• 한국학연구
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• no.54
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• pp.299-342
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• 2019

本稿は在日朝鮮人文学の「祖国」における文化翻訳という観点から, その空 間を「戦後日本」から「分断祖国」へ拡張するプロジェクトの一環として, 北朝 鮮の出版․印刷システムによって在日朝鮮人文学が日本の境界を越える過程 に注目しながら, 「公民文学」の意味を分析する.1965年ピョンヤンで発行さ れた『祖国の光の下には, 北朝鮮最初の「在日朝鮮人小説集」で, 林炅相, 朴 元俊, 李殷直, 金在南, その他の作家たちの朝鮮語作品が再収録された.その 際, 金達寿の「夜きたサナイ」だけは日本語短編小説「夜きた男」の朝鮮語翻訳 で収録された.南朝鮮から密航してきた男が, 4․19をきっかけに逆密航する という設定は, 南朝鮮単独の革命を容認する方向に変化した, 北朝鮮の対南 政策ドライブを補うものだった.このような政治的補充は, 翻訳と日本語の コンテクストの積極的な省略を必要とした. 一方, 『祖国の光の下にの出版以降, 数度も北朝鮮で紹介された李殷直 は, 1984年には個人小説集『任務をピョンヤンで発表した.2002年には未発 表の長編小説『ある同胞商工人の物語を北朝鮮で出版するようになったが, 彼はあるインタビューの中で, 「今もなお北朝鮮の在外公民なのか」という質 問に対して, 北朝鮮での出版過程で行われた検閲と介入について暗示した. 南朝鮮の人民たちの革命的覚醒と成長の過程を描き出すことに成功した作品 として扱われた「生活の中で」は, 1971年ピョンヤンの文芸出版社で刊行され た「在日朝鮮作家作品集」の『日光はここにもさすに収録されるようになる. その後, 1984年, 彼の最初の個人小説集だった『任務がピョンヤンで刊行されたときには, 他の作品とともに収録された.1967年の『文学芸術版から 1971年版への改作は, 主に①南朝鮮の「先進性」を想起させる部分の削除, ② 朴正熙政府の「傀儡性」の強調, ③北朝鮮の実在性の強調, という方向で行わ れた.1984年版で注目すべき部分は, 1967年版と1971年版の中で「愛国者」と して言及された李舜臣の内容が削除されたことだ.この削除は1973年の東京 発行版から受け継いだもので, 朴政権が李舜臣を反共と国土統一の先駆者と して英雄化した事実に関わっている.ところが, その過程に含まれていた, 日 本－南朝鮮－北朝鮮を往来する空間的移動と, そして言語体系およびスタイ ルの移動がもつ複雑性は, 積極的な包摂／排除の原理によって形成された「公 民文学」の空間では, ほとんど議論されなかった.

• Journal of the Korea Convergence Society
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• v.11 no.2
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• pp.215-223
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• 2020

After the war, the circle literature movement took place in Japan around the 1950s. The subjects of the national movement, the Korean-Japanese, have produced and expanded their political rights and claims through circles and organs in conjunction with the literary movement. However, the results of analyzing the exchanges and conflicts between the political subjects of the Korean national movement and the literary circle movement as a concrete case to date are still insignificant. After liberation, the endless worries and confrontations to the post-colonialization of literary Koreans in Japan were analyzed as 'community with Republic of Korea and Japan', 'topic and creative language', and as 'conflict with Korean association in japan'. The process leading to dissolution was analyzed. The spirit of the era of Koreans in Japan in the 1950s identified in this paper is expected to suggest a new direction for the starting point of study of the humanities in Japan.

• Journal of the Korea Convergence Society
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• v.10 no.1
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• pp.95-102
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• 2019

After liberation, several literary groups with the nature of the national culture movement joined in Japan in January 1948 to form the Korean-Japanese Joseon Literary Society. However, the Korean-Japanese Joseon Literary Society was unable to play an active role due to the suppression of the GHQ and gathered again as the Korean War Armistice Agreement was concluded in 1953. The institutional journal of the 'Korean-Japanese Joseon Literary Society' is published by changing the magazine name to "Munhakbo" in Japanese and "Joseon Literature", "Joseon Literature and Arts" in Korean. The national movement group of Korean residents in Japan and literature groups were reorganized in conjunction with the political situation in Japan and the Korean peninsula. The reunion of 'Korean-Japanese Joseon Literary Society' was also based on the appearance of 'Jochongnyeon (pro-Pyeongyang federation of Korean residents in Japan)' and 'conversion of line'. In this paper, we are to fill up the blank of the research on literature of Korean residents in Japan in the 1950s by identifying the reality of conflict between 'Jochongnyeon' and 'Mindan', meaning of 'Korean Writing' Movement as a subject of national movement and the issue of promoting self-esteem as a 'citizen of the Republic' that 'Korean-Japanese Joseon Literary Society' tried to convey to Korean readers in Japan.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.35 no.2
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• pp.65-84
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• 2024

As the number of Instagram users continues to grow, an increasing number of public libraries are establishing and maintaining accounts on the Instagram platform. The objective of this study is to classify and analyze the content of Instagram posts from 14 public libraries that are actively engaged on the platform. A classification of post types, divided into seven large, 16 medium, and 76 small categories, was employed to analyze the content of posts on each library's Instagram account from the account's inception to the end of December 2023. The analysis revealed that library posts focused on a few items, including book recommendations, library introductions and news, and event announcements of literary and arts programs. Program event announcements and reviews, book recommendations and reading programs were found to be highly correlated with user engagement and teen reading programs. Based on these findings, it is recommended that future Instagram posts should be more user-centered and interactive, and that libraries should actively promote their events on Instagram and other social media platforms.

• Journal of Digital Convergence
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• v.20 no.4
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• pp.725-735
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• 2022

This study analyzed how the literary works embodying nurses accommodate various discourses about nurses and reproduce them in literature. The subject of analysis is a Korean modern novel featuring a nurse, and 29 works were selected from 1927 to 2016. The analysis method is the content analysis of the novel among the qualitative research methods. The unit of analysis adopts a narrative or dialogue that deals with the image of a nurse in a novel as a unit of analysis, The image determining factors of previous studies were integrated and categorized into 4 types and considered. As a result of analyzing the image of a nurse in the novel, First, traditional image types include Lee Kwang-soo 『Love』, Kim Eui-jung 『Doctor Han』, Jo Jung-rae 『Han River』, Gong Ji-young's 「Field of Stars」, Baek Min-seok 「Poor Little Hans」 Second, social image types include Kang Kyung-ae 「Dark」, Kim Kyung-wook 「Heaven's Gate」, Choi Jeong-hee 「Cheonmaek」 Third, professional image types include Lee Cheong-jun 「Mr. Jo Man-deuk」, 「Discharge」, Choi In-hoon 『The Square』, Kim Yeon-soo 「The Night in the Tunnel Where I Listened to Jusaeng Tudipini」, Jeong Se-lang 『Public health teacher Ahn Eun-young』and Fourth, personal image types include Choi In-ho 「Apprentice Patient」, Kim Jeong-han 「The Third Ward」, Eun Hee-kyung 『Minor League』, Hoon Kim 「Hwajang」, Ha Seong-ran 「The Joy of Eating」, Kim Ji-yeon 「Hippocrates Love Song」, Park Kyung-ri 「Era of Distrust」, Jeong Mi-kyung 「The Lady of Arsenal」 typed as. Through the image of the nurse in the novel, the implications of the novel for human care were discussed.

• 한국학연구
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• no.48
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• pp.315-350
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• 2018

이 연구는 『추악한 미국인』을 포함한 '추악한 시리즈'가 '한국'에서 번역되는 맥락과 의미를 분석하고자 했다. 이를 통해 『The Ugly American』이 동아시아 각국에 번역되고 전유되어 '추악한 시리즈'를 창출하고 그것이 한국에 번역되는 맥락을 파악할 수 있다. 『The Ugly American』(1958)은 윌리암 J. 레더러(Lederer, William J), 유진 버딕크(Burdick, Eugene) 공저의 풍자소설이다. 이 소설은 1959년 한국에 『추악한 미국인』으로 번역되면서 알려지기 시작하는데 베트남전쟁에서 미국인의 실수와 추태를 다룬 작품이다. 이 작품이 중요한 것은 월남전의 미국의 과오를 비판한 수준을 넘어 글쓰기의 아이디어와 방식이 미친 영향력이다. 제목이 함의하듯 이러한 책의 발상은 특정 국가와 그 민족구성원의 문제점을 지적하는 글쓰기 형식이기 때문에 민족(성) 비판과 맥이 닿아 있다. 『The Ugly American』의 수용과 전유는 한국뿐만 아니라 중국, 일본, 대만 등 동아시아 각국의 역사적 관계와 문명의 격차에서 기인하는 자기인식과 상대국에 대한 평가를 파악할 수 있게 한다. 소속 공동체에 대한 자긍심과 (민족)주체의 내적 발전 및 동태적 역동성의 발견 및 재인식 작업으로서의 민족문화론은 개인과 국가의 자기지식과 아이덴티티의 필수불가결한 구축 과정이며 진보와 지체를 둘러싼 일종의 자기반응이다. 이처럼 자신과 세계인식의 재갱신은 서구제국주의의 관점과 적자생존론, 민족주의를 경유해온 우리의 인식론적 성찰의 현실과 긴밀하게 관련된다는 점에서 '추악한' 시리즈는 그 실상과 강박을 접근할 수 있는 중요한 참조점이 될 것이다.

• Cross-Cultural Studies
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• v.43
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• pp.429-457
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• 2016

This article is an analysis of the status of the modern Korean novels translated into Chinese over the past five years and how they are perceived by readers. Translation of modern Korean novels over the past five years has a few important characteristics as the following. The first characteristic is diversity. Books written by the most representative modern Korean writers, like Lee Gwang-soo, Kim Yu-jung, Kim Dong-ri, and books of the authors with very unique ideas, such as Park Kyung-ri, Lee Mun-yeol, Shin Kyung-suk, Gong Ji-young, Kim Young-ha, Park Min-kyu, Cheon Myung-gwan, and Kim Ae-ran have been translated and introduced to the Chinese population. Secondly, there are active translation of the books written by female writers. Lastly, without the support of the Literature Translation Institute of Korea or the Daesan Foundation, the number of works translated and published is slowly increasing. As a result of the increasing number of translations, the quality of translation is improving. However, interest on the part of Chinese readers in the modern Korean novel is not very high. But, the works of authors like Kim Young-ha, Cheon Myung-gwan, Kim Ae-ran, and Park Min-kyu, who began their literary careers after the mid-90s, are drawing relatively more attention. The common features of such works are the novelty of the narrative methods, attachment to reality, and readability. The interest shown by Chinese readers is significant in explaining the two following factors. First, it is true that many modern Korean novels are available in China, but only those that have been read will continue to be read. Second, the indifference of Chinese readers to modern Korean novels is because they are not yet aware of the existence of such works. It is important to train professional translators who can properly translate literature and also to focus on introducing the differences in modern Korean novels through canonical translation. To achieve this aim, not only supportive policies, but also cooperation between researchers in the field of modern Korean literature, translators, and publishers is essential.