• Title/Summary/Keyword: "조선의 지리"

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The Distribution and Changes of the Place Names in Bukhansanseong : Focusing on the Place Names in Bukhanji (북한산성 지명의 분포와 변천: 『북한지(北漢誌)』 수록 지명을 중심으로)

  • Kim, Sun Bae
    • Journal of the Korean association of regional geographers
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    • v.23 no.2
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    • pp.325-353
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    • 2017
  • This article aims to investigate the geographical distribution and the cultural, historical, and symbolic meanings of the place names in the area of Bukhansanseong (Fortress), and to basically suggest the several features which have happened throughout the process of toponymic changes. In order to realize the purpose of the article, I collected the chronological toponymic data, particularly focusing on the Bukhanji (Record of Bukhansanseong, 1745) in which the most existing place names related to Bukhansanseong are recorded. In the meantime, I proposed the character of distributions and types of the physical, human place names according to the rear-part of toponymic morpheme, i.e. the generic name. Moreover, selecting the main place names such as 'Bukhansan', etc., I analyzed some features on the toponymic meanings and changes in accordance with the fore-part of toponymic morpheme, the specific name. Consequently, I identified the facts that the name of 'Bukhansan' in the era of the Three Kingdoms, 'Samgaksan' in the Goryeo Dynasty, and again 'Bukhansan' or 'Buksan' in the Joseon Dynasty era had been primarily called. And then the place name, 'Bukhansan' has been officially named until now since constructing the Bukhansanseong Fortress in 1711. Meanwhile, the physical place names related to mountainous and fluvial topography, the place names of artificial facilities such as a mountain fortress on this geographical environment, and especially Buddhistic place names which was named and identified by Buddhist monk, Seongneung who wrote the Bukhanji, representing the Buddhistic identity and ideology, form a large majority of the place names within Bukhansanseong.

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The Natures of urban Growth and newly Developed Districts of Taegu(I) - Urban Growth and Land Development in newly Developed Districts - (대구시의 도시성장과 신시가지 지역 특성에 관한 연구(I) - 도시성장과 신시가지 개발을 중심으로 -)

  • Jin, Won-Hyung
    • Journal of the Korean association of regional geographers
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    • v.8 no.3
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    • pp.295-313
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    • 2002
  • While the growth of Taegu has occurred through the land readjustment project, the public sector development project and the construction of roads, its growth pattern has been shaped by physical constraints such as mountains, streams and rail roads. The processes of urban growth of Taegu are classified into four stages: the stage of urban embryo in the Chosun Era; the formation stage of the basic urban system after the Japanese Colonial Era up to 1960; the stage of urban growth in the industrialization period from 1960s to 1980; and lastly, the stage of urban expansion and maturation, with construction of extensive newly developed districts, after the 1980s. Since its promotion to a metropolitan city with the inclusion of Seongseo, Wolbae, Gosan, Ansim and Chilgok in 1981, those regions have grown into newly developed residential districts, with its accompanying high density and high rise apartments complexes, through the public sector development project. These newly developed districts are located about six to seven kilometers away from CBD of the city along with main radial roads. The sites are also located on the route of the fourth belt way of the city. While the Sangin, Seongseo and Jisan Beommul newly developed districts have developed contiguously with the existing built-up areas, the Siji and Chilgok districts have developed separately by the green belt and the Geumho River, respectively.

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Location and Scope of Nokdundo located in the Dumangang Estuary (두만강 하구에 자리한 녹둔도의 위치와 범위)

  • Son, Seungho
    • Journal of the Korean Geographical Society
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    • v.51 no.5
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    • pp.651-665
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    • 2016
  • This paper tried to delimitate the location and scope of Nokdundo located in the Dumangang estuary. In 18th century, Nokdundo was an alluvial island formed by several tributaries divided from the mainstream of Dumangang. In the mid-19th century, Nokdundo was connected to the Russian territory because some tributaries were blocked by sediment flows. In many maps published in the Joseon Dynasty, the location and size of Nokdundo had not been depicted consistently with each other nor been described correctly. Because of the recurrent extinction-generating phenomena of waterways of the Dumangang due to sedimentation process, the location and scope of Nokdundo can be delimitated differently according to the era. According to the distance information of the records published in the 19th and 20th century, the scope of Nokdundo can be extended widely to the Maritime Province of Siberia. So, the author have set the Sodumangang(Karasik River) as the northern boundary of Nokdundo. The Karasik River is called Sodumangang by the Koreans living in the Maritime Province. As a tributary of the Dumangang, Sodumangang flows into the Posyet Bay. Nokdundo was an island separated from the Korean peninsula and the Maritime Province by the Dumangang and the Sodumangang respectively. Tributaries of the Dumangang have formed many alluvial islands at the mouth of Dumangang where the Dumangang meets with the East Sea. So, the possibility that Nokdundo was consisted of several islands can not be excluded.

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An Analysis of the Placeness and Authenticity of an Aging Urban Residential Area from the Perspective of Ordinary Culture (일상문화 관점을 적용한 도시노후주거지역의 장소성과 진정성 분석 - 광주광역시 북구 중흥동 와우산 일대를 사례로 -)

  • Kim, Sang-Cheol;Lee, Mu-Yong
    • Journal of the Korean association of regional geographers
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    • v.19 no.1
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    • pp.111-129
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    • 2013
  • A city is an ordinary space and a place of living that is directly related to our lives. An ordinary space is the total products of culture and the target of cultural representation. An aging residential area of a city reflects the ordinary lives of ordinary people along with its unique history; therefore, this place should not be seen only from an economic and political perspective. The Wausan area is a place that best maintains the characteristics and scenery of an aging urban residential area within Gwangju metropolitan city. Through research into this area, it is possible to discover the meaning and true value of an aging urban residential area such as the close relationship between ordinary culture and placeness, the creation factors and process of placeness of an aging urban residential area, and the authenticity of a particular place. This area is a modern residential area of today's ordinary people, created on a topography of hills and hilly areas along with a historical value of 400 years. It is based on the Gyeongyangyeok of the Joseon period. This place may be described as a space where the dailiness of ordinary people is alive based on its alleys and the unique scenery formed by its alleys and vegetable gardens. The authenticity deduced from such placeness is that an aging urban residential area is a place where communicative and considerate human life and a cultural diversity of an atypical nature are alive, a place where an environment and humans coexist in harmony, and a place where the communal dailiness of residents still exists.

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Weather and Climatic Environment of Seoul Area in South Korea during 1623~1800, Reconstructed from 'The Daily Records of Royal Secretariat of Joseon Dynasty(承政院日記)' (1623~1800년 서울지역의 기상기후 환경 -'승정원일기'를 토대로-)

  • LEE, Joon Ho
    • Journal of the Korean association of regional geographers
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    • v.22 no.4
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    • pp.856-874
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    • 2016
  • This study aims to figure out the weather and climate environment of Seoul area in S. Korea during 1623~1800, which has not been studied so far, by using daily records of weather conditions and meteorological phenomena in the Daily Records of Royal Secretariat of Joseon Dynasty(承政院日記) together with records of abnormal weather conditions and natural disasters in the Annals of the Joseon Dynasty(朝鮮王朝實錄). During 1500~1760 as a period of the Little Ice Age it was generally cold and dry, particularly cool summers of Seoul area. Changes in weather conditions and meteorological phenomena and climate changes appeared prominently at around 1650, 1710, 1770. The annual numbers of rain days and of snow days began to change largely in the 1640s. The rain(and snow) days reduced significantly in the 1710s~1650s, but increased sharply in the 1710s and later. The rain days in summer rapidly increased after the late 1710s, while the snow days greatly reduced after the mid 1770s. The cloudy days around the 1710s greatly reduced in summer, while slightly increased in winter. The hail days increased significantly in the late 1720s and lasted until the 1760s. The fog days began to reduce after 1770 to the fewer days than the climatic normals of 1981~2010. These times are overall consistent with findings of historical climatological cross-checking data and geophysical biological proxy data, accompanied by a trend of relatively enhanced colder and drier of Seoul area.

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Aspects of Liang Qichao and Choi Namsun's Enlightenment Project (량치차오와 최남선의 계몽 기획 관련 양상)

  • Moon, dae-il
    • The Journal of the Convergence on Culture Technology
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    • v.7 no.2
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    • pp.261-267
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    • 2021
  • The enlightenment project raised in both Korea and China during the modern period worked as a part of the patriotic enlightenment movement against the imperial powers. Among them, "boy" appeared as the subject of enlightenment, and "sea" appeared as a medium. Specifically, through "Boy Discourse," Liang Qi Chao ultimately envisioned a nation for "subjects", and Choi Nam-seon also seeked to overcome the national crisis as "New Korea" and join the ranks of powerful nations. Liang Qiqiao proposes the concept of a "Boy Nation" and an "Old Nation" through boy discourse, and wishing for the development of the "Boy Nation" through "proficiency training". Choi Nam-seon also recognized that the future of the nation depends on "boys", influenced by Liang Qi-qiao's discourse on boys, and argues that Choseon should cultivate skills to become a "Boy Nation". In addition, Liang Qi-chao and Choi Nam-seon actively spread the "boy discourse" through the creation of poetry. Liang Qi Chao introduced the world's geography and history through poetries related to the sea, while at the same time inspiring a sense of challenge to recognize and pioneer the sea as a pathway that connects the world in a broad sense. Namseon Choi also created a poem that directly linked "the sea" and the "boy" to promote the "adventure at sea" and "the progressive spirit of the sea and the boy".

Namwon poetry of Maewol-dang Sayou-rok and the local color of (매월당 사유록의 남원(南原) 시문과 만복사저포기의 향토성)

  • Kang, seogkeun
    • (The)Study of the Eastern Classic
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    • no.48
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    • pp.65-90
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    • 2012
  • This paper treats indigenous themes on of Kim Si-seup(金時習). has strong local color to the others of "Keumoh-shinhwa(金鰲新話)". This novel is set in Nam-won(南原) and Manbok-sa (萬福寺)which are used to realize the subject. Not only a folk game like Jeopo is used as important tool, but the main character of the novel is native Namwon man. Kim Si-seup stayed for a long time in Namwon. Because of this experience, he can realize unique and local setting, and then can break from the convention about a place setting of classic novel. The local color on is confirmed at . This tale have come down in Namwon, and then was recorded early 1970s. This tale is very similar with , so many researchers understood that the tale is the orginal work of . However, I suggest that is the orginal. Written with Chinese character, was very difficult to read. Besides, many Chosun scholar couldn't find this novel. Nevertheless, has a strong local color, so many Namwon people could accept this novel, and could create new folk tale easily.

A Study on the Location and Landscaping Characteristics of Yonghogugok of Jiri Mountain Illuminated by Old Literatures and Letters Carved on the Rocks (고문헌과 바위글씨로 조명한 지리산 용호구곡(龍湖九曲)의 입지 및 경관특성)

  • Rho, Jae-Hyun;Kahng, Byung-Seon
    • Journal of the Korean Institute of Traditional Landscape Architecture
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    • v.32 no.3
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    • pp.154-167
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    • 2014
  • The results of this study conducted to identify the substance, regional characteristics or landscaping of Namwon Yonghogugok, which is the only valley of Jiri Mountain, based on Kim Samun's 'Yonghokugok-Gyeongseungannae(龍湖九曲景勝案內)', 'Yongseongji(龍城誌)' and position, meaning of letters carved and projection technique by ArcGIS10.0 on the rocks are as below. The feature landscapes of the canyon of Yonghogugok, which is an incised meander and one of the Eight beautiful scenery of Namwon, ponds, cliffs and rocks generated with metamorphic rocks and granites weathered by rapids torrents. As a result of measuring the GPS coordinates of the letters carved on the rocks, excluding the 3 Gok Hakseoam and the distances based on the origin and destination of the letters carved on the rocks using the API(Application Programming Interface) function of Daum map, the total distance of Yonghogugok was 3.5km and the average distance between the each Gok was 436.5m. It is assumed that Yonghogugok was designated by Sarim(士林) of the Kiho School(畿湖學派) related to Wondong Hyangyak(元洞鄕約) which is the main agent of Yonghojeongsa(龍湖精舍), the forerunner of Yonghoseowon(龍湖書院), between the late Joseon Dynasty and the early Japanese colonial era, in 1927. Its grounds are the existence of Yonghoyeongdang mentioned on 'Yonghojeongsilgi'(龍湖亭實記), records of 'Haeunyugo(荷隱遺稿)', 'Yonghopumje(龍湖品題)' of Bulshindang(佛神堂), 'Yonghojeongsadonggu Gapjachun(龍湖精舍洞口 甲子春)' letters carved on the rocks and 'Yonghogugok-Shipyeong(龍湖九曲十詠)' posted on Mokgandang of Yonghoseowon. Comprehensively considering the numerous poetry society lists carved on the stone wall of Punghodae(風乎臺), the Sixth Gok Yuseondae, its stone mortar, 'Bangjangjeildongcheon(方丈第一洞天)' of Bulshindang and Gyoryongdam(交龍潭), the Yonghoseokmun(龍湖石門) letters carved on the rocks, Yeogungseok adjacent to the First Gok and Fengshui facilities, centered on Yonghoseowon and Yonghojeong, Yonghogugok can be understood as a unique valley culture formed with the thoughts of Confucianism, Buddhism, Taoism and Fengshui. 'Yonghogugok-Gyeongseungannae' provides very useful information to understand the place name, called by locals and landscaping aspects of Yonghogugok in the late Joseon Dynasty. In addition, the meaning of "Nine dragons" and even though 12 chu(湫: pond) of Yonghogugok Yongchudong including Bulyeongchu, Guryongchu, Isuchu, Goieumchu and Daeyachu are mentioned on Yongseongji, a part of them cannot be confirmed now. Various place names and facilities relevant to Guryong adjacent to Yonghogugok are the core of the place identity. In addition, the accurate location identification and the delivery of the landscaping significance of the 12 ponds is expected to provide landscaping attractiveness of Yonghogugok and become very useful contents for landscaping storytelling and a keyword of storyboard.

A Study on Lee, Man-Bu's Thought of Space and Siksanjeongsa with Special Reference of Prototype Landscape Analyzing Nuhangdo(陋巷圖) and Nuhangnok(陋巷錄) (누항도(陋巷圖)와 누항록(陋巷錄)을 통해 본 이만부의 공간철학과 식산정사의 원형경관)

  • Kahng, Byung-Seon;Lee, Seung-Yeon;Shin, Sang-Sup;Rho, Jae-Hyun
    • Journal of the Korean Institute of Traditional Landscape Architecture
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    • v.39 no.2
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    • pp.15-28
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    • 2021
  • 'Cheonunjeongsa (天雲精舍)', designated as Gyeongsangbukdo Folklore Cultural Property No. 76, is a Siksanjeongsa built in 1700 by Manbu Lee Shiksan. In this study, we investigate the life and perspective of Manbu Lee in relation to Siksanjeongsa, and estimate the feng shui location, territoriality, and original landscape by analyzing 「Nuhangnok」 and 「Nuhando」, the results of his political management. The following results were derived by examining the philosophy that the scholar wanted to include in his space. First, Manbu Lee Shiksan was a representative hermit-type confucian scholar in the late Joseon Dynasty. 'Siksan', the name of the government official and the nickname of Manbu Lee, is derived from the mountain behind the village, and he wanted to rest in the four areas of thought(思), body(躬), speech(言), and friendship(交). During the difficult years of King Sukjong, Lee Manbu of a Namin family expressed his will to seclude through the title 'Siksan'. Second, There is a high possibility of restoration close to the original. Manbu Lee recorded the location of Siksanjeongsa, spatial structure, buildings and landscape facilities, trees, surrounding landscape, and usage behaviors in 「Nuhangnok」, and left a book of 《Nuhangdo》. Third, Manbu Lee refers to the feng shui geography view that Oenogok is closed in two when viewed from the outside, but is cozy and deep and can be seen from a far when entering inside. The whole village of Nogok was called Siksanjeongsa, which means through the name. It can be seen that the area was formed and expanded. Fourth, the spatial composition of Siksanjeongsa can be divided into a banquet space, an education space, a support space, a rest space, a vegetable and an herbal garden. The banquet space composed of Dang, Lu, and Yeonji is a personal space where Manbu Lee, who thinks about the unity of the heavenly people, the virtue of the gentleman, and humanity, is a place for lectures and a place to live. Fifth, Yangjeongjae area is an educational space, and Yangjeongjae is a name taken from the main character Monggwa, and it is a name that prayed for young students to grow brightly and academically. Sixth, the support space composed of Ganjijeong, Gobandae, and Sehandan is a place where the forested areas in the innermost part of Siksanjeongsa are cleared and a small pavilion is built using natural standing stones and pine trees as a folding screen. The virtue and grace of stopping. It contains the meaning of leisure and the wisdom of a gentleman. Seventh, outside the wall of Siksanjeongsa, across the eastern stream, an altar was built in a place with many old trees, called Yeonggwisa, and a place of rest was made by piling up an oddly shaped stone and planting flowers. Eighth, Manbu Lee, who knew the effects of vegetables and medicinal herbs in detail like the scholars of the Joseon Dynasty, cultivated a vegetable garden and an herbal garden in Jeongsa. Ninth, it can be seen that Lee Manbu realized the Neo-Confucian utopia in his political life by giving meaning to each space of Siksanjeongsa by naming buildings and landscaping facilities and planting them according to ancient events.