghoeru pavilion was constructed by applying the principles of East Asian philosophy based on The Book of Changes.

• The Science & Technology
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• v.33 no.1 s.368
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• pp.27-29
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• 2000

조선조 4대 임금 세종은 32년 재임하는 동안 과학기술 연구개발에 큰 업적을 남겼다. 본명이 이도인 세종은 한글을 만들어 보급했고 특히 천문학에 놀라운 공을 세웠다. 칠정산을 완성해 일식, 월식 등 천체운동을 미리 알아냈다. 세종은 경복궁 경회루 둘레에 온갖 규모의 천문기구 즉 혼천의와 간의, 규표와 동표, 자격류, 해시계, 측우기, 수표 등을 세워 서양보다도 앞선 과학기술의 꽃을 피웠다.

• The Science & Technology
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• v.32 no.8 s.363
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• pp.70-72
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• 1999

몽골왕국 원나라의 천문학자 곽수경은 중국에서 가장 발달한 역법 수시력을 만들었으며 조선조 우리 선조들은 바로 이 역법을 우리나라에 맞도록 수정ㆍ보완하여 세계적 수준의 새로운 역법을 만들어낸 것이다. 그로부터 1세기 후 세종때 경복궁 경회루 연못 둘레에 만들어 두었던 관측기구들은 모두 곽수경이 만든 것을 본 뜬 것으로 그는 우리나라 천문학 발전에 크게 공헌을 한 과학자이다.

• Korean Journal of Ecology and Environment
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• v.38 no.2 s.112
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• pp.237-248
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• 2005

To determine the content of hazard microcystin (MC) in Han River system and Ecological Ponds in Seoul City and Kyunggi district, a most toxic derivative, microcystin-LR (MCLR) of 15 samples of 7 ponds, 4 rivers and 4 reservoirs during low precipitation and cold season in 2003 were analyzed by ELISA method. With the change of water temperature ($0.4\;{\sim}\;21.9^{\circ}C$), cyanobacteria including Microcystis aeruginosa dominated the cold phytoplankton community in small ecological ponds such as Kyungbokgung Kyunghyaeru (KBP), Seokchon reservoir (SCR), Yangsoori Ryukgakji (YSS), having the long residence time. Contents of MCLR (the detection limit; $0.05\;{\mu}g\;L^{-1}$) were high in cyanobacteria-rich sites, especially, Microcystis aeruginosa. Total MCLR, cell extracted type plus dissolved type, were $1.39\;{\mu}g\;L^{-1}$ in KBP, $0.55\;{\mu}g\;L^{-1}$ in SCR and $0.59\;{\mu}g\;L^{-1}$ in YSS, in the first sampling having a high temperature (>$20^{\circ}C$), while some detected only in YSS during the cold season. As expected, the MCLR content was correlated with Microcystis aeruginosa (r = 0.526 for cell extracted type, r = 0.433 for dissolved type). Therefore, low concentration of MCLR detected in small ponds and Han river system in Seoul metropolitan city and Kyunggi district, maybe hardly affect human recreation activity, especially the drinking water supply.

• Journal of architectural history
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• v.20 no.6
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• pp.131-146
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• 2011

The purpose of this study is to understand the architectural space of Chimjeon (寢殿), the King's Bedroom, and Backyard, in the early Joseon Dynasty. The Royal palace can be divided into three parts, political space for King, living space for King and his family and government office. So first, we should to understand the characteristics of each space in the Royal Palace. Up to now we have looked at the architectural space of the King's Bedroom in the central area and Backyard in Gyeongbokgung (景福宮), one of the Royal Palace, the result of this study is as followings. Cheonchujeon (千秋殿) and Manchunjeon (萬春殿) were not both sides of Sajeongjeon (思政殿), were on the north side of Gangnyeongjeon (康寧殿) Gangnyeongjeon was not a bedroom for the King and Queen, only for King. Bedroom for Queen was located another space in the Royal palace. There was Hamwonjeon on the west side of Koytaejeon. Jamidang and Cheongyeonroo were on the right side of Koytaejeon The Backyard on the north side of Gyeongbokgung had a wide area for horseback archery and the practice of battle formation The arrangement of the King's bedroom in the central area was assumed like as the Fig 7. and Fig 8.

• Journal of Conservation Science
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• v.29 no.4
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• pp.407-420
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• 2013

The stone sculptures in Gyeongbokgung Royal Palace are mainly composed of granite (884 sculptures, 96.7%) and marble (25 sculptures, 2.7%) that originated in several different quarries. Main deterioration forms are crack (24%), break-out (21%), exfoliation (36%), granular disintegration (9%) and blackening (20%). Crack and break-out are dominant contributors to high physical deterioration degree, and blackening is major weathering form of intensive discoloration. The Gyeonghoeru, Geunjeongjeon and Pumgyeseok areas require urgent and high conservation maintenance with short-term periodic monitoring since proportions of 3-grade deterioration were calculated higher than others as 55% for Gyeonghoeru, 29% for Geunjeongjeon, 11% for Pumgyeseok area. The Pumgyeseok (officials' rank stone), especially, needs intervention for protective facility due to its material vulnerability to weathering in outdoor environment.

• (The) Research of the performance art and culture
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• no.25
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• pp.135-181
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• 2012

The celebration day of national foundation(開國紀元節) is to celebrate the foundation of Joseon by Taejo Lee Seong Gye. It is also shortly called as the celebration day. The events celebrating this were performed either on a large or small scale by the court or the people from 1895 right before 1910, the Korea-Japan Annexation. As you can see from the period of its performance, the celebration day of national foundation was not one of the Joseon's traditional court events, but it was one of the national holidays(慶節) institutionalized newly after the port opening (1876). In Korea, too, they strived to concentrate on modernization as exchanging with all different countries in the world after the port opening. Also, they considered how to concretize all different celebration events for national holidays characterized by the modern days of celebration. As a result, additionally or partly from the traditional court events, the events to celebrate national holidays appeared one after another from 1895. And this article examined the celebration day of national foundation, one of the national holidays referred to as modern-style days of celebration. The event to celebrate this can be seen from Geongbok-gung(景福宮) on the day of July 16th, 1895. And the Independence Association(獨立協會) also held the event for the celebration day of national foundation. The event performed for the celebration day of national foundation shows very distinct aspects on the ground to maintain the congratulatory ways partly. In particular, the ritual for the celebration day of national foundation held by the Independence Association induced modernized ways of celebration such as the congratulatory address and speech, and it also included new elements like the harmony of various music including court music(宮中音樂) or Chang-ga(唱 歌).

• Korean Journal of Heritage: History & Science
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• v.47 no.1
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• pp.66-81
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• 2014

Burnt down during the Imjin War(壬辰倭亂) of 1592, Gyeongbokgung Palace(景福宮) remained in ruins until 1865, when in the second year of King Gojong's(高宗) reign, reconstruction work began. At the time, a royal protocol(uigwe, 儀軌) for the reconstruction was not produced. Instead, the Gyeongbokgung Palace Construction Diary(Gyeongbokgung yeonggeon ilgi, 景福宮營建日記) records the reconstruction process from June to September of 1865. The contents of this diary reveal that the stone used in the construction was obtained from Ganghwa(江華), the Yeongpung field(映楓亭) just beyond Dongdaemun, and Samcheongdong(三淸洞), among other sites. In addition, selected stone remaining from the original Gyeongbokgung Palace site - such as that from the palace astronomical observatory(ganuidae, 簡儀臺) - as reused, while a number of buildings and stonework from Gyeonghuigung Palace(慶熙宮) were moved to Gyeongbokgung Palace. As a result, a number of $17^{th}$ and $18^{th}$ century stonework are currently located at Gyeongbokgung Palace. The Gyeongbokgung Palace Construction Diary contains a record indicating that the bronze dragon(靑銅龍) excavated from the lotus pond at the palace's Gyeonghoeru Pavilion(慶會樓) was created by special technician byeolganyeok(別看役) Kim Jae-su(金在洙) in 1865 for the symbolic purpose of protecting the palace from fire. The diary also reveals that among Kim Jae-su and the other special technicians(byeolganyeok) tasked with the installation and oversight of the palace stonework was Lee Se-ok(李世玉) - aid to have created the haechi statue at Gwanghwamun Gate. This indicates that there were men of court painter(hwawon, 畵員) background among the construction special technicians(byeolganyeok). Moreover, the diary records the names of the stoneworkers(seokjang, 石匠) who worked under these special technicians to actually carve the stonework. These included Jang Seong-bok(張聖福), who participated in the creation of the Geunjeongjeon Hall(勤政殿); and Kim Jin-myeong(金振明), who took part in the construction of Gwanghwamun Gate(光化門). Based on these results, it is possible to identify a number of special iconographic features of the scale-covered animal form(insuhyeong, 鱗獸形) auspicious animal statues at Gyeongbokgung Palace. These include a protruding mouth and large nose, formalized ears, and a mane along the back. Comparing these iconographic features with those found in the stonework of Joseon tombs makes it clear that these palace statues were created in the latter half of the $19^{th}$ century - the period corresponding to Gojong's palace reconstruction. This study was able to confirm that this iconography was taken up by the Gyeongbokgung Palace construction special technicians(byeolganyeok) and stoneworkers(seokjang) as they worked on tomb stonework earlier in their careers.