• Journal of Korean Classical Literature and Education
• /
• no.38
• /
• pp.103-138
• /
• 2018

This study examines the modern succession, transformation and significance of enjoyment methods of classical literature (art) with a focus on the characteristics of those methods that appeared when the performances of the traditional era began to be displayed on the stage of the theaters in modern Seoul. The clues to the reasons for this type of enjoyment can be found in newspapers, magazine articles, and advertisements from the early 20th century. The emergence of stage theaters at the beginning of the modern era caused a sweeping change in the performance environment, including the fact that it was possible for all kinds of people to enjoy art beyond the existing socioeconomic hierarchies or barriers of status, that the performers were given employment through the theater, and that the audience had the tendency of the general public of an unspecified number because the audience was able to see the performances only by paying the viewing fee. The way of enjoying traditional performances also changed based on these new adaptations: the performances were sequential, show-oriented, and re-contextualized as public performances. It is significant that in the traditional era, performers and audiences had been segregated according to their status and a strict hierarchy; now, such cultural norms were breaking down in favor of a kind of equality. In addition, it was possible for the audience to experience sensory enjoyment, and theater brought about a new kind of popular consumer enjoyment of an artistic product. Of course, though, it is possible to look back and find problems related to the contemporary context, but the traditional performances, which were the main performances for the lower class, took the first place on the modern theater stage, and as a result, no one can deny that it became possible to move forward in the first phase of an era of public performance.

• 지역과문화
• /
• v.7 no.4
• /
• pp.49-68
• /
• 2020

The study of complementary medicine for the mental illness of modern people has been made up of academic fields. Psychotherapy, art therapy, literary therapy and dance therapy are among them, but these non-integrated studies are extremely limited to apply to reality. Collaboration with the medical community seeking supplementary measures after drug treatment is also a problem, and it is even more difficult to institutionalize them in a policy way. In response, the study suggested a shift to a space-oriented treatment paradigm by studying the value of space that most treatment programs value. Based on the theory of integrated literature therapy developed in Germany and introduced into Korea, the Tetra system was applied to one of Korea's cultural heritages. And I presented a sample of how to program the characteristics of the old house space. Kwon Seong-baek old house in Andong was considered a representative space and analyzed. As a similar case, we looked at the Healian Sun Village, the Knife Village in Germany, and the Temple Stay of Bongeunsa Temple to find out the actual conditions of space utilization. Accordingly, space treatment programs such as walking, writing poems, reading poems, and writing letters were presented by analyzing old houses with a Tetra system. This is significant as the first study to incorporate spatialization and placeability into the program.

• CHINESE LITERATURE
• /
• v.100
• /
• pp.85 -100
• /
• 2019

In the 21st century, there was a boom of research in the field of Taiwanese historical narrative on Netherland's colonial rule of Taiwan in the 17th century. Such trend expanded to the literature field, and creations were made using the forgotten historical material. Representative works are 《婆 娑之島》 and 《福爾摩沙三族記》, written by Ping Lu and Chen Yao-chang. By analyzing these texts, this study studies what kind of a message the author presents through the literary form, and what his view is on the present and the future. In 《婆娑之島》, Ping Lu presents the fate of Taiwan being in the midst of imperialism for 400 years, and points out the betrayal of imperialism on Taiwan. Ping Lu argues that in order for Taiwan to evade from such situation, the future of Taiwan should be discussed in the global context, outside of the limited perspective of "China/Taiwan". Chen Yao-chang established the Tiwanese identity based on the multiple history narrative, by referencing to the spacial identity instead of the innate kinship. Such establishment of identity gave a breakthrough to the identity politics in Taiwan. Amidst the rapidly changing world politics and economy, it is essential for Taiwan to reestablish the cultural identity for itself for its development. What is more important is that the multiple history narrative maintains openness of history and communicates with the grand narrative to prevent history from being baised.

• Journal of Korean Library and Information Science Society
• /
• v.35 no.4
• /
• pp.469-489
• /
• 2004

Time(Period table) is the chronological factor in a subject. Classification schemes are using the period tables for represent the time. CC and UDC's common auxiliary of time tables are consistence and clear. DDC and KDC are using the different way, though the notation is complicated.

• Digital Contents
• /
• no.3 s.142
• /
• pp.113-116
• /
• 2005

이 세상의 모든 저작물은 기본적으로 아이디어와 표현의로 구성되어 있다. 교육용 소프트웨어, 게임 소프트웨어, 영화 등 디지털콘텐츠도 예외는 아니다. 저작물에서 Idea와 표현을 구별하는 것은 소송에서 피고에 의해 복제된 부분이 저작권을 침해 했는가를 판단하는데 있어서 매우 중요하다. 그 이유는 저작권법이 표현을 보호하고 Idea 는 보호하지 않기 대문이다. 미야자키하야오의 감독의 최근 애니메이션인 "하울의 움직이는 성"에서 어떤 부분이 Idea이며 또 표현인지를 정확히 구분하기란 대단히 어려운 일이다. 19세 소녀가 미녀의 저주에 결려 90세 할머니로 변해 미녀들의 심장을 먹고 산다는 하울의 움직이는 성에 들어가 격는 모험, 사랑, 마법 등 플롯(plot)은 과연 Idea일까, 아니면 표현일까? 이하에서는 Idea와 표현 2분법을 저작권법의 기본 원리로서 둔 법정책적 근거에 대해 살펴보고, 문학,미술,음악, 컴퓨터프로그램 등 다양한 종류의 저작물에 있어서 Idea와 표현은 무엇이며 또 어떻게 식별할 수 있는지 몇가지 사례를 통해 알아 보도록 하겠다.

• Digital Contents
• /
• no.4 s.143
• /
• pp.108-111
• /
• 2005

이 세상에 완전히 새로운 창작물이 있을까? 현존하는 대부분의 창작물은 그 이전의 창작물을 학습하고 분석해서 그 토대 위에 보다 발전적으로 또는 개성 있게 표현한 것들이다. 지난 호에서 설명한 바와 같이, 저작권법은 특허법과 달리 창작성이 있는 표현(expression)을 보호하고 아이디어(idea) 자체는 보호하지 않는다. 그 이유로서, Idea는 창작이라는 빌딩을 지을 때 가장 기초가 되는 벽돌(building blocks)의 역할을 하는 것으로 그 도구를 특정인의 독점하에 두지 않고 만인(public)이 자유롭게 이용함으로써 문화, 예술 및 과학의 발전을 도모할 수 있기 때문이다. 영화나 음악과 같은 문학저작물과 달리 소프트웨어나 게임은 기능성이 강한 저작물로서, 개발자가 소스코드(source code)를 공개하지 않으면 그것의 구조나 운용원리 및 아이디어를 쉽게 이해할 수 없다. 이러한 비공개 소프트웨어의 기능적 구성요소를 이해하기 위해 산업계에서는 역분석(reverse engineering)이란 공정을 활용해 오고 있다. 그런데 아이디어를 얻기 위해 수행된 프로그램역분석 과정은 필연적으로 원프로그램(original program)의 복제를 수반 하게 되므로 그것의 저작권 침해여부가 미국과 유럽 등을 중심으로 뜨겁게 논의돼 왔다. 이에 SW 역분석이 무엇인지 그리고 역분석 을 하면 타인의 저작권을 침해하게 되는 것인지 여부를 소니 플레이스테이션 사건을 중심으로 검토해 봤다. 또한 역분석은 영업비밀을 밝혀내는데 중요한 수단으로서도 사용될 수 있는데, 그것의 법률관계도 함께 살펴봤다.

• Proceedings of the Korean Institute of Electrical and Electronic Material Engineers Conference
• /
• 2006.11a
• /
• pp.178-179
• /
• 2006

나노 크기를 가지는 DNA 분자를 template로 사용하여 전도성 고분자의 일종인 polypyrrole nanowire를 합성하였다. 본 논문에서 합성된 polypyrrole nanowire는 단량체인 pyrrole과 산화제와의 화학적인 반응에 의해 만들어졌다. 먼저 DNA 분자를 APTES(3-aminopropyltriethoxysilane) modified Si surface 위에 정렬한다. 그리고 이 기판을 농도를 달리한 pyrrole solution에서 incubationn한다. 마지막으로 APS (ammonium persulfate)와 반응시켜 conductive nanowire를 합성하였다. SEM을 이용하여 silicon 기판위에 1차원적으로 정렬된 나노 크기를 가지는 polypyrrole nanowire를 관찰할수 있었다. 그리고 pyrrole의 농도에 따라 nanowire의 uniformity를 조절할 수 있었다.

• Journal of the Speleological Society of Korea
• /
• no.87
• /
• pp.34-43
• /
• 2008

카르스트는 자연수의 용식작용에 의하여 형성되는 지형이다. 용식은 카르스트 지형에 있어 가장 우세한 과정이 아니며, 또한 지배적인 과정도 아니지만, 그것은 다른 유형의 지형에서 형성되는 결과보다 용해질 암석에서 더 다양한 역할을 하기 때문이다. 용식의 가장 중요한 역할은 바위의 침투성을 증가시키면서 지하의 공간을 확대시키는 데 있다. 이는 지하수에 의해 지표면의 점진적인 용식적인 변화인 카렌, 석문, 용천, cockpit 및 mogote, sinkholes, hum 등의 카르스트 지형을 창출한다. 수문학의 대표적인 이론인 Darcy's Law가 용식지형에서는 전혀 적용되지 않는다는 검증 결과만 하더라도 카르스트가 얼마나 다양하고 복잡한 수문학적인 형성과정을 가지고 있는가를 알 수 있을 것이다. 특히 Darcy의 법칙은 비등방성과 비균질적인 투수층에는 적용되지 않는다. 왜냐하면 카르스트 지역에서는 1차삼투율(primary transmissivity)의 공극율에 따른 투과율이 적용되는 일반적인 암석에서의 결과보다 2차삼투율(secondly transmissivity인 단층선, 균열, 절리면 등에 의한 투과율이 훤씬 증대되기 때문이다. 따라서 카르스트수문학은 자연수의 용식작용에 의하여 형성되는 지형이지만 투수성, 지하수의 유속, 동공속의 소지류의 구배, 입수율과 배출율 등이 일반적인 수문학과 다른 결과를 나타내고 있다.

• Journal of the Korean Society for Library and Information Science
• /
• v.51 no.3
• /
• pp.83-108
• /
• 2017

As a public institution, it is the duty and responsibility of a library to provide readers with information about books. To provide such information to readers, a librarian should have the ability to provide satisfactory consultation and advice. As interest in picture books grows, there is an increasing need for libraries and librarians to produce and release picture book reviews on a regular basis to inform readers of what makes a good picture book, and which among similar books should they choose. Other than summarizing the content of a picture book, a good picture book review should also provide additional information that will help readers understand the reviewed book such as the literary symbolism of a book's visual texts. To this end, a librarian is required to develop visual literacy, which would enable him/her to read into the deeper meaning of the images imbued with the writer's ideas and philosophy. In light of the above discussion, this study compares and analyzes two picture book versions of the story Little Red Riding Hood, with the purpose of helping librarians understand the visual texts that they need to refer to when writing picture book reviews.

• The Journal of the Korea Contents Association
• /
• v.17 no.10
• /
• pp.657-666
• /
• 2017

This paper explored contrasting responses of the press and the academic circle to The Vegetarian, the 2016 Man Booker International Prize winner, and delved into the controversy over its faithfulness to Han Kang's Ch'aesikjuuija. In the comparison of Han Kang's Ch'aesikjuuija and Deborah Smith's The Vegetarian, many mistranslation cases have been found in The Vegetarian. This paper is meaningful in that it did not stop at discussing translation errors in The Vegetarian but probed the cause of Smith's mistranslation and that it identified The Vegetarian as an English localization text, instead of a translation text. This paper concludes with a discussion of the achievements of The Vegetarian as Smith's rewriting of Ch'aesikjuuija and makes suggestions as to what translators and the academic world can do for the reader and the English translation of Korean literature in the future.