• The Korean Publising Journal, Monthly
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• s.231
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• pp.12-12
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• 1998

난해함과 심오함으로 봉인된 서양철학의 상자를 소설이라는 문학적 열쇠로 열려는 시도가 있어 주목을 끈다. 소설과 인문학의 장르를 합성한 인문학적 문학서들은 진지하면 지루하고, 재미있으면 경박해지기 쉬운 역설을 피하며 대중적 호소력을 성취하고 있다.

• The Korean Publising Journal, Monthly
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• s.251
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• pp.14-14
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• 1999

새해 첫달, 다양한 국적의 소설들이 서점가에 선보이고 있다. 사라마구.마르케스.모디아노.슐링크 등 굵직한 작가를 비롯해 3세계 작가의 소설들이 각양각색의 형식과 주제, 그리고 독특한 이야기로 독자의 호기심을 불러일으킨다. 모습이 다양한 만큼 읽을거리도 풍부하다.

• The Korean Publising Journal, Monthly
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• s.82
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• pp.14-15
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• 1991

많은 경우 장편소설은 각종 정기간행물의 연재를 거친 후 책으로 출판되는 일이 다반사였다. 그런데 최근들어 원고지 2,000, 3000매 분량의 장편소설뿐 아니라 대하소설까지도 예전처럼 연재나 분재를 거치지 않고 곧바로 책으로 출판되는 사례가 크게 늘고 있다.

• The Korean Publising Journal, Monthly
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• s.239
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• pp.5-5
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• 1998

순수문학부터 대중문학 장르까지 아우르고 있는 환상소설은 90년대 리얼리즘 급격한 퇴조, 통신세대의 등장과 맞물려 독자적인 영역으로 자리잡아가고 있다. 90년대 중후반 관심이 늘기 시작한 환상소설 출간은 영화.만화 등으로 연결, 출판계 지형을 바꿀 만큼 잠재력이 클 것으로 전망한다.

• Journal of Convergence for Information Technology
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• v.9 no.6
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• pp.130-139
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• 2019

This study investigates the future world of The Perfect Society (1967), science fiction written by Yunsung Moon that was a very rare science fiction publication in the 1960s. In The Perfect society, the main character Woo Sungoo, who was chosen to survive in a sleeping capsule as a representative of $20^{th}-century$ human beings, wakes in the $22^{nd}$ century where only women remain. He experiences this female utopia and finds that this world still contains as much abnormal antipathy to the others and absolute autocracy as the 20th-century world he remembers even though the future people succeed in overcoming the past problems like famine and pollution. The author warns that science alone without humanistic insight in a unity-oriented society cannot settle the human's fate; rather, it only changes the aspects of human conflict.

• Proceedings of the Korean Society of Computer Information Conference
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• 2015.07a
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• pp.226-227
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• 2015

본 논문에서는 개화기 소설과 신문사설에 나타난 담화방식을 연구한 것이다. 개화기 소설과 신문 사설은 당시 대표적인 담론 매체였다. 대중들에게 쉽게 전달할 수 있는 담화방식은 개화기소설의 경우 대화체 토론체 연설체 담화방식으로 나타났다. 이는 신문 사설이 갖고 있는 한계인 설명 추상보다 진일보한 것으로 당대의 시대정신을 잘 구현한 것으로 볼 수 있다.

• Proceedings of the Korea Contents Association Conference
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• 2019.05a
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• pp.307-308
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• 2019

장르소설 중 게임소설은 한국 내에서만 하나의 장르로 구분되는 독특한 분야이다. 게임소설의 발전에 앞서서 MMORPG 내의 게임플레이를 소설 형식으로 구현하는 '온라인게임 여행기'라는 것이 존재했었다. 온라인게임 여행기는 컴퓨터 게임 잡지를 발표 지면으로 삼고 있었고, 컴퓨터 게임 잡지의 폐간과 더불어 사라진 장르가 되었다. 본 논문에서는 1999년부터 2003년간에 걸쳐서 발전했던 온라인게임 여행기의 시말에 대해 검토해본다.

• Cross-Cultural Studies
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• v.42
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• pp.285-311
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• 2016

This paper examines the constitutive relationship between realism and magical realism using a genealogical approach. Georg $Luk{\acute{a}}cs^{\prime}s$ The Theory of Novel and Gabriel García $M{\acute{a}}rquez^{\prime}s$ One Hundred Years of Solitude, as two founding texts of each genealogy, meet each other obliquely, sharing the most essential features. Even if realism and magical realism appear in opposition to each other in their political, cultural, epistemological outlooks, they in fact constitute the same truth regime in two different guises. Karen Tei Yamashita's Tropic of Orange interrogates this discursive regime of magical/realism, refusing to be contained within it. Her novel de-emphasizes the current idea of solidarity based on identity politics because it cannot resist effectively against the all-reifying power of globalization. Instead, she abandons the idea of imagination itself, and thus, tries to cease the dominant operative of magical/realism. On the temporary vacuum caused from such a conscious act of abandoning imagination, Tropic of Orange posits the urgent need to rethink 'solitude' and 'community', which already have been hopelessly compromised in the history of literary imagination as a global governmentality.

• Women's Studies Review
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• v.29 no.2
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• pp.3-35
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• 2012

This paper attempts to examine complicated relations which the nineteenth-century English novel of female development has with the Bildungsroman genre, and to discuss that the story of female development effectively realizes the potential dynamics of the genre. It looks into the history of discussions on the Bildungsroman which began at the end of the nineteenth-century in Germany and developed among twentieth-century Anglo-American critics, and those on the female development which didn't start until feminist criticism ventured out at the end of 1970s, and have developed into various perspectives ever since in accordance to the progress of feminist criticism. In general, Bildungsroman criticism considers that it portrays the process how the protagonist develops self and achieves an accommodation with society. However, this paper points out that the Bildungsroman is the narrative form which represents conflicts between self and society caused by idealizing the infinitive possibility of self-determination while simultaneously presenting the limited goal of social integration. It argues that the subversive dynamics of the genre can give full play to its potential when it reveals contradictions and tensions between individual subjectivity and integration into society and connects them with criticism of political and social structures. It is the stories of female Bildungshelds depicted by nineteenth-century female writers that exquisitely embody the subversive potential of the Bildungsroman. They acutely experience alienation from society where independency or autonomy is fundamentally impossible because the ideology of separate spheres does not allow them to live a meaningful life economically and sociologically outside the marriage. An example of a female Bildungsheld whose conflicts between development of self and integration with society are doubled by gender is Jane Eyre. Jane Eyre is a representative Bildungsroman with subversive dynamics, which tells the story of female development but splits itself through various techniques inserting contradictory and opposite meanings, thus resignifying female development and questioning social and political structures.

• The Korean Publising Journal, Monthly
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• s.351
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• pp.48-49
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• 2005