• 비교문화연구
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• 제39권
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• pp.287-308
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• 2015

Biographical film is a genre narrativizing the actual person and history, and reproducing the character and history in a biographical film is in a dimension different from a film focused on a fiction. Discussion between these methods of narrative composition and image reproduction in a biographical film is also, in line with artistic/aesthetic problems and ethical/philosophical theses of the film text. This study discusses the phase of the way of reproduction of the actual person, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ in the biographical film, The Golden Era and the time she lived in a biographical film and how the audience's discussion of the film and socio-cultural discourse differ depending on their attitude towards the cinematic introspection of the text. The narrative structure, the method of image reproduction and cinematic devices of the film, The Golden Era are completely off the point of the general format of the traditional biographical film. In The Golden Era, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ and the history which she lived in did not revive depending on an omniscient subject's selective statement and meta-film structure. Ann Hui removed general, mythic images of $Xi{\bar{a}}o$ $H{\acute{o}}ng$ formed in the field of traditional Chinese culture and reproduced her through multilateral visions of a real, fictional narrator. Each spectator's judgment and interpretation of the film intervene in the multi-layered and sparse descriptions of the actual person's images and the era of the characters. Through this, it is possible to approach the uniqueness and authenticity a historical character, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ and to have an opportunity of multi-layered reflection on how to secure a critical distance and make a perception in historical judgment.

• 동국한의학연구소논문집
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• 제7권1호
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• pp.1-32
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• 1998

청말 중서의회통파인 장석순의 의학사상을 "의학충중참서록"를 중심으로 정리하였다. 고전을 철처히 이해하여 동양의학의 이론을 바탕으로 서양의학을 접목시켜 장점을 취하고 단점을 보완하려고 노력하였다. 그의 의학적인 이론으로는 대기론, 기화론, 간병론, 화어법 등이 있고, 상한론과 온병학의 통합을 주장하고 내과병증에 다양한 방법을 제시하였다.

• 한국철학논집
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• 제57호
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• pp.57-90
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• 2018

본 논의에서는 주대(周代) 묘수제(廟數制)의 존재 여부를 확인하기 위한 방편으로 "춘추"의 기록 속에 나타나는 '묘'와 '궁'에 대한 집중적인 고찰을 시도하였다. 경문 내용이 구체적이지 않은 부분들은 "좌전"의 글과 기타자료들을 통해 사건의 맥락을 확인하였다. "춘추" 경문에서의 '묘(廟)'자의 쓰임 사례에서 주목할 만한 사항으로는 다음과 같다. 노나라의 태묘에서는 범국가적인 행사[事]와 제왕의 정치적인 제사 의례인 체(?) 의례를 이행하였고, 또 그와 같은 의례에 쓰이는 화려한 예기(禮器)를 구비하였다. 당대 군주의 종묘에서는 조정 의례인 조(朝)의례를 이행하였다. '궁(宮)'자의 쓰임 사례는 다음과 같다. 군주 개인의 가족이 기거했던 궁에서 그를 위한 가족 제사를 이행하였다. 노나라 삼환씨(三桓氏)의 정치적 거점이라 할 수 있는 환궁(桓宮)을 화려하게 장식한 기록이 눈에 띈다. 희공(僖公) 재위 시에 있었던 서궁(西宮)과 성공(成公) 3년에 화재로 소실된 신궁(新宮) 등은, 그것이 예궁(?宮)일 것이라는 한대 이후에 형성된 관점과는 달리, 양공(襄公)이 좋아했던 초궁(楚宮)과도 같은 군주의 또 다른 집이었을 것으로 추정한다. '무궁을 세우고'[立武宮] '양궁을 세웠다'[立煬宮]고 하는 기록은, 어떠한 건축물에 '무(武)'와 '양(煬)'이라고 하는 상징성을 부여해 설립하여 제후가 그곳의 위(位)에 서는 행사가 이어진 것임을 논하였다. 따라서 이것은 무공(武公)이나 양공(煬公) 등의 선군을 위한 당대 군주의 효성스러운 제사 이행이 주된 목적이 아니라, 그 의례를 통해 얻는 특정의 정치적 상징성을 드러내고자 한 것이었다. 이러한 상징성은 환궁(桓宮)과 희궁(僖宮)에서 가장 극명하게 나타난다. 결과적으로, 경문에서의 모든 묘와 궁들은 일정 부분 사당(祠堂)의 기능이 있긴 하지만, '천자7묘'나 '제후5묘'라는 묘수제의 규정에 맞추기 위해 사당으로서 조성한 건축물이 결코 아니었음을 확인하였다.

• 한국의사학회지
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• 제24권1호
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• pp.43-56
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• 2011

Everyone once in a life experience headaches as symptoms are very common. According to a study in a country of more than a week and as many as those who have experienced a headache amounts to 69.4%. In addition, the high reported prevalence of migraine in 30s for 80% of all migraine sufferers daily life interfere with work or was affected. In Western medicine, the cause of headaches is traction or deformation of pain induced tissue like scalp, subcutaneous tissue, muscle, fascia, extracranial arteriovenous, nerves, periosteum. But it turns out there are not cause why pain induced tissue is being tracted or deformated. Therefore, most of the western-therapy is mainly conducted with regimen for a temporary symptom reduction. Therefore, I examined how it has been developed in Chinese Ming Dynasty, the perception of headache, change in disease stage and an etiological cause. Oriental medicine in the treatment of headache is a more fundamental way to have an excellent treatment. The recognition of head in "素問($s{\grave{u}}$ $w{\grave{e}}n$)" and "靈樞($l{\acute{i}}ng$ $sh{\bar{u}}$)" began to appear in 'Soul-神($sh{\acute{e}}n$) dwelling place' and 'where to gather all the Yang-'諸陽之會($zh{\bar{u}}$ $y{\acute{a}}ng$ $zh{\bar{i}}$ $hu{\grave{i}}$)'. Also, head was recognized as '六腑($li{\grave{u}}f{\check{u}}$) 淸陽之氣($q{\bar{i}}ng$ $y{\acute{a}}ng$ $zh{\bar{i}}$ $q{\grave{i}}$) and 五臟($w{\check{u}}$ $z{\grave{a}}ng$) 精血($j{\bar{i}}ng$ $xu{\grave{e}}$) gathering place'. More specific structures such as the brain is considered a sea of marrow(髓海-$su{\check{i}}$ $h{\check{a}}i$) in "內經($n{\grave{e}}i$ $j{\bar{i}}ng$)" and came to recognized place where a stroke occurs. Accompanying development of the recognition about head, there had been changed about the perception of headache and the recognition of the cause and mechanism of headache. And the recognition of headache began to be completed in Ming Dynasty through Jin, Yuan Dynasty. Chinese Ming Dynasty, specially 樓英($l{\acute{o}}u$ $y{\bar{i}}ng$), in "醫學綱目($y{\bar{i}}xu{\acute{e}}$ $g{\bar{a}}ngm{\grave{u}}$)", first enumerated prescription in detail by separating postpartum headache. and proposed treatment of headache especially due to postpartum sepsis(敗血-$b{\grave{a}}i$ $xu{\grave{e}}$). 許浚($x{\check{u}}$ $j{\grave{u}}n$) accepted a variety of views without impartial opinion in explaining one kind of headache in "東醫寶鑑($d{\bar{o}}ng-y{\bar{i}}$ $b{\check{a}}oji{\grave{a}}n)$" 張景岳($zh{\bar{a}}ng$ $j{\check{i}}ng$ $yu{\grave{e}}$), in "景岳全書($j{\check{i}}ng$ $yu{\grave{e}}$ $qu{\acute{a}}nsh{\bar{u}}$)", established his own unique classification system-新舊表裏($x{\bar{i}}nji{\grave{u}}$ $bi{\check{a}}ol{\check{i}}$)-, and offered a clear way even in treatment. Acupuncture treatment of headache in the choice of meridian has been developed as a single acupuncture point. Using the classification of headache to come for future generation as a way of locating acupoints were developed. Chinese Ming Dynasty, there are special treatments like 導引按蹻法($d{\check{a}}o$ y ${\check{i}}n$ ${\grave{a}}n$ $ji{\check{a}}o$ $f{\check{a}}$), 搐鼻法($ch{\grave{u}}$ $b{\acute{i}}$ $f{\check{a}})$, 吐法($t{\check{u}}$ $f{\check{a}}$), 外貼法($w{\grave{a}}i$ $ti{\bar{e}}$ $f{\check{a}}$), 熨法($y{\grave{u}}n$ $f{\check{a}}$), 點眼法($di{\check{a}}n$ $y{\check{a}}n$ $f{\check{a}}$), 熏蒸法($x{\bar{u}}nzh{\bar{e}}ng$ $f{\check{a}}$), 香氣療法($xi{\bar{a}}ngq{\grave{i}}$ $li{\acute{a}}of{\check{a}}$). Most of this therapy in the treatment of headache, it is not used here, but if you use a good fit for today's environment can make a difference.