• Korean Architects
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• s.473
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• pp.78-81
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• 2008

도시는 어제와 오늘 또 내일이 공존하는 삶의 공간이다. 때문에 도시에는 고궁이나 옛 건축물이 있고, 화려하고 심플한 현대건축물도 있으며 미래지향적인 작품들도 있다. 이렇게 많은 요소와 함께 시간에 흐름을 한 공간에서 느낄 수 있는 곳이 바로 도시라고 할 수 있다. 그 동안 우리는 국가와 국가 간의 경쟁 속에서 살아왔다. 그러나 요즈음은 도시와 도시의 경쟁체계로 바뀌어 가고 있다. 즉, 한국에 경쟁상대는 대만이라든가 프랑스, 독일이라고 했다면 오늘날에는 서울과 동경이 경쟁 혹은 부산과 파리의 경쟁 등 좀 더 세부화 되어 가고 있는 것이다. 강력한 설정을 가지고 경쟁력을 높이고 있으며 부산, 광주, 인천, 대구 등 모든 도시가 각각에 특성을 강조하고 있다. 이런 도시계획에 있어서 경쟁력의 중심에 도시야간경관과 조명에 대한 중요성이 새롭게 인식되어가고 있다. 이제 도시는 주간 시간대와 함께 야간 시간대에 중요성을 강조하고 있으며 도시에 생명력은 조명에 역할이 상당부분 차지하게 된 것같다. 이런 시점에서 그러면 도시의 경관 또는 조명연출계획은 어떻게 구성, 혹은 구상되어야 하는지 알아보고 검토하는 것이 경쟁력 있는 도시를 만드는데 큰 도움이 되지 않을까 생각된다.

• Korean Architects
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• s.472
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• pp.77-79
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• 2008

도시는 어제와 오늘 또 내일이 공존하는 삶의 공간이다. 때문에 도시에는 고궁이나 옛 건축물이 있고, 화려하고 심플한 현대건축물도 있으며 미래지향적인 작품들도 잇다. 이렇게 많은 요소와 함께 시간에 흐름을 한 공간에서 느낄 수 있는 곳이 바로 도시라고 할 수 있다. 그 동안 우리는 국가와 국가 간의 경쟁 속에서 살아왔다. 그러나 요즈음은 도시와 도시의 경쟁체계로 바뀌어 가고 있다. 즉, 한국에 경쟁상대는 대만이라든가 프랑스, 독일이라고 했다면 오늘날에는 서울과 동경이 경쟁 혹은 부산과 파리의 경쟁 등 좀 더 세부화 되어 가고 있는 것이다. 강력한 설정을 가지고 경쟁력을 높이고 있으며 부산, 광주, 인천, 대구 등 모든 도시가 각각에 특성을 강조하고 있다. 이런 도시계획에 있어서 경쟁력의 중심에 도시야간경관과 조명에 대한 중요성이 새롭게 인식되어가고 있다. 이제 도시는 주간 시간대와 함께 야간 시간대에 중요성을 강조하고 있으며 도시에 생명력은 조명에 역할이 상당부분 차지하게 된 것같다. 이런 시점에서 그러면 도시의 경관 또는 조명연출계획은 어떻게 구성, 혹은 구상되어야 하는지 알아보고 검토하는 것이 경쟁력 있는 도시를 만드는데 큰 도움이 되지 않을까 생각된다.

• Korean Architects
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• s.474
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• pp.115-117
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• 2008

도시는 어제와 오늘 또 내일이 공존하는 삶의 공간이다. 때문에 도시에는 고궁이나 옛 건축물이 있고, 화려하고 심플한 현대건축물도 있으며 미래지향적인 작품들도 있다. 이렇게 많은 요소와 함께 시간에 흐름을 한 공간에서 느낄 수 있는 곳이 바로 도시라고 할 수 있다. 그 동안 우리는 국가와 국가 간의 경쟁 속에서 살아왔다. 그러나 요즈음은 도시와 도시의 경쟁체계로 바뀌어가고 있다. 즉 한국에 경쟁상대는 대만이라든가 프랑스, 독일이라고 했다면 오늘날에는 서울과 동경이 경쟁 혹은 부산과 파리의 경쟁 등 좀 더 세부화 되어가고 있는 것이다. 서울만 하더라도 이제 디자인 서울이라는 강력한 설정을 가지고 경쟁력을 높이고 있으며 부산, 광주, 인천, 대구 등 모든 도시가 각각에 특성을 강조하고 있다. 이런 도시계획에 있어서 경쟁력의 중심에 도시야간경관과 조명에 대한 중요성이 새롭게 인식되어가고 있다. 이제 도시는 주간 시간대와 함께 야간 시간대에 중요성을 강조하고 있으며 도시에 생명력은 조명에 역할이 상당부분 차지하게 된 것 같다. 이런 시점에서 그러면 도시의 경관 또는 조명연출계획은 어떻게 구성, 혹은 구상되어야 하는지 알아보고 검토 하는 것이 경쟁력 있는 도시를 만드는데 큰 도움이 되지 않을까 생각된다.

• Korean Architects
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• s.471
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• pp.73-75
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• 2008

도시는 어제와 오늘 또 내일이 공존하는 삶의 공간이다. 때문에 도시에는 고궁이나 옛 건축물이 있고, 화려하고 심플한 현대건축물도 있으며 미래지향적인 작품들도 있다. 이렇게 많은 요소와 함께 시간에 흐름을 한 공간에서 느낄 수 있는 곳이 바로 도시라고 할 수 있다. 그 동안 우리는 국가와 국가 간의 경쟁 속에서 살아왔다. 그러나 요즈음은 도시와 도시의 경쟁체계로 바뀌어가고 있다. 즉 한국에 경쟁상대는 대만이라든가 프랑스, 독일이라고 했다면 오늘날에는 서울과 동경이 경쟁 혹은 부산과 파리의 경쟁 등 좀 더 세부화 되어가고 있는 것이다. 서울만 하더라도 이제 디자인 서울이라는 강력한 설정을 가지고 경쟁력을 높이고 있으며 부산, 광주, 인천, 대구 등 모든 도시가 각각에 특성을 강조하고 있다. 이런 도시계획에 있어서 경쟁력의 중심에 도시야간경관과 조명에 대한 중요성이 새롭게 인식되어가고 있다. 이제 도시는 주간 시간대와 함께 야간 시간대에 중요성을 강조하고 있으며 도시에 생명력은 조명에 역할이 상당부분 차지하게 된 것 같다. 이런 시점에서 그러면 도시의 경관 또는 조명연출계획은 어떻게 구성, 혹은 구상되어야 하는지 알아보고 검토 하는 것이 경쟁력 있는 도시를 만드는데 큰 도움이 되지 않을까 생각된다.

• Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
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• v.8 no.1
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• pp.31-40
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• 1990

In this study, sample area was selected to compare the conventional method with photogrammetic method in basic planning of country club. Also various elements of planning, such as vegetation and water system, were considered through interpretation of aerial photographs and topographic maps, vegetation maps and water system maps were made as well as digital terrain models. These were used to analyse tophographic changes and landscape. As a result of comparing with the conventional method, it was shown that photographic interpretation could give more detail values than the conventional method, and that the digital terrain model could predict changes of topography, landscape and water system with more asccuracy. Consequently, the method of digital terrain model and photographic interpretation proved to be more effective than the conventional method in the case of water treatment, and planning of landscape and land utility.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.29 no.3
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• pp.22-32
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• 2011

This study explored the architectural nature, the thought reflected in the place and the 'meaning-landscape' characteristic of a place, to where a retired scholar had lived. The object of the study is the Maechun-Byulup Toesu-jeong wonlim, which consists of a summer house and a garden forest. The results of the study are as following. Toesu-jeong wonlim is located at Daejeong-ri, Sannae-myeon, Namwon-si. It had been built by Maechun Park Chi-Gi in 1870 for his residence after retirement. It is a villa type pavilion and a garden forest which have Banseondaegi(伴仙臺記), Banseondae-10-yeong, Toesu-jeong(退修亭) Sangryangmun, a writing dedicated when putting up the ridge beam of a wooden house), Toesu-jeong Wonwun Byeongsoseo, hanging boards and tablets with poems written on them. In the Toesu-jeong wonlim, there are various 'meaning-landscapes' such as the Maechun-Byulup, Banseondae, Yabakdam and Simjinam together with engraved calligraphy related to the landscaping culture. It is also possible to find the remains of beautiful engraving on the stones and woods at Goksoo Yoogeo(曲水流渠) that suggest the banquets they had while discussing the elegant tastes and appreciating the landscape. The Toesu-jeong wonlim consists of the Toesu-jeong area(a pavilion), the Gwanseon-jae area(a shrine) area and the Gyejeong area(a garden with a brook) area. The pedantic 'meaning-landscape' elements, as the residence of retired scholar who spent his remaining life with elegant tastes, and the expertise of Maechun Park Chi-Gi, as a landscaping architect who built a villa and a garden forest in the motif of a Taoist hermit, can be extracted through the Banseondae-10yeong. The Banseondae-10yeong is the first Toesu-jeong poem and consisting of the Samseon-dae, Sejin-dae, Samcheong-dam, Yabak-dam, Samseo, Takgeum-dam, flat stones, caves, stone sculptures and harvest. The existing vegetation and plants in the Toesu-jeong wonlim are; natural pine forest in the rear garden, zelkova trees, wild cherry trees, apricot trees and pine trees bent to the waterfront direction. Except some ornament-species and shielding-species such as the poplars, most of current trees and vegetation keep the shape of the original Toesu-jeong wonlim landscape.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.28 no.1
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• pp.113-119
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• 2010

This study examined figurative characters of rice terraces, and is intended to seek figurative possibility of a natural scene by selecting Gyeongnam Area Namhae Gacheon rice terraces, Sancheong Imcheon rice terraces and Hamyang Macheon rice terraces through an analysis of the target land. As a theoretical background, studies of a natural scene and figuration-related literature were looked into, and for figuring a natural scene on the basis of the results, the character of the topography of rice terraces was divided into 9 items as follows by generalizing the inspiration obtained from the natural scenic character and spatial character of rice terraces represented from the topography: (1) Inclination showing the degree of the slope of rice terraces, (2) The bending showed by unevenness of the edge line of rice terraces, (3) The degree of parallelism of the up-and-down edge line, (4) The size of the width of the section of each rice terrace, (5) The area of the total rice terraces, (6) Step gap that indicates the difference of high and low of the up-and-down small rice terraces, (7) Figuration as an image represented by the external form of the total rice terraces, (8) Naturalness and artificiality kept by the total scene, (9) Softness of cornerstones or soil that forms small rice terraces, an atmosphere produced by the total scenes, etc. The results of analysis made through GIS, with rice terraces of Gyeongnam Namhae, Sancheong and Hamyang Area as the target land, are as follows. First, the steeper the inclination is, the higher the step difference of cornerstones becomes, and the steeper the inclination, the narrower the area and width become, so that it could be known that, in rice terraces, inclination is proportional to step difference and the area is inversely proportional to the width. Second, it is considered that line showed in rice terraces, area elements and reiteration, repeated changes, and changes in the scene affected by the surrounding environment including those according to season can be converted into a variety of images according to an individual disposition. Third, it was decided that it is possible to figure repetitive composition and directivity, motility, order and change, etc. into a common type drawn from each target land. This paper, as a study of basic materials for expressing figuration in an environment field, investigated and analyzed the surrounding environment of the target land, and is significant in that it attempted the possibility of being able to generalize the environmental beauty of the target land as one figurative element. More precise studies are expected to be made later.

• Korean journal of applied entomology
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• v.60 no.1
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• pp.79-90
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• 2021

Landscape composition and structure are important factors determining biological diversity including pests and natural enemires in agricultural ecosystem. This study was conducted to indentify effect of landscape composition on occurrence of lepidopteran pest population in Geochang, Gyoungdnam. For this, orchard characteristics and management practices were surveyed in 80 conventional apple orchards in Geochang, Korea, along with the monitoring of pest population densities. The landscape features of each surveyed orchard also obtained by extracting information from the public-service map. Grapholita molesta was the most dominat and damaging pest followed by Phyllonorycter ringoniella and Carposina sasakii in trap catches. Adoxophyes paraorana occurrences were low. Farmers spray insecticides and fungicides ap. 12.4 times per year respectively while acaricides were sprayed 2.4 times. Major landscape features such as surrounding apple orchard or paddy field did not influence the pest populations but presence of plum, peach, wild peach, graph, and even abandoned orchards significantly resulted in higher pest population mostly on G. molesta. C. sasakii population was higher in orchards with grape, peach, and P. ringoniella with peach, grape, abandoned orchards and jujube. Results highlight the need of landscape management not only for the rural amenity but also for increasing functional diversity of agroecosystem as well as reducing pest population.

• Journal of The Geomorphological Association of Korea
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• v.21 no.4
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• pp.149-164
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• 2014

The representative landscapes in Jeju Island called as Ten sceneries of Yeongju originates with Ten sceneries of Tamra which were organized in the late seventeenth century by Jeju governor Lee Iktae. In order to compose ten representative sceneries in Jeju Island, he selected four strongholds such as Jocheon, Byeolbang, Seogwi and Myeongwol and six places of scenic beauty such as Seongsan, Baekrokdam, Yeonggok, Cheonjiyeon, Sanbang and Chwibyeongdam, and made a painting named as Ten sceneries of Tamra. Since the scenes of strongholds also exhibit a lot of geomorphic landscapes, the painting could be considered a collection of representative landforms in Jeju Island. The painting depicts several types of landform such as volcano, crater, river, waterfall, pool, wetland, cavern, tor and rocky coast. The volcanic edifice appears most frequently in the painting, reflecting the particular emotion of Jeju people on Mt. Halla and oreums. However, another volcanic landform, a lava tube, was not highly evaluated due to its negative images. Three famous waterfalls in Jeju Island were included in Ten sceneries of Tamra, and it suggests that they are essentially outstanding landforms, and besides, there are few sites related with fresh water in Jeju Island. The ten sceneries were entirely organized in spite of the limitation of selecting places at that time. The landscape images of Jeju Island, which had been shared as collective representation by Jeju people, were firstly externalized through Lee Iktae's painting, and have long been passed down and established a kind of scenic stereotype.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.34 no.2
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• pp.16-26
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• 2016

In this paper, we collected information on Palgyeong of the Gangneung area that were scattered around several literatures, and analyzed and interpreted regional distribution, elements of scenery and inherent meanings from various angles. we shed light on the origin and the meaning of Palgyeong, which have been passed down in the Gangneung area. Palgyeong of the Gangneung area have been accumulated and expanded for a long period of time, since Goryeo up to the modern times, and it does not simply reflect the beauty of natural scenery, but also reflect historical facts and sentiments rooted in this region. In addition, given the comprehensive veiw of Palgyeong of the Gangneung area and in consideration of its type and distribution of the eight sceneries the most common format is similar to Sosang(瀟湘類似型). What are repeatedly appearing among them include 'smoke from cooking supper' and 'catching fish', showing the living conditions of local residents of Gangneung at the time, which refers to the fact that Palgyeong consisted of village units. Palgyeong in the Gangneung area are distributed in diverse ranges between the city and Nujung. Most of Palgyeong are clustered in the east of Gangneung city and in the region tangent to Gangdong-myeon and Gujeong-myeon. When we consider the situation where most of Palgyeong in the Gangneung area are distributed in this region, it suggests that the region occupies the heart of scenery of Gangneung. Palgyeong of the Gangneung area consists of 60% natural factors, 36% humanity factors, and 4% other factors, where the natural factors hold the beauty of nature itself and the humanities and other factors hold the legends and history contained in the targets. The sceneries expressed by Palgyeong cannot be individually separated. Namedaecheon, Jukdobong, Sumseokcheon, Sumdulmaeul, Gunseongang, Pungho and Kyungpoho were connected to Nujung and Hongjamam, and they eventually became a panorama. Hansongjung, Hwanseondeung, Hansongsa, Pungho and Gunseongang are related to Hwarang of Silla and have become representative historical sceneries of the Gangneung area. Judging from the fact that currently non-existing sceneries such as Kyeonjodo, Hansongjung and Gulsansa remained in Palgyeong and been passed, Palgyeong have positioned imaginary spaces of the Gangneung people beyond simply expressing sceneries. In conclusion, Palgyeong in the Gangneung area are aesthetical objects and while at the same time, they are historical and cultural space, and furthermore, we can see that they still remain as imaginary spaces.