문화기술의 융합 (The Journal of the Convergence on Culture Technology)

  • 제9권5호
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  • Pages.299-310
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  • 2023
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  • 2384-0358(pISSN)
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  • 2384-0366(eISSN)
국제문화기술진흥원 (The International Promotion Agency of Culture Technology)
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<기생충>에 나타난 자크 라캉의 욕망

A Study on Lacan's Desire in <Parasite>

  • 조우신 (동서대학교 영상콘텐츠학과) ;
  • 최원호 (동서대학교 영상콘텐츠학과)
  • Zhou Xin ;
  • Choi Won-Ho (Dept. of Visual Contents, Dongseo Univ)
  • 투고 : 2023.07.28
  • 심사 : 2023.09.05
  • 발행 : 2023.09.30
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초록

자크 라캉(Jacques Lacan)에 따르면, 욕망은 원초적인 부분의 결여(Lack)에서 비롯되며, 이는 인간이 지속적으로 쾌락과 만족을 추구하게 만드는 일종의 원동력이다. 주체(Subject)와 인류의 욕망은 매우 복잡한 심리적 현상이기에 욕망의 완전히 실현은 불가능하다. 연구자는 자크 라캉의 욕망 이론을 통해 영화 속 주체가 추구하는 이상, 좌절, 성장의 과정에서 형성되는 균형을 분석하고자 한다. 본 논문, "연구자는 영화 <기생충>을 아메데오 지오르지(Amedeo Giorgi)의 현상학적 방법으로 분석"에 대한 연구임. 이를 통해 인류 욕망의 본질을 드러냄으로써, 영화의창작에 대한 시사점과 이론적 배경을 제공하고자 하였다.

According to Jacques Lacan, human desire stems from a primitive lack, This lack acts as a driving force, propelling humans to continually seek pleasure and satisfaction. Given its intricacies, the interplay between the subject's and the overall human desire is intricate, making complete realization of desire unattainable. Through Jacques Lacan's theory of desire, the researcher aims to explore the balance achieved as the subject in the movie navigates ideals, frustrations, and growth. This paper focuses on the analysis of the movie 'Parasite' using Amedeo Giorgi's phenomenological method. By doing so, the researcher seeks to uncover the essence of human desire, offering insights and a theoretical framework for cinematic creation.

키워드

참고문헌

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