• Title/Summary/Keyword: 跨文化意识)

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An Experimental Study on the Printing Characteristics of Traditional Korean Paper (Hanji) Using a Replicated Woodblock of Wanpanbon Edition Shimcheongjeon (완판본(完板本) 심청전 복각 목판을 이용한 한지상의 인출특성에 관한 실험적 연구)

  • Yoo, Woo Sik;Kim, Jung Gon;Ahn, Eun-Ju
    • Journal of Conservation Science
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    • v.37 no.3
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    • pp.289-301
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    • 2021
  • When investigating old, printed documents, determining whether a work is printed on a woodblock or using a movable metal type is crucial. It is because the history of printing in Korea and across the world relies on determining the relevant printing invention used and the time of use of the movable metal type. Deciphering details from woodblock and metal prints requires various kinds of information regarding the imprint and the work's printing background, such as information on the characters in the printed document, the outline of the pages, the type of ink used, the production period of the ink, and the production period of the Korean paper. Analyzing such information can generally reveal the production period and the methods used on the old document. However, as such information is not documented systematically, relying on the researcher's judgment based on their experience and perception becomes inevitable. This study conducted an experimental investigation of the printing characteristics of woodblock prints using a replicated woodblock of the Wanpanbon edition of the Shimcheongjeon. Subsequently, the various phenomena and characteristics appearing on the woodblock prints were documented for future reference to determine the printing method of old documents. Finally, woodblock novels without an imprint may be used as a reference to estimate the printing dates by determining the degree of wear on the woodblock.

『合部金光明經』 간행과 『高麗大藏經』 각성사업

  • 최연주
    • KOMUNHWA
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    • no.66
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    • pp.37-56
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    • 2005
  • 이 연구는 강화경판 『高麗大藏經』에 入藏된 『合部金光明經』과 13세기 중엽에 간행된 것으로 추정되는 口訣本 『合部金光明經』의 조성에 참여한 刻成人에 대해 살펴본 것이다. 국가적·범종파적 사업으로 전개된 각성사업에 『합부금광명경』이 조성되고 있는데도 불구하고, 구결본 『합부금광명경』 조성에 참여한 이들은 각성사업과 어떤 관련성을 갖고 있는지 검토해 보았다. 이에 『고려대장경』에 입장된 『합부금광명경』과 구결본 『합부금광명경』을 상호 비교해 본 결과 경전의 내용과 板式, 그 구성 체계가 相異한 본이었다. 그리고 彫成에 참여한 각성인을 조사해 본 결과 『고려대장경』에는 ‘부령’이었고, 구결본은 ‘存植’, ‘立成’, ‘正安’, ‘孝兼’ 등이었다. ‘存植’, ‘正安’, ‘孝兼’은 고종 24년부터 16년간 전개된 각성사업에 참여한 각성인들과 동일 인물이었다. 특히 ‘孝兼’은 자신을 비구라고 밝힌 점으로 볼 때 당시 활동하던 刻字僧으로 파악된다. ‘存植’과 ‘正安’은 고종 33년에 간행된 『禪門三家拈頌集』과 13세기 중엽에 간행된 『圓覺類解』, 『弘贊法華傳』의 조성에도 참여하고 있는 것으로 보아 전문 刻手로 보여진다. 그래서 각성사업에 참여한 각성인들은 각자의 여건에 따라 활동하고 있음을 알 수 있다. 『合部金光明經』은 『妙法蓮華經』·『仁王經』과 함께 호국삼부경 중의 하나로서 고려시기에 수시로 간행되고 있었다. 『금광명경』은 국가를 보호하고 내우외환을 소멸시키기 위해 왕실을 비롯한 관료층들이 깊이 존신하고 권장하려 하였던 불교 경전이었다. 특히 대외관계상의 위기상황에는 『금광명경』을 바탕으로 하는 功德天道場이라는 호국적 성격의 법회를 개최되고 있었다. 따라서 『합부금광명경』의 간행 배경에는 『고려대장경』이 국왕을 정점으로 반외세력인 몽고군을 격퇴시키고, 또 최씨무인정권으로부터 왕권을 회복시키고자 시대적 분위기가 적극 반영되어 있다. 구결본 『합부금광명경』의 간행은 민족적·국가적 사업이었던 각성사업에 적극 동참하면서 현실을 직시하고 고려 불교의 창조적 발전은 물론 외세의 침략으로부터 조국을 지키고자 하는 호국의식을 바탕에 두고 있었다. 〔주제어〕『高麗大藏經』, 『合部金光明經』, 刻成人, 최씨무인정권, 護國經

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A Study on the Sources of Creativity in Buddhist Mural Paintings of Muwisa and Geungnakjeon in Gangjin (강진 무위사 극락전과 후불벽화의 조성배경)

  • Bae Jong-min
    • KOMUNHWA
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    • no.58
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    • pp.119-136
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    • 2001
  • This study aims to analyze the sources of restoring of Geungnakjeon(極樂殿) and creation of the buddhist mural paintings(後佛壁畵) of Muwisa(無爲寺) in Gangjin(康津). Muwisa Geungnakjeon was constructed in 1430(in the twelfth year of King Sejong's(世宗)reign). At that

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A Study on the Esrablishment of an Ecomuseum in China and its Actual States. (중국의 생태박물관(에코뮤지엄)형성과 실태에 관한 연구)

  • O, Il-Hwan
    • KOMUNHWA
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    • no.68
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    • pp.59-75
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    • 2006
  • At the beginning of the 21st century with taking a serious view of the harmony between human and nature, and of keeping an ecological balance, China has tried to reduce the gap in economy between rural districts and the urban city, and to carry out the policies for establishing a harmonious socialism through full-scale cooperation and continuous developments. And in order to preserve their traditional culture and to keep the historical legitimacy of People's Republic of China against urgent economical changes since the reform and openness, China has stressed the importance of training patriotic attitude on their cultural heritages. Thus the Chinese museums started to recognize more ad more the importance of social education as well as their functions of preserving the cultural property and of exhibiting it. And with them they have turned their attentions to an Ecomuseum, a new type of a museum. The ecomuseum in China was first established at a remote place between mountains where the ethnic minority inhabited. This was because of the feeling of some crises on culture native to the minority, followed by the process of China's Western Region Development. And it was recognized that they should participate actively in creating the cultural demand of the minority and in establishing a harmonious society with improving economic condition. Therefore in order to activate the ecomuseum it is localized and sinicized little by little through strengthening the management of cultural heritages of the minority.

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A Study on the Interpretation of Cultural Heritage Sites for Public Education (대중교육을 위한 문화유적의 해석(Interpretation)에 관한 기본연구)

  • Han, Sang-U
    • KOMUNHWA
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    • no.68
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    • pp.41-57
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    • 2006
  • The purpose of this study is to review educational value of cultural heritage sites first and then, to examine the importance of interpretation and interpretation methods and process briefly to utilize cultural heritage sites as important resources for public education and cultural tourism. The educational value of cultural heritage sites is not limited to provide visitors with various information on historical facts and events related to the cultural heritage site, but to provide the public with a new recognition of the importance of the preservation of cultural heritage sites by understanding the site well. In order to utilize the educational value of the cultural heritage site, interpretation must be emphasized as an important element of cultural heritage sites management and much attention should be given on the development and practice of interpretation programs in each cultural heritage site. In order to develop an interpretation program of the site, a specific target audience must be defined first to find most resonable scope and direction of an interpretation program and then, site specific interpretation themes (or a theme) should be developed from the interpretive topic. According to these defined elements, an interpretation program(s) is established by using various interpretation methods and techniques in order to provide visitors with useful information and knowledge on the site efficiently. Interpretation methods and techniques are various as defined by various ways and most effective methods or techniques are employed as a specific interpretation program is presented most effectively. The evaluation processes in planing stage, during developing stage, and after completion of interpretation program development are important processes to find out any problems of planed interpretation program and to revise or update the interpretation program. Conclusively, the direction of cultural heritage sites management in Korea has focused on the conservation and restoration of cultural heritage sites to preserve the original conditions of cultural heritage sites so far. This direction on current practice on cultural heritage sites management should he changed to more active utilization of the sites and interpretation of the sites is a way to accomplish the this goal.

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