문화기술의 융합 (The Journal of the Convergence on Culture Technology)

  • 제9권4호
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  • Pages.351-356
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  • 2023
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  • 2384-0358(pISSN)
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  • 2384-0366(eISSN)
국제문화기술진흥원 (The International Promotion Agency of Culture Technology)
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역사극의 분석틀을 활용한 영화 <자산어보>의 내레이션 특성에 관한 연구

A Study on the Narration Characteristics of <The Book of Fish> Using the Analysis Frame of Historical Drama

  • 채희상 (한신대학교 미디어영상광고홍보학부)
  • Hee Sang Chae (Dept. of Advertising, PR, & Visual Communication, Hanshin University)
  • 투고 : 2023.06.19
  • 심사 : 2023.07.10
  • 발행 : 2023.07.31
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초록

본 연구는 영화 <자산어보>(2021)가 19세기 성리학적 질서가 흔들리며 서서히 몰락해가는 조선을 어떤 방식으로 재현하고 있는지를 분석을 통해 살펴보기 위해 기획되었다. 분석에 앞서 역사극의 내레이션 특성을 고려하여 역사극의 분석틀을 제시하였다. 우리는 역사극의 분석틀을 활용하여 <자산어보>가 유배 서사의 플롯 구조를 기반으로 정약전, 장창대가 시대의 한계와 가능성 사이에서 주체적 개인으로 자신의 삶을 살아가는 모습을 재현하고 있음을 확인하였다. 흑백과 컬러 이미지의 대비, 보이스 오버 내레이션의 적극적 활용, 한시 자막과 음악 등으로 만들어낸 중심기억과 잉여기억을 통해 영화는 주체적 개인으로 살아가기 위해 필요한 것이 무엇인지에 관한 보편적인 질문을 우리에게 던지고 있다.

The purpose of this study is to analyze how the movie <The Book of Fish> (2021) represents Joseon, which is slowly collapsing with the Neo-Confucian order of the 19th century shaking, and to discuss its meaning. Prior to the analysis, the analysis framework of the historical drama was presented considering the narration characteristics of the historical drama. Using the analysis framework of historical dramas, we confirmed that <The Book of Fish> is representing the image of Jeong Yak-jeon and Jang Chang-dae living their lives as independent individuals between the limitations and possibilities of the times based on the plot structure of the narrative of exile. Through the central memory and surplus memory created through plot and style elements such as contrast between black and white and color images, voice-over narration, chinese poetry subtitles and music, the film asks us universal questions about what it takes to live as an independent individual.

키워드

과제정보

이 논문은 한신대학교 학술연구비 지원에 의하여 연구되었음.

참고문헌

  1. Eunsun Kwon, "The Psychology of Abandoned Sons-The Father-Son Relationship in <Sunset in My Hometown> and <The Book of Fish>", The Journal of Convergence on Culture Technology(JCCT), Vol. 7, No. 3, pp. 445-451, August 2021. 
  2. Bordwell, D., Narration in the Fiction Film, University of Wisconsin Press, 1985. 
  3. Yong Soo Kim, "The Features of Korean Historical Drama Analyzed from the Theoretical Viewpoint", Journal of Korean Theatre Studies Association, No. 35, pp. 5-47, 2008. 
  4. Hee Sang Chae, "A Study on <The Fortress> as a Site of Memory of Defeat", Contemporary Film Studies, Vol. 49, pp. 85-106, 2023. 
  5. Rosenstone, R. A., Revisioning History : Film and the Construction of a New Past, Princeton University Press, 1994. 
  6. Toplin, R. B., "The Filmmaker as Historian", The American Historical Review, Vol. 93, No. 5, pp. 1210-1227, 1998.  https://doi.org/10.2307/1873536
  7. Hee Sang Chae, "An Study on the 'triple present' of the popular movie <Spirits' Home coming>", Journal of Political Communication, No. 45, pp. 103-127, 2017.  https://doi.org/10.35731/KPCA.2017..45.004
  8. Sun-Mi Kim, "A study of the Exile Narrative of the Movie <The Book of Fish>", Journal of Popular Narrative, Vol. 28, No. 1, pp. 13-32, 2022. 
  9. Sujeong Wi, '[Interview ①] Director Lee Joon-ik "<The Book of Fish> contains the aesthetics of black and white like ink-and-wash painting"', Onews, Apr. 20. 2021. http://www.onews.tv/news/articleView.html?idxno=68567 (accessed Jun. 20.
  10. Sujeong Wi, '[Interview ②] Director Lee Joon-ik of <The Book of Fish> "History is our story, no distortion or fabrication"', Onews, Apr. 20. 2021. http://www.onews.tv/news/articleView.html?idxno=68569 (accessed Jun. 20. 2023).